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Tusk Arm Chair, Polished Aluminum, USA, 2023

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

Tusk Chair reflects Alex Roskin penchant for an animality in form. The versatile chair can be used as a salon chair, a desk chair, or grouped for a dining set.The chair features an mammalian physicality, hand-sculpted and cast in aluminum. The aluminum front legs extend from the chair’s body in a bowed fashion while the back legs are hand carved, rendering each chair unique.
  • Creator:
    Alex Roskin (Artist)
  • Dimensions:
    Height: 32.25 in (81.92 cm)Width: 22.25 in (56.52 cm)Depth: 23.5 in (59.69 cm)Seat Height: 19 in (48.26 cm)
  • Style:
    Modern (Of the Period)
  • Materials and Techniques:
    Aluminum,Cast,Polished
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    2023
  • Production Type:
    New & Custom(One of a Kind)
  • Estimated Production Time:
    23-24 weeks
  • Condition:
  • Seller Location:
    New York, NY
  • Reference Number:
    1stDibs: LU905335653222

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Tusk Lounge Chair II in Polished Aluminum, USA, 2022
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Todd Merrill Studio has been the exclusive representative of Alex Roskin since 2017. Roskin’s works blend functional design with modernist sculptural references. A natural successor of innovative artists such as Richard Serra, Jean Arp, and Constantin Brancusi, Roskin’s cast bronze, stainless steel, and carved wood works reflects the artist’s modernist and primitive influences. Beginning with a series of quick sketches, Roskin captures the movement of a basic form. By sculpting in foam and wood, Roskin translates that movement into a structural model that is then 3D scanned so that it can then be cast in bronze, aluminum or steel, and finished with carved wood elements. All chairs are offered COM/COL. His works often feature a mammalian physicality with heaving sinuous forms and legs that extend from the body in a bowed fashion. Rejecting outright anthropomorphic mimicry in favor of subtle, sculpted muscular forms, Roskin notes: “I try with each piece to create a stance and a presence, some with more contrapposto. I aim to give each piece a feeling it is inhaling or ready to make a move...
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