Italian Living Room Sets

1970 Italian Living Room Set in Orange Velvet and Minimal Steel armchairs height cm.65, depth 75, width cm.96 , seat height cm.40

An Italian bamboo living room set from the 1970s. Featuring a two-seater sofa and two armchairs complete with removable cushions in white. Dimensions:- Sofa – H 70 x W 152 x D 82 c...

Pair of splendid "kiitos" model seats, production of Giuseppe Rossi di Albizzate on a design by Tittina Ammannati & Gia...

Rare Italian design modular sofa, 1970s in brown velvet. The sofa is modular and made up of four armchairs. Busnelli brand present on each armchair. The measurements indicated are fo...

Exceptional Saratoga set designed by Massimo and Lella Vignella, produced by Poltronova, Italy 1960s. A beautiful living room set composed of two sofas (three-seater/two-seater) and...

This is a beautiful Italian modernist leather sofa set- 3 seater and 2 seater. Three seater measures 30" H, 74" W, and 37" D. Two seater measures 30" H, 53" W, and 37" D. On Displa...

Large bench, wood, Italy, 1960s This remarkable large bench, crafted in Italy in the 1960s, exemplifies naturalistic design. Sculpted from a single slab of wood, the bench showcases...

Set of modular armchairs and poufs in brown corduroy, mod. Camaleonda designed by Mario Bellini for C&B Italia in 1970. The set consists of 7 elements: - 4 armchairs ( cm 71 H x ...

Mid-Century Modern Italian Pair of Bamboo and Rattan Lounge chairs in the style of Bonacina. The Armchairs are in really good vintage condition and have a beautiful patina due to ag...

Newly upholstered. Wooden parts have been refurbished. The dimensions of the sofa: Height 76cm, seat height 46cm, width 153cm, depth 69cm. The dimensions of the chair: Height 76cm...

sofa height cm.88,width cm.140, depth cm.80, seat height cm.40.

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features black leather upholstery and a chrome tubular cage as s...

Italian Country Living Room Set in Solid Oak with new Bouclé Upholstery, 1970s Beautiful set in country style, consisting of 2 lounge armchairs with two matching ottomans, which can...

An Italian living room suite from the 1920s comprising a sofa, a pair of armchairs and a pair of ottomans. From the early Art Deco period of Northern Italy, in walnut and ivory velve...

Afra & Tobia Scarpa “Soriana” Sofa for Cassina, Bouclé Wool and Chromed Steel, Italy, 1969. Although technically designed in the 1960s, the "Soriana" model by the Italian duo Tobia and Afra Scarpa is firmly associated with the next decade, when its popularity peaked. "Soriana" is low and invites you to sink into its curves. Its most notable feature, however, is the Minimalist structure in chromed steel. This external structure in steel rod keeps the cover taut using buttons...

Living Room Sets midcentury Design Cherry Wood Minimal Mad in Italy 1950s Sofa height cm.84, width cm.114, depth cm.75, seat height cm.46.

Set of four original chairs from the 70s, made in the style of Pierre Cardin, entirely in wood with upholstery on the seat and back Avion blue color, polychrome fabric. They me...

Soriana three seater sofa, designed by Afra and Tobia Scarpa, and produced by the Italian manufacturer Cassina in 1969. Re-upholstered with brown ve...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Stunning sofa, Bergeres, Italian Rococo style carved and gilt, Satin Brocade, set of 3! Pair of Italian Rococo style carved bergeres, each having a parcel gilt and paint-decorated pierce carved crest rail surmounting the cabachon back, custom upholstered in cream satin brocade, leading to rolled arms, centering the drop-in seat cushion, the whole rising on a similarly carved and gilt apron and cabriole feet, 45.5" height x 41" width x 28" depth, seat 22" height. This set of three Italian Rococo style furniture is an excellent addition to any living room or parlor. The crest railed custom upholstery cabachon back sofa and chairs, matching set, are crafted from gilt wood, cream satin brocade, and paint decorated with a parcel gilt finish. The seating area with conversation area cream colored chairs...

Rare set consisting of an armchair and a small table designed in the mid-40s by giuseppe pagano pogatschnig for gino maggioni, for the Bocconi university in Milan. structure in cu...

This set of three Italian armchairs was designed in the 1950s. The design is by Melchiorre Bega. What is special about the set is that all three chairs have a different design but st...

Exceptional matching Camaleonda set in its original coral corduroy. Designed by Mario Bellini for B & B Italia. The “Camaleonda” sofa is Mario Bellini’s contemporary classic. The pl...

Dining or center table, marble, Italy, 1960s This exceptional dining table, crafted in Italy during the 1960s or 1970s, is a testament to the era's dedication to pure, timeless desi...

Italian post modern black lacquered wood and brown leather Saratoga living room set by Massimo and Lella Vignelli for Poltronova, 1980s Living room in black lacquered wood and brown leather cushions, Saratoga model, composed of a three-seater sofa, a two-seater sofa, an armchair, a luminous container bar table, a coffee table at armrest height and a half-height coffee table central. Project by Massimo and Lella Vignelli for Poltronova, around 1980. Good condition, cushions in vintage condition but with good padding. A small white scratch is present on the three-seater sofa, another small on the bar table. Three-seater sofa measures in cm 210 x 90 x 61 H and seat height 40 cm Two seater sofa measures in cm 149 x 90 x 61 H Armchair measures in cm 90 x 89 x 61 H Measures high coffee table 90...

This refined pair of vintage armchairs dates from the 1960s and is an emblematic example of the elegance of Italian design of that era. Made of walnut wood by fine Italian manufactur...

Afra & Tobia Scarpa "Soriana" Lounge Chairs for Cassina, Ivory Bouclé and Steel, Italy, 1969, Set of one. Although technically designed in the 1960s, the "Soriana" model by the Ital...

Rare lot of four chairs, probably a drawing by eugenia alberti reggio and rinaldo scaioli, originals from the 1960s made of curved plywood on a metal frame with joints between the...

Rare Soriana chaise longue by Afra & Tobia Scarpa for Cassina, Italy, 1969 It's reupholstered in a beautiful plum textured fabric. The original foam is in very good condition and s...

Mario Bellini “Le Bambole” sofa for B&B Italia, Mongolian faux-fur, Italy, 1971, set of two. This is a timeless Postmodern design icon. The starting point was a shopping bag contain...

Venetian living room set, made of carved wood, patinated in gold and silver. Composed of 2 chairs, 2 armchairs and a 2-seat sofa. Designed by GROTTO. Italy, CIRCA 1850.

Living Room Set In Curved Bamboo Cane And Metal, Attributable To Franco Albini Product Details Includes a coffee table and a pair of armchairs. Coffee Table Dimensions: 56 W x 58 H x...

Set of modular armchairs and poufs in brown corduroy, mod. Camaleonda designed by Mario Bellini for C&B Italia in 1970. The set consists of 8 elements: - 5 armchairs (cm 71H x 65...

Ciottolo #1 Seat by Imperfettolab Dimensions: D 580 x W 90 x H 50 cm Materials: Fiberglass. Also available in different dimensions and colors. Please contact ...

Afra & Tobia Scarpa “Soriana” sofa for Cassina, pink and chromed steel, Italy, 1969. Although technically designed in the 1960s,...

A suite of sofas and armchairs by Italian Designer Vico Magistretti for Cassina. Italy, designed in 1970s, this model likely c1990-2000s. Original leather, which has some signs of light aging but remains in good condition. A unique headrest solution from the designer to these chairs is that it can be 'unfurled' to a taller position for comfort. Price is for the set. Two three...

Sofaset consisting of a 3 seater sofa and two armchairs. The visible side parts are made of teak and the leg frame of iron with brass sleeves. Production Arflex 1950s for an Italian ...

Living room set by Poltrona Frau.   

This two-seater "830" sofa was designed by Gianfranco Frattini in the 1950s and manufactured by the Italian company Cassina. The sofa is in good original condition and is covered wit...

Mid-Century Modern Italian B&B "Alanda" two-and-a-half-seat white leather sofa by Paolo Piva with adjustable back pillows and armrests, 1970s. The sofa shows wear due to age and use...

A set of four late-20th Century Italian seats, exquisitely reupholstered in lavish cream boucle fabric, offering a perfect seating solution for a TV room or home cinema. CONDITION I...

Rare complete Italian luxury Louis XVI style living room set includes: 1 large sofa 2 armchairs 4 chairs Refined living room set in lacquared wood. The living room comes from an ...

Novemila modular sofa by Tito Agnoli, Arflex edition - Italy 1969. Set of 8 modules, including a corner module. Fully reupholstered in a sherpa fabric from Lelièvre Paris. Dimensio...

Cassina presented the Sesann system by Gianfranco Frattini in 1970. The project included an armchair, a two-seater, a three-seater sofa, and a coffee table. Its standout feature is a...

Modular system that can be use as a sofa, bench or other options designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. A modul...

Soriana living room set, designed by Afra and Tobia Scarpa, and produced by the Italian manufacturer Cassina in 1969. The set is composed of a three-seater sofa, a lounge chair and a...

Modular system that can be use as a sofa, bench or other options designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. A modul...

A rare 20th-century Italian sofa manufactured by ISA Bergamo and designed in an organic curved shape with a cushioned outer ring and comfortable depth which sits on splayed polished ...

"Kiushu" armchair with wooden frame and fabric covering. The backrest is removable. Signs of wear on the legs. The Brick Red fabric and the fillings remain ...

Mid-Century Modern country pair of armchairs in solid durmast ideal for furnishing mountain houses or taverns Sanitized upholstery. In good condition. Restored and polished with s...

Afra & Tobia Scarpa “Soriana” two-seater sofa for Cassina, ivory bouclé, Italy, 1969. Although technically designed in the 1960s, the "Soriana" model by the Italian duo Tobia and Afra Scarpa is firmly associated with the next decade, when its popularity peaked. "Soriana" is low and invites you to sink into its curves. The most notable feature of this couch, however, is the Minimalist structure in chromed steel. This external structure in steel rod keeps the cover taut using buttons...

Nice pair of armchairs, Gio Ponti Era, circa 1950, Italy. Brass and light red fabric. New upholstery. Dimensions: 92 cm H, 69 cm W, 89 cm D, seat height: 45 cm. Very good condition. All purchases are covered by our Buyer Protection...

Crazy vintage & modular ‘Super C’ in its original black leather. Matching set & signed! A very rare find on the market! Designed & produced by Willy Rizzo Italy. This sofa is the ...

This extravagant pair of armchairs was made in Italy in the 1950s by the manufacturer ISA Bergamo. The armchairs are covered with a unique, shiny silk fabric. The legs of the armchai...

Exceptional Saratoga set designed by Massimo and Lella Vignella, produced by Poltronova, Italy 1960s. A beautiful living room set composed of two sofas (three-seater/four-seater), a ...

"Anfibio" sofa bed designed by Alessandro Becchi for Giovannetti Collezioni in 1970 in original Leather . The sofa can be unfolded or opened flat revealing its luxuriously soft sheep...

Italian white bamboo set composed by two round armchairs and a round shape coffe table with clear glass top. The armchairs have peculiar cushions in original fabric naif motif in pin...

Living room sets elegant shape and design 1950s, feet in spiked wood, new cloth, black and white checked and white fabric rear.