Child’s Steer Horn Chair with Leather Seat from the American West, circa 1910

An American Lambert Hitchcock's child's chair from the 19th century, with black and gold finish and grape motifs. Created by American furniture manufacturer Lambert Hitchcock during ...

An English Georgian period plum wood child's rocking chair from the early 19th century, with rush seat, ladder back and turned base. Born in the very early y...

An English country pine chair from the early 19th century, with pierced back, scrolled arms and lift-top seat. This rustic country armchair features a simple pierced back, adorned wi...

An English walnut chair from the turn of the century, with carved dog heads, leather seat and turned base. Created in England in the early years of the...

Small scaled hand-made bird figurines carved in steer horn. One of them featuring small green glass eye and the other being a slightly more abstract or freely interpreted bird. Never...

Matched pair of long horn steer horns of good color and form on custom made wood bases.

Decorative steer horn table lamp with faux marble base.

A charming bust of a child’s head by Edwin Whitney-Smith, dated 1910, the girl has her head slightly tilted forwards as she looks out from under a lock of hair, set on a square block signed on the reverse ‘E Whitney-Smith 1910’. This bronze is a reduction of Whitney-Smith’s original marble piece, a photograph of which survives in the V&A (object number AAD/1990/12/63). Another version can be seen in a 1920s photograph of the artist in his studio owned by the National Portrait Gallery (NPG x194201). Neither the identity of the sitter nor title of the work is known. Edwin Whitney-Smith (1880-1952) was one of the pre-eminent sculptors of his day. Born in Bristol in 1880, he became a student of William Harbutt, the headmaster of Bath School of Art, best remembered today for inventing plasticine. Whitney-Smith showed great promise from an early age, opening a studio in St John’s Wood, London, in 1910. He exhibited over 40 pieces at the Royal Academy and despite not achieving Academician status, even with list of illustrious proposers, he became a dear friend of Sir Alfred Munnings, the famous horse painter, and sculpted his portrait. He was, however, elected to the Royal Society of British Sculptors and his works were generally well-received by critics and the general public alike. Aside from the RA, he exhibited in Bristol, at the Paris Salon and the Scottish Academy and his work attracted the attention of such important patrons as the Courtauld family. One of his most famous works, The Waking Child, is in the Ferens Art Gallery in Hull and another, The Irishman, is in the Tate. One version of his bust of Ernest Bevin, the trade unionist, stands in Tooley Street in Bermondsey to this day. An article in The Sphere, published on the 3rd of May 1924, referred to the sculptor as “a well-known sculptor of smiling children” and mentioned his “famous babies’ heads”.