Galvanized Club Chairs

Available now, this beautiful pair of Brazilian Modern armchairs are made of ebonized Pau Marfim hardwood & white leather in buttone style. The structure is composed of curved arms & feet, and were designed by Joaquim Tenreiro in the 1940’s. The wood joints are composed of delicate wood pins in Pau Marfim also, which were typically used by the artist at the time. Sold as set of two. For the restoration process, both armchairs where dissembled to understand their condition and to restore them following Tenreiro’s technique. This is shown in the last 3 images. The set comes from a private residence in Copacabana, Rio de Janeiro. This mid-century modern pair would look incredible in any modern, mid-century modern, boho chic or contemporary environment. Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch & Hirth. In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. However, it was not until the 1950s that he began to be recognized as a master furniture designer in Brazil. His design philosophy found a great response with architects who supported modernism. A forerunner in the use of rediscovered raw materials (like cane and jacaranda -Brazilian Roswood) as well as the creator of a new formal language in 20th-century Brazilian furniture design, he drew on the lessons of past furniture-making as a vital source, not only in the mastery of technical and constructive solutions but also in the aesthetic experience, craftsmanship, and the cultural meaning of his production. As a result, his exquisitely crafted pieces evoke a refined coexistence of traditional values and modern aesthetics, firmly bound to the Brazilian cultural milieu. Literature: • Arquitetura e Decoracao, no. 12, Jul-Aug 1955 • Tenreiro book...

Originally designed to be exhibited in 1929 at the Salon d’Automne in Paris, the three-piece design collaboration relied mostly on Charlotte Perriand's genius. Dubbed a "basket of cushions," the LC2 club chair...

A vintage pair of Bauhaus Lc2 club chairs designed by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, 20th century. Black leather encased in chrome frames. Designed initially...

Vintage Le Corbusier LC2 Style Black Mid Century 2 Seat Chrome Sofa. Features a very nice quality, polished chrome frame, black cushions. It is not ma...

The "TeVe-chair" by Alf Svensson for Ljungs Industrier made in Sweden 1955. The chair given that typical Scandinavian minimalistic design and are very comfortable. This one with all ...

Pair of vintage LC2 Corbusier armchairs. Original leather and chrome frame.      

The Stuzi dining chair by Uultis offers a refined blend of form and function, combining a sleek black faux leather seat with a sculptural matte black wood frame. Its clean-lined silh...

A pair of Vintage lounge or club chairs in the style of Le Corbusier. Wide Model LC3 in Soft Black Leather. Triple chrome plated steel frame. Chairs shows little signs of use very co...

Pair of luxurious vintage leather club chairs with round backs bought in Avignon, France. Super solid and comfortable and in great shape with some minor damage to the seats as seen i...

Originally designed to be exhibited in 1929 at the Salon d’Automne in Paris, the three-piece design collaboration relied mostly on Charlotte Perriand's genius. Dubbed a "basket of cushions," the LC2 club chair...

A pair of vintage original Le Corbusier, Perriand and Jeanneret LC2 Chrome and Ivory Leather lounge chairs for Cassina with labelled upholstery and serial numbers. The price shown is for both chairs. The LC2 chair, designed in 1928 by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, is a key piece in the evolution of modernist furniture. Originally part of a series created for the Villa Church (a private residence for a client in the Paris suburb of Ville-d'Avray), the LC2 epitomizes the collaborative spirit of the three designers. Its tubular steel frame and free form cushions marked a break from traditional designs, combining minimalist form with unexpected comfort. It was first presented in 1929 at the Salon d'Automne in Paris as part of a collection that would later be called the Equipement Interieur d’une Habitation (Interior Equipment for a Living). Alongside the LC2, the trio designed other iconic pieces, such as the LC1 Sling Chair, the LC3 Sofa, and the LC4 Chaise Longue. The LC4, in particular, is often considered one of the most innovative pieces in the collection, with its curved steel frame and adjustable reclining mechanism it was not just a chair, but a piece of furniture designed to enhance relaxation. As such it became a symbol of the modernist ideal—furniture that was as much about living comfortably as it was about making a design statement. The LC designs were created not just as individual works but as a broader vision for modern interiors, where furniture wasn’t just decorative but integrated into the living environment, serving both aesthetic and functional purposes. While the LC2 chair was part of this vision for the Villa Church, it wasn't designed specifically for that one space; rather, it was a part of an overall shift towards modernist furniture that transcended any one project. When compared to the Bauhaus metal chairs...

Pair of amazing Ludwig Mies van der Rohe "brno" chairs in beige leather. Gavina produced this pair of items for Knoll in Italy during the 1970s. These stunning dining room chairs ha...