Velvet Living Room Sets

Mid-Century Modern Italian three-seat flamingo pink velvet "Coronado" sofa by Tobia Scarpa for B&B. Project from 1960s The sofa can come as a living room set together with its pair ...

Beautiful Napoleon III period living room in blackened wood garnished with a velvet decorated with bouquets of flowers, including a bench and two armchairs. The very original movemen...

Best Chair Design at the International Design & Architecture Awards 2021 Honorable Mention at the European Product Design Awards 2021 The Arches dining chair...

Beijinho Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Beijinho leather sofa seamlessly combines the soft texture o...

Exceptional matching Camaleonda set in its original coral corduroy. Designed by Mario Bellini for B & B Italia. The “Camaleonda” sofa is Mario Bellini’s contemporary classic. The pl...

Italian Baroque sofa and armchairs, 1970s A richly carved wood sofa set consisting of a sofa and two armchairs in Baroque style. Italian, 1970s The pine sofa, colored in walnut, ric...

Boucle Champanhe Agnes Sofa by Nelson Araujo Dimensions: W 80 x D 68 x H 58 cm Materials: Wood, Velvet and Foam. Also Available: Misty Beige colour. Please...

Pair of rare original 'Cabinet Chairs' by Josef Hoffmann handmade circa 1980s by Wittmann Austria. Designed in 1903, for the Vienna home of Dr. Salzer, Josef Hoffmann's cabinet chair...

Elegant pair of armchairs Italian midcentury design in the Guglielmo Ulrich design style.   

Modular sofa, fabric, chrome, metal, Italy, 1970s Beautiful Italian sectional sofa with an eccentric choice of fabric. This stunning piece truly is a reflection of 1970s design. The...

This elegant Georgian style trio is English made, done in a rich mahogany with beautiful curves in the design of the arms and back. The settee is covered in what appears to be the or...

COD-CV168 Marco Zanuso (1916-2001) "Square" model living room composed of a three-seater sofa, two armchairs and two poufs covered in velvet. Arfllex production 1962. Bibliography...

Vintage Scandinavian Mid-century living room from the 1960s. The seating group consists of a 3-seater sofa and two arm chairs with curved backs, in original blue gray velvet upholst...

Luigi Pellegrin for MIM Roma, modular sofa, velvet, metal, polyester, Italy, 1950s. This versatile lounge set by Luigi Pellegrin consists of one regular element and two corner eleme...

The Sesann lounge chair was designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. This set is composed of two lounge chairs upholstered in tobacco and chocolate brown alpaca velvet. Sesann is characterized by an organic and informal shape and is defined by the tubular metal detail that wraps around the soft, upholstered seat. In the 1970s, the Cassina catalogue...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a three-seater sofa and three armchairs. It features brown alpaca...

Product ID: 474 Product Description Title: Original Genuine restored Featherston contour suite pair armchairs R160 matching R161 settee (pair of armchairs + settee) Full Description: A highly collectable original authentic Featherston contour suite which includes the pair of armchairs and matching settee in original olive green fabric from the factory most likely from 1950s possibly early 1960s. We were lucky enough to purchase this complete set from a private collector prior from a furniture dealer in Melbourne. The original olive dark green fabric has withstood its test of time in fabulous condition as the mould and legs/timber have been thoroughly inspected and tested. Although Featherston contour chairs are fairly "common" a complete original set with original fabric is very rare indeed, and we have spent no expense on restoring the legs/timber to original glory in its lovely silky oak finish. We chose not to re-upholster the suite in another new fabric as an original suite in excellent condition original fabric is hard to come by. This suite has been hired in several exhibitions (ngv window shop as part of the MCM exhibition as well as Ian Howards...

Hug green sofa by Rejo Studio. Dimensions: D 315 x W 95 x H 76 cm. Materials: wooden structure, with velvet. Also available in different colours. Long comfortable hug. The hug sofa...

Salotto, 2 poltrone e divano 3 posti, Modello OKAY, Adriano Piazzesi, 1970 Divano e poltrone disegnato da Adriano Piazzesi per la ditta 3D. Struttura in acciaio cromato Stile Vintag...

Designed by Italian couple Massimo and Lella Vignelli, this striking Saratoga living set for Poltronova manifests uninhibited cool, its rigid lines juxtaposed against sumptuous lacqu...

We are pleased to present this stunning 3 piece suite circa 1950. Suite comprises of a pair of armchairs and matching sofa.  Richly upholstered in a deep blue velour fabric. 2 seat...

Superb and exclusive pair of two seat Mohair Velvet 'CALIFORNIA' sofas freshly reupholstered with Italian luxury Mohair Velvet fabric from Dedar Milano with inset stainless steel bases by Parisian high society designer Jacques Charpentier. This plush mohair pile...

A rare find on the second hand market. Napali modular sofa in a mint condition. Designed by Bretz Brother for Bretz. Bretz designs and manufactures fantastically sensual furniture f...

Carlo Bartoli for Rossi di Albizzate, pair of two-seat sofas and coffee table, model 'Blop', original velvet, lacquered wood, Italy, 1972 A postmodern design by Italian master of ar...

1970 Italian Living Room Set in Orange Velvet and Minimal Steel armchairs height cm.65, depth 75, width cm.96 , seat height cm.40

Set of 2 Cornaro two-seater sofas, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage conditi...

Carlo Bartoli for Rossi di Albizzate, pair of two-seat sofa with pair of lounge chairs and coffee table, model 'Blop', original ve...

Modern pink velvet sofa cactus shape with gold swivel base polished brass Ajui Sofa Pink is a contemporary design sofa that features an artsy inte...

Sesann armchair, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features khaki brown velvet upholstery and a chrome tubular cage as stru...

Set of Danish seats from the 1960s by Grete Jalk. This set consists of a 3-seater and 2 separate 1-seater seats. The cushions are in a warm red color and ...

An Italian living room suite from the 1920s comprising a sofa, a pair of armchairs and a pair of ottomans. From the early Art Deco period of Northern Italy, in walnut and ivory velve...

Soriana living room set, designed by Afra and Tobia Scarpa, and produced by the Italian manufacturer Cassina in 1969. The set is composed of a three-seater sofa, a lounge chair and a...

Stunning pair of carved wood armchairs from Italy, 1940's. Beautiful carved wood arms and wood frame with original dark stain showing grain. Original finish shows great age and patin...

Two-seater “Mantilla” sofa, designed by Kazuhide Takahama for Studio Simon in 1973. It is made of wood and polyurethane foam structure, with white velvet upholstery. Kazuhide T...

Art Deco French Style Three Piece Sofa Suite, recently restored with new cushioning and soft velvet fabric. These pieces are very comfortable which makes this set a pleasure to own and use. The wood framing has been restored as well. The color is soft light teal/gray and would fit perfectly into any Art Deco setting. The craftsmanship is outstanding with all pieces finished using a matched gimp on both the outsides and insides of all 3 pieces. A loveseat and two armchairs, the wood tone is warm medium mahogany brown. We love the lines of Art Deco sofas and chairs...

This extremely rare sofa set created by the Polish company Paged in the 1972. The furniture was produced in cooperation with the Arab Republic of Egypt. This set consists of a sofa a...

This three-piece suite of furniture contains a two-seat sofa and two armchairs. The pieces are formed from faceted cut glass and green velvet in the style of F&C Osler, an English gl...

Set of modular armchairs and poufs in brown corduroy, mod. Camaleonda designed by Mario Bellini for C&B Italia in 1970. The set consists of 8 elements: - 5 armchairs (cm 71H x 65...

This sofa was designed by Michel Ducaroy for Ligne Roset in the 70’s. He devoted 26 years of his life to the head of Ligne Roset’s design department. It was in 1973 that he designed ...

3 Piece Art Deco Sofa Carved Frame. This exquisite Art Deco sofa set showcases a masterful blend of intricate carving and upholstered cloud-like sh...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Vintage Danish Velvet Lounge Chairs, 1940s. Set of 2. Pair of vintage Art Deco curved arm chairs upholstered in golden yellow velvet made by Danish ...

Afra & Tobia Scarpa “Soriana” three-seater for Cassina, velvet and chromed steel, Italy, 1969. Although technically designed in the 1960s, the "Soriana" model by the Italian duo Tob...

Afrodite bench by Mameluca Material: steel, foam, velvet Dimensions: D 240 x W 100 x H 90 cm With reference to Paul Nacke’s theories about Narcissism, an attitude of a person wh...

Two-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. An azure velvet big seat completes the sofa. The min...

Cormor sofa by Delvis Unlimited Dimensions: D 102 x W 240 x H 78.5 cm Material: black oak, upholstered in velvet. The Delvis Unlimited brand consists of limited-edition furniture...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

Pale pink lola chair by Nelson Araujo Dimensions: W 58 x D 50 x H 76 cm Materials: Wood, velvet, foam. Nelson de Araújo, graduated in Product Design. H...

Terracota Salvador Chair by Nelson Araujo Dimensions: D 47 x H 75 cm Materials: Wood, Velvet and Foam. Also Available: Misty Beige colour available, Nelson de Araújo, graduated...

Unio Curved sofa by Poiat Designers: Timo Mikkonen & Antti Rouhunkoski Collection UNIO 2023 Dimensions: H. 72 x W. 220 D. 110 cm SH. 40 (3 seaters) Model shown: Tiger Mount...

Misty Beige Salvador chair by Nelson Araujo Dimensions: D 47 x H 75 cm Materials: Wood, velvet and foam. Also available: Terracota colour available Nelson de Araújo, graduated ...

Misty Beige Aurora armchair by Nelson Araujo Dimensions: W 81 x D 69 x H 57 cm Materials: Wood, velvet, foam. Also available: Pearl, Champagne and P...

Set of 2 pale pink lola chairs by Nelson Araujo. Dimensions: W 58 x D 50 x H 76 cm. Materials: Wood, velvet, foam. Nelson de Araújo, graduated in Produ...

Unio Curved sofa by Poiat Designers: Timo Mikkonen & Antti Rouhunkoski Collection UNIO 2023 Dimensions: H. 72 x W. 220 D. 110 cm SH. 40 (3 seaters) Model shown: Tiger Mount...

Set Of 2 Terracota Salvador Chairs by Nelson Araujo Dimensions: D 47 x H 75 cm Materials: Wood, Velvet and Foam. Also Available: Misty Beige colour available, Nelson de Araújo,...

Set Of 4 Terracota Salvador Chairs by Nelson Araujo Dimensions: D 47 x H 75 cm Materials: Wood, Velvet and Foam. Also Available: Misty Beige colour available, Nelson de Araújo,...

Set of 2 Misty Beige Salvador chairs by Nelson Araujo Dimensions: D 47 x H 75 cm Materials: Wood, Velvet and Foam. Also Available: Terracota colour available. Nelson de Araújo,...

Set of 4 misty beige salvador chairs by Nelson Araujo Dimensions: D 47 x H 75 cm Materials: wood, velvet and foam. Also available: terracota colour available. Nelson de Araújo,...