Early 20th Century Cabinets

This high quality linen cabinet was made by lambs of manchester. Standing upon ogee bracket feet. The bottom of the cabinet having 3 oak lined graduated drawers which retain their de...

Tea cabinet Art Deco made of stained Jatoba wood. Designed by P.E.L. Izeren (1886-1943) and produced by de Genneper Molen, the Genneper Mill in 1930. Thi...

For sale is this great antique 4-Drawer file cabinet.

For sale is this great unique antique flat file drawer cabinet.

Antique Oak 16 Drawer Typesetter's Letterhead Filer The Antique Oak 16 Drawer Typesetter's Letterhead Filer is a beautifully crafted filing cabinet, origina...

An exceptional French Provincial Louis XV style buffet server or bar cabinet By Romweber USA, Circa 1920s Gorgeous book-matched olive ash burl wood, with original brass hardware. ...

Rare tall bookcase in oregon pine by Danish architect Martin Nyrop (1849-1921) for cabinetmakers Rud. Rasmussen in 1905. These cabinets were designed for Copenhagen City...

A French Art Deco three door walnut cabinet with hand carved metal leaf detail of geometric and stylized floral design. The walnut wood in a rich, mellow color adds warmth to the piece. The center of the cabinet houses a mirrored backed glass display case which rests under a metal leaf apron circumventing the top surface and is a decorative feature affording the piece a tailored and sophisticated look. Geometric, fluted and stylized floral details on the doors and legs feature patterns and shapes that add visual interest and depth to this piece of furniture . This graceful cupboard is raised on ornamental legs, which gives it a delicate presence with a touch of whimsy and movement. This cabinet or bookcase or display vitrine or sideboard would be a statement piece in any room, adding character and style to the space. It can be used in a Brooklyn loft, French Modern, Moderne, Italian design, Industrial...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A very fine 19th century Louis XVI style gilt bronze and gilt metal mounted rosewood vitrine cabinet with malachite tops, by Pierre E. Guerin (1843-1911), in the manner of François Linke (1855-1946). The slender single-glazed front door tri-level vitrine 'Meuble d'Appui' cabinet fitted with three sectional malachite veneer tops (later) and glazed beveled-glass panels on the sides, surmounted with gilt-bronze and gilt-metal ornamental mounts with playful Putti amongst vines and leaves, ribbons, musical instruments, flowers, torches, masks, wreaths and acanthus, all raised on six fluted and tapered legs with gilt-bronze ring fittings and sabots. The apron mounts with a polychromed Verde-green background. The mounts marked 'P.E. Guerin 527 and other numerals. The interior with two glass shelves and a recent green velvet paneling. Circa: New York, 1890-1900. The marks on the bronze of this cabinet are from Pierre E. Guerin (1843-1911), who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier and Stymus...

ANTIQUE Arts & Crafts "Shop of the Crafter" Small Cabinet - Stickley Era - WITH WOOD INLAY. This is a SUPERB Mission Arts and Crafts Liquor cabinet from the early 1900s by " Shop o...

Modernist dramatic bow front credenza attributed to Andre Frechet, with a horizontal frieze of diamond and rectangular shapes inlaid in shagreen. Thin n...

French Modernist sideboard in exquisite palissander showing fine detailed craftsmanship. The wood grain runs horizontal while the cabinet bo...

This exquisite antique French Art Nouveau inlaid wood and glass cabinet was designed by Louis Majorelle and made in Nancy, France circa 1910-1920. This exceptional, museum quality cabinet...

Kiri wood, painted in oxblood color / metal applications. Rectangular body on a foot frame. Structured double sliding door and 3 drawers. Inside 1 shelf, 1 small compartment and 1 dr...

Rustic Americana Arts & Crafts low profile storage cabinet.

We are delighted to offer for sale this lovely antique circa 1920 Art deco Burr Walnut drinks cabinet with ornately carved cabriolet legs, mirrored back and internal lights A goo...

Classic iron and glass vitrine from Argentina, made in the 1920s. Two doors open wide. 4 glass shelves. Glass on all sides. Mirrored bottom. Gorgeous display cabinet. Great vintage c...

You are viewing a gorgeous Edwardian display cabinet in the Sheraton style Crafted from mahogany with satinwood for the inlay designs including shells, garlands and other Sheraton mo...

Flamed birch was a popular wood choice for Art Deco furniture in the 1930s, and this chest of drawers features several typical Art Deco design elements. However, without any addition...

French walnut nightstand. with fine inlaid edge & burled door. The nightstand has one drawer and a cabinet door, both with ornate metal pulls. Stands on elegant cabriole legs.

A Sheraton style mahogany server with serpentine form and cantered corners. The central drawer is flanked by small drawers above a central tamboured door with deep drawers on each si...

A lovely Spanish Cabinet by Gordovil Beutifully inlaid with Mother of Pearl that form a decoration of Flowers This cabinet is sat on Bun Feet A Rel Statement Piece

Sn3655 Very attractive Edwardian, mahogany display cabinet, having satinwood crossbanded and moulded top above inlaid, glazed door with original brass handle, enclosing 3 removable s...

This French filing cabinet is another good example of the quality furniture that was made in those days. The angular design and wonderful warm walnut-colored patina are a delight to the eye. However, this original cabinet from the 1920s isn't just easy on the eyes. It is as stable as the day it was manufactured and as you can see it is very well cared for. The solid walnut roll up door also works perfectly and comes with a working lock and key. This handmade cabinet...

Gorgeous French Art Nouveau Wall cabinet / hanging cabinet in the style of Alphonse Mucha 1900. The piece has been carved and hand painted on all 3 sides displaying a work in the si...

An early 20th century 2-tier carved cabinet from Fujian province, specifically Quanzhou city, China. There is nice combination of through and relief carvings throughout this cabinet,...

An antique Chinese elm wood bedside cabinet from the early 20th century with double doors, two drawers and brass hardware. Created in China during the early years of the 20th century...

An antique Chinese two-toned elm and burlwood side cabinet from the early 20th century, with two drawers and doors. Created in China during the e...

This is a very cool and unique pair of canoe form pair of etageres or bookshelves. They are incredibly rare in form and have their original finish and whimsical carved dragons and in...

A very unique and exceptional antique Mission or Arts & Crafts period smoker's stand In the manner of Stickley Brothers By Grand Rapids Chair Co. USA, Circa 1910 Quarter sawn oak...

A Chinese antique cabinet from the 20th century, with inlaid calligraphy motifs, inner shelves and drawers. Created in China during the 20th ce...

1920s antique Tyrol country nightstand in walnut, restored, polished to wax Measure cm: H 78 x W 42 x D 34.

Vintage metal dental cabinet in Art Deco style, with 22 drawers! White paint with black top, and accenting polished chrome hardware. Please confirm location NY...

An early 20th century 2-tier carved cabinet from Fujian province, specifically Quanzhou city, China. This is a very unusual cabinet as it is much more decorated than usual. On the top section, on both sides of the cabinet frame are paintings of dragons encircling the 8 immortals...

This exquisite French antique Art Deco wood and glass showcase or vitrine display cabinet by Ateliers Gauthier Poinsignon was made in Nancy, France circa 1920-1930. This exceptional ...

Pair of early 20th century Venetian Baroque nighstands in massive gilt hand-carved walnut, black laquered. Gilt bronze handle. Restored and polished to wax. Measure cm: H 64 x W 6...

Edwardian oak server from England, circa 1910. The top is wonderfully grained and has a plate rail along the back and a beveled edge. This follows down to s...

This stunning 20th-century display cabinet in mahogany combines elegance with functionality. Crafted with exceptional quality, it stands on decorative cabriole legs with claw and bal...

Edwardian display cabinet circa 1910 In Mahogany with a carved pediment showing a fluted design and carved rosettes Terminating on Sheraton style legs Complete with working key and l...

Small French bookcase from the early 20th century. Double-body inlaid furniture in rosewood, mahogany, maple, walnut and fruitwood. Sideboard with four doors, two of which are inlaid...

An antique Japanese low storage cabinet from the early 20th century, with sliding doors, three drawers and metal hardware. Created in Japan during the earl...

A wonderful pair of Heals of London bedside cabinets crafted from oak. These pieces feature open bookshelves atop and a single cupboard below, retaining their superb condition with t...

A rare and exceptional antique Art Nouveau armoire dresser or bar cabinet By Louis Majorelle (original label present) Paris, France - Circa 1900 Exotic burled mahogany, with...

Highly important Tommi Parzinger tall Limed sawed oak and Cane front Bookcase /Cabinet . 1930's together with original photo and sketch fro catalog page ,one of three possibly made. ...

Louis XV Style Ormolu And Marquetry Kingwood and Satinwood Side Cabinet with gallery. Measures 24" in width, 12" in depth and stands 26.25" tall. Shelf is fixed with a clearance of 7.5"

Fabulous and rare, this pair of gilded bronze door pulls depict two joyous nude female figures, one a dancer and the other playing the tambourine. Although the sculptor is not known,...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

A Chinese Hebei black lacquer low cabinet from the early 20th century, with burl wood doors and drawers. Created in the Northeastern province of Hebei during the early years of the 2...

An exceptional English Jacobean style buffet server or bar cabinet By Robert W. Irwin Co. USA, Circa 1920s Carved oak, with original brass hardware. Measures: 34.13"W x 20.63"D x...

A Pair Of Stunning French Art Deco Bedside Cabinets Exquisite Walnut Cloud Shaped Cabinets with Inner Shelf. Designed in the 1920's. .

A Chinese late Qing Dynasty period bedside cabinet from the early 20th century, with red lacquer, two doors, hidden drawers, carved décor and brass hardwa...

This heavily carved oak cabinet features a top with canted sides and a single door that showcases an urn flanked by opposing fish. The door swings on elegant, long hinges and opens t...

English office cabinet or shops cabinet A fantastic Edwardian era office cabinet or called shops cabinets. The top divided into eight sections....

Featuring a bow front with double recessed panel doors and two fixed shelves, this corner cabinet has a wealth of storage. Brass escutcheons with a working Hauenschild key complement...

French Art Nouveau small cabinet with marquetry by Louis Majorelle, circa 1900-1903. Documented.  

William James Neatby Attri. An English Art Nouveau music cabinet, with parquetry panels depicting Art Nouveau women and men playing musical instrumen...

Antique French Louis XV style bronze mount hand painted curio display cabinet. Item features a hand painted door front, finely cast bronze ormolu, fabri...