FREIFRAU Nana Armchair by Hanne Willmann in STOCK

Marie Armchair VERSION: Uni COVER INSIDE: Fabric Riga M1 Aluminium 21 COVER OUTSIDE: Fabric Riga M1 Aluminium 21 FRAME: 4-legs steel frame Marie Armchair deep black ME001 GLIDERS: P...

Marie Armchair VERSION: Uni COVER INSIDE: Fabric Riga M1 Aluminium 21 COVER OUTSIDE: Fabric Riga M1 Aluminium 21 FRAME: 4-legs steel frame Marie Armchair deep black ME001 GLIDERS: P...

MOULIN F0927 CHAIR WITH ARMRESTS CAT FF VIDAR 0932- GREEN FRAME IN MATTE BLACK POWDER COAT A good, old-fashioned chair designed by the late Pierre Paulin. Previously in the collection of Thonet France, it now completes the Artifort collection. The design of the Moulin dates from Pierre Paulin’s early years and was conceived on the Rue Jean Moulin...

VUELTA FD CHAIR with metal legs Upholstered in Lille Black Legs: Black grey powder coated Eclectic, exciting, Mediterranean Baroque – and yet wonderfully timeless. These are the characteristics that define the eye-catching style brought into being by the playful collaboration between Spanish artist and designer Jaime Hayon and Austrian furniture maker Wittmann. Setting design, comfort and independence of form atop four legs to create an upholstered chair that unites function and aesthetics, is the height of artistic design. In Vuelta, Jaime Hayon has created an unmistakable look – brought to life by Wittmann with characteristically uncompromising handcraftsmanship – that leaves nothing to be desired. Curiosity, determination and experience – from designer and manufacturer alike – have now made it possible to transfer all of Vuelta’s popular attributes to the dining room. Featuring typical Vuelta stitching, the upholstered seat has a comfortable pocket-sprung core. The curved shape of the backrest gently tapers forward to form an armrest. Vuelta Dining Chair is supported by graceful tubular legs in a choice of black or – for a particularly refined look – satin matt brass. And as Hayon and Wittmann are both synonymous with versatility, there is of course another option for linking the base to the floor: in this variant, four feet still provide stability, but come together at a central point to create a swivel chair...

The Charpai daybed is a Minimalist, multifunctional interior highlight with a clear, contemporary feel. It is inspired by the traditional Indian charpoy, used for sitting or reclining. Charpai is made of solid oak and finished with natural oil or open-pore lacquer. With a range of colors to choose from and three flat cushions to arrange as required, it is easy to make Charpai your own. The cushions can be covered in a choice of hard-wearing, high-quality fabrics and leathers. With various colors to choose from, they can also be used to set an accent in the room. A special coating on the underside of the fabric keeps them firmly in position, and they can also be used as a backrest if Charpai is positioned against a wall. Measuring 200 x 70 cm, the elegant, purist daybed is an open invitation to take a power NAP, but it can also be used as a bench or for storage in hallways, to seat guests in the living room, or — with the upholstery removed — as a generous side table for magazines and books. The luxurious, extra-deep bench...

Contemporary armchair Nuvola Paesaggio collection designed by Hannes Peer for SEM. Structure in lacquered iron, brass details. Shell in wood veneered w...

The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the day-bed and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The Driade Tokyo...

There are objects universally recognized as icons. Costes easy chair that, in 1984, marked the beginning of the partnership between Philippe Starck and Driade such as the consecration of the designer, formerly unknown in Italy, is one of these objects. Designed for the homonymous, now disappeared, Parisian café, owes its timeless success to the absoluteness of forms: a dark wooden embracing structure with three highly tilted legs. The Costes Armchair...