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Dan Kiley Tall Cabinet

$18,000List Price

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Art and Trade Shop Unit Cabinet
By Eero Saarinen
Located in New York, NY
Custom and well-crafted modular sliding-door cabinet produced by Eric R.E. Schuster of the Art and Trade Shop of New York City in the early 1940s. Styl...
Category

Vintage 1940s American Mid-Century Modern Cabinets

Materials

Birch

Carl Koch Techbuilt Spacemaking Furniture
By Carl Koch
Located in New York, NY
Unit furniture of Philippine mahogany with white Masonite panels consisting of a module with sliding Masonite doors and a double wide module with an open front. Designed by Harvard-educated, Boston-area architect, designer, and urban planner Carl Koch as a corollary to his prefabricated Techbuilt houses and produced in 1955. Koch was a pioneering champion of prefabrication in housing in mid-century America, first with his much-publicized but ill-fated all-steel Lustron houses in the late 1930’s, then with his more successful wooden Tech-Built houses, introduced in 1953. In At Home with Tomorrow, his 1958 paean to prefabrication, he lays out his opposition to the traditional hammer-and-handsaw construction methods that remained dominant even with conceptually modernist structures. His designs generally hewed to a regional brand of modernism rather than orthodox international style, taking into account local topography and climate—his iconic form is an A-frame with a pitched roof, more sensible in New England winters than a flat roof (though there are such Techbuilt designs). The basic Techbuilt formula suggested that modular, industrial production methods of the components combined with knock-down shipping and on-site assembly equalled lower cost and less waste. Variety and individuality could be achieved in how the elements were combined. This underlying philosophy involving modularity, flexibility, and industrial production methods applied to Spacemaking furniture as well, although interestingly enough, the furniture design preceded the architectural application, as Koch (et al) had submitted a version to the 1947 MoMA Low-Cost Furniture Competition (and so these units also preceded the famous 1951 Eames Storage Unit, a conceptually similar idea executed with metal framing). The furniture line began with requests for freestanding wardrobe...
Category

Vintage 1950s American Mid-Century Modern Cabinets

Materials

Mahogany, Masonite

Mid-Century California Unit Furniture Group
By Brown Saltman
Located in New York, NY
Unit furniture group with a California mid-century vibe, possibly a DIY project, comprising four boxes, all of Douglas fir plywood, sitting atop a plinth base, presented here in a sk...
Category

Vintage 1940s American Mid-Century Modern Cabinets

Materials

Wood, Masonite, Plywood

Pablo Picasso Aquatint and Drypoint, Dans l'Atelier 1965
By Pablo Picasso
Located in New York, NY
Aquatint and drypoint etching by Pablo Picasso titled “Dans l’Atelier III,” executed in 1965. Number 34 from an edition of 50. Signed l/r Picasso, numbered lower left. In a custom gi...
Category

Vintage 1960s Spanish Modern Prints

Materials

Paper

Gerald McCabe Slat Settee for Pacific Furniture
By Gerald McCabe, Pacific Iron
Located in New York, NY
Rare slatted settee on chromed steel base designed by Gerald McCabe and produced in California by Pacific Furniture, circa 1965. Sort of Marshmallow sofa m...
Category

Vintage 1960s American Mid-Century Modern Settees

Materials

Chrome

Facendo Mobili Con Poltrona
By Poltronova
Located in New York, NY
Second edition of this compendium of radical and post-modern design produced by the Tuscan-based firm Poltronova from its early collaborations with Ettore Sottsass, who became Art Director in 1958, through the heyday of 1960’s anti-design and to the mid-1970s. Features work by both Old Guard masters and emerging leaders of the Radical Movement including (in addition to Sottsass) Archizoom, Superstudio, Sergio Asti, Gae Aulenti, Angelo Mangiarotti, Allesandro Mendini, Massimo and Lella Vignelli, Gianni Ruffi, Giovanni Michelucchi, Gianfranco Fini, Mario Ceroli, Ugo Nespolo, Roberto Barni, Paolo Portoghesi, Gino Marotta, and the group De Pas, D’Urbino, and Lomazzi. Written by Pier Carlo Santini and published by Artigraf Edizioni in 1996, following its initial run in 1977. 4to, 181 pages with text in Italian; stiff printed wraps with printed brown paper dust jacket. Fully illustrated, primarily in black-and-white. Includes artist biographies. A scarce and significant resource chronicling the contribution of this avant-garde design firm. A crisp, collectible copy with only minor bumping to the dust jacket and extremities. From the estate of design guru Jim Walrod...
Category

1990s Italian Mid-Century Modern Books

Materials

Paper

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