Savana Armchair in Natural Wicker, Brazilian Contemporary Style, Black seat

Inspired by modernist design, Pierre armchair is made of Sucupira wood, known for its unique stripe and high hardness; and natural straw, braided thread by thread. With a slightly sa...

"Fartura" in Portuguese, means abundance, wealth. Not in the financial sense exactly, but of everything that brings joy and happiness. It is a term widely used in Italian family meals, to represent the quantity and variety of food on the table. Fartura armchair appropriates this concept exactly, with a solid wood structure of large and succulent proportions. Inspired by the concept of neotenic design...

Apuí is a fast-growing, highly flexible, and woody vine native to the Amazon region, similar to Rattan. Tiago Curioni chose this raw material to give life to the Poltrona Toro (Toro armchair...

From the Pipa collection, we launched the armchair, with the same principle of Industrial rationalization and constructive simplicity used by the chair that started this line. In sol...

"Liba", designed by Borek Sipek and manufactured by Driade, is a rattan covered natural red and black cane seat and back with solid ebonized wooden front ...

An arresting study of balance and tension, this sculptural chair defies the boundaries of conventional seating. With its woven rattan surface and sinuous iron frame, it evokes both organic fluidity and geometric precision, standing as an artifact of experimental postmodern design. Of Italian provenance and dating to the 1960s, the chair reflects postmodern and Brutalist influences. The interplay of handwoven rattan and blackened iron creates a striking contrast, each material imbued with an inherent honesty that deepens over time. The chair’s composition is a dialogue between weight and weightlessness, structure and softness. The finely woven rattan, marked by the passage of time, bears subtle tonal shifts and a patina that speaks to its authenticity. The iron frame—minimal yet expressive—outlines the form with architectural clarity, emphasizing negative space and sculptural intent. Aged imperfections, from the gentle fraying of the rattan to the darkening of the iron, enrich its character rather than diminish it. Time has bestowed a quiet grandeur upon this piece. Its softened edges, textured patina, and minor surface irregularities serve as testaments to its authenticity, each mark a remnant of its lived history. The structure remains sound, preserving the chair’s distinctive silhouette and presence. At once functional and artistic, this chair offers a commanding yet understated presence within interiors that embrace sculptural furniture, material honesty, and conceptual design. Ideal for settings that honor Brutalist minimalism...

Antonio Citterio Wovn Leather Longoe Chair for B&B Italia 1980s

Born near Berlin in 1904, German architect, furniture designer and university lecturer Egon Eiermann desigend his famous ‘E10’ rattan armchair in 1949. Eiermann is regarded as one of...