Pair of Empire Style Carved Giltwood Tub Chairs with Green Velvet Upholstery.

A Pair of Louis XVI Style giltwood and tapestry fauteuils. The tapestry 18th century and attributed to the Beauvais Manufactory. The frames are finely carved with guilloche bandin...

A Pair of Magnificent Giltwood Armchairs. Each magnificent throne chair with oval padded back encircled by an elaborate cresting carved with flowering acanthus, oak branches, and fleurs-de-lis. The top rail with two putti holding an armorial star-shaped cartouche with the interlaced L's of Louis XVIII, King of France, titled ‘Bordeaux 12 Mars 1814’, beneath a crown. This armourial cartouche is the Order of the Armband of Bordeaux. The open arms with padded armrests above exuberantly carved sculptural terminals depicting dragons with human faces. The shaped seat rail with ribbon and rocaille ornament and to the front with a star representing the Décoration du Lys. On cabriole legs. Upholstered in flower pressed blue velvet. France, Circa 1820/30. These magnificent throne chairs commemorate an important event in the Bourbon Restoration precipitating the fall of Napoleon I. They celebrate the surrender of the city of Bordeaux to royal power and to King Louis XVIII (1755-1824), heralding the fall of the first Empire (1804-1815). The Duc d'Angoulême (1775-1844), nephew of Louis XVIII and elder son of Charles X, entered the city of Bordeaux to the acclaim of the crowd on 12th March 1814. Louis XVIII later called it ‘the happiest event of my life’ and on the 29 September 1820 named the heir to his throne, not—like previous Bourbon heirs—Duc de Bretagne, or de Bourgogne, but the Duc de Bordeaux. This armourial cartouche to the top rail of these chairs is the Ordre du Brassard de Bordeaux (The Order of the Armband of Bordeaux). It was adopted for the Royal Guard and volunteers who accompanied the Duc d'Angoulême when he entered Bordeaux on 12th March 1814. It was officially called the Brassard de Bordeaux, or Brassard Vert. At first it consisted of a silk band of green with white borders, worn, as the name signifies, on the arm, but was later adapted as a medal with oval gilt sunburst on which is superimposed an oval medallion of white enamel bearing the royal monogram ‘L.L.’, and surrounded by a green enamelled band with the words ‘BORDEAUX 12 MARS 1814’. The whole is surmounted by the royal crown. In 1824 the issue of the Brassard de Bordeaux was controlled by the Royal Order of...

A fine Napoleon III Carved Giltwood Armchair In The Manner of Michel-Victor Cruchet. This fine fauteuil is richly carved with foliage, shells and 'C'-Scrolls and is upholstered 'a chasis' with floral Beauvais tapestry. The generous proportions, ornamentation and the modified Louis XV style of this grand fauteuil is in the manner of Michel Victor Cruchet who supplied related chairs to the Duke of Nemours for the Pavillon de Marsan in 1842. French, circa 1850. Michel-Victor Cruchet Michel-Victor Cruchet (1815-1899), was a celebrated sculptor, carver and ornamentalist. Working with the cabinet-makers Ringuet-Leprince, Thuiller and Maigret he was a supplier of the Garde-meuble providing many pieces of furniture to the households of both King Louis-Philippe and Emperor Napoleon III. Important commissions included audience seating for the Duke of Nemours at the Pavillon de Marsan, in a neo-Louis XV style; Gothic furniture for the Tuileries Palace for Princess...

A Pair of Regence Style Carved Giltwood Console Tables. These palatial console tables are finely carved, the frieze centred by a mask between pierced acanthus leaf plumes. The heav...

A pair of Swedish Gustavian style painted wood tub chairs from the late 19th century, with curving backs, carved campanula friezes and waterleaf motifs. Created in Sweden during the last decade of the 19th century, each of this pair of tub chairs captures our attention with its Neoclassical lines and delicately carved motifs. A curving back comes to rest on a rectangular seat which is ready, like the back for reupholstery. The apron is adorned with a delicate campanula frieze running on three sides. Each chair is raised on two cylindrical tapering legs in the front, carved with waterleaves and two saber legs in the back. They are all accented with carved rosettes on the knees and are painted in a soft color typical of the Swedish taste for light palettes aiming at brightening the rooms during the dark winters of Scandinavia. The Gustavian style takes its roots in the Louis XVI era. Swedish King Gustav III resided in 1771 in Paris, at the beginning stages of the Louis XVI style. There, he was inspired by French art and fashion. With that in his luggage, he had a strong desire to introduce something similar in Sweden. The country had fine craftsmen with high quality craftsmanship, who produced a simple style with harmonious aesthetics. The Gustavian style was born and has been in vogue ever since. It is incredibly popular, especially in England but also in France and in the USA. With their elegant Gustavian style lines and skillfully carved motifs, this pair of Swedish tub...

Stunning pair of French Empire style gilt tub arm chairs These really are every interior designers dream, elegant and cool Hand carved gilt frame very intrivcate with acanthus leaf m...

French Louis XVI style giltwood chairs with a flamed torch and foliate Design at the crest of these chairs. A carved and reeded leg is...

Of generous proportions and presence . The front mounted with well cast bronze mounts (of some size and weight ). The top with French interpretations of the Greek Caryatids (very att...