Italian Modern Chair in Gray Velvet, Briar Wood and Yellow Metal, 1980s

Italian modern yellow fabric and wooden chair by Bros/s, 1980s Chair with yellow painted wooden structure. The padded backrest covered in worked yellow fabric is cylindrical in shape...

Italian modern brass metal and gray fabric armchair, 1960s. Armchair with armrests of a fairly square shape, with metal legs with brass tips and textured gray and black fabric. 1960 ...

Italian modern Chair in gray metal, black rubber and wood, 1980s Chair with gray painted tubular metal structure. The rectangular seat is in black curved wood and the cylindrical bac...

Italian mid-century modern Chair in light yellow laminate and black metal, 1960s Chair with rounded seat and squared back in light yellow laminate and black profile. The structure is...

Beautifully crafted Klismos chair in blue/gray shagreen with polished brass sabots by Maitland Smith, Philippines 1980's. The sensual form and exceptional materials and craftsmanshi...

Midcentury Modern Vintage Yellow Armchair, Italy 1950s Vintage yellow Armchair, manufatured in Italy in the 1950s. A 1950s vintage armchair w...

A black-lacquered metal, wood and yellow velvet lounge chair designed and produced by an American designer, United States, c. 1940s. Seat ...

Modernist lounge chair in tubular chromed steel, camel velvet, Italy, 1970 With their sleek cantilever structure and soft round forms, these modernist lounge chairs encapsulate the radical spirit of 1970s Italian design. The chromed tubular steel frame defines a low-slung silhouette that balances structural clarity with sculptural presence. A continuous loop forms the base and supports both seat and backrest, showcasing an expressive mastery of bent metal—a material language that traces its roots back to the revolutionary designs of Le Corbusier and Charlotte Perriand in the 1930s, such as the iconic LC7 chair for Cassina. The round backrests and wide seats are upholstered in a camel velvet, contributing warmth and tactility to the otherwise minimal composition. The contrast between the industrial frame and the sensual upholstery echoes the experimental ethos of postmodern design, reminiscent of the aesthetic explorations of Giandomenico Belotti or Cini Boeri, whose work often blended technical rigor with emotional appeal. Though the author of this piece remains unidentified, the chairs stand out as emblematic of the avant-garde production of the Italian furniture scene during the late 20th century, when designers sought new formal languages through material innovation and structural boldness. Comparable in spirit to Belotti’s “Spaghetti” chair...