19th Century French Japonisme Bamboo Corner Cabinet

Early 19th century French fariniere, or flour box in the rare form of an armoire. Made of walnut and finely crafted with dovetail construction and curved legs. 16" H x 10" ...

A 19th Century French faux bamboo vitrine or wall cabinet made of pitch pine with turned cherry wood details and finials. Glass paned door with thr...

A 19th Century French Louis Philippe étagère, or display cabinet with shelves. Made of solid rosewood with fine lemon wood marquetry inlay borders and rosettes. Good quality craftsmanship with carved barley twist columns and delicate turned finials. Tiered top shelves with s-curved decorative supports and mirrored back above two glass paned cabinets, each with working lock and key. Bottom cabinet opens to one adjustable shelf. The mirrors are old with silvered patina. Small repair to right curved decoration and finials. Elegant tall, slim proportions. Circa 1820-1830. Overall dimensions: 68"H x 32.25"W x 15"D Bottom cabinet door: 28.5"H Small vitrine...

An 18th Century French Provincial miniature sample armoire from the Burgundy region. Made of walnut and burl of oak with pine as a secondary wood. A rare early armoire, nicely crafted with subtle carved details and beautiful wood grain to the burl panels. Bottom dovetailed drawer is lined with tin compartments. Original brass hardware. Lock and keys in working condition. Waxed patina. Hooks have been added so that it may be hung as a small wall cabinet...

19th Century English Brighton pavilion style bamboo and lacquered cabinet. One drawer and one door flanked by open shelves. Brass cupped feet signed W.F. Needchamp, PAT. Center has a...

Aesthetic Movement faux-bamboo armoire in the "Asian" taste. Wonderful carving and mother-of-pearl inlay details. Mirror-front doors. Beautifully fitted and fully lined with upholste...

A Japanese style carved wood cabinet, with a painted decor imitating Japanese lacquer, ornamented with flowers, birds and butterflies. Opening onto two drawers and a paper filer, the upright-secretary door is also fitted with red velvet. Surmounted by a drawer and asymmetrical shelves, composed in the Japanese « zen » spirit, the cabinet stands on four legs joined by an engraved stretcher. The great influence of the Far-East, through China and Japan, in the second half of the 19th century French art could be found first in painting and soon after in decorative arts and furniture as well. Following the Franco-English military campaign led in 1860 against the Imperial army in China, the French troops of Napoleon III brought back from the Summer Palace, a part of the Chinese Imperial court treasure, which will make up the famous Chinese Museum of Empress Eugénie at the Fontainebleau Palace. The French artists won’t be long to take inspiration from those exotic and sumptuous objects for their creations, as they used to do in the 18th century, when the best French cabinet-makers adapted the Chinese lacquers on the luxurious royal chests. But the influence of Japan, at the Meiji period (1868-1912), came also very quickly to France, thanks to the opening of the country in the middle of the 19th century, as well as the development of traveling and the amazing Universal Exhibitions, in which Japan participated for the first time in 1867 in Paris. Then many Japanese objects and prints were imported to France and to all Europe, and for which some collectors spent already fortunes. With Manet and Impressionists generation, the passion for Japanese art, more than a simple taste for an exotic style, was still in fashion until the turn of the 19th century. It provoked not only a craze among the French aristocratic families as well as the wealthy Paris high society, wishing renew their mansion inner decoration, but turned also to a real revolutionary movement among the “avant-garde” artists. Those artists, whoever they were, painters, cabinet-makers or designers of ceramic, bronze and crystal objects, adapted then those techniques and naturalistic motifs unknown until this time. Christofle, very famous since 1867 as a silversmith, was also one of the leaders among the inventors of Japanism. He knew how to use Japanese elements to his own splendid works made in silver or “cloisonné” enameled bronze. During the 1878 Paris Universal Exhibition, Christofle presented with great success his life-sized bronze Japanese ladies torcheres, executed by the renowned sculptor Guillemin. Another famous company to be mentioned, is “L’Escalier de Cristal”, producing art objects and furniture, all of high standard quality and innovating much with their Japanese decor. Highly remarked during the Universal Exhibitions, “L’Escalier de Cristal” collaborated with the greatest artists, such Gallé and Rousseau for glass- and ceramic wares, and the cabinet-makers Lièvre and Viardot, whom made furniture including sometimes authentic Japanese elements. In 1872, Alfred Perret and Ernest Vibert opened in Paris, at 33 rue du Quatre-Septembre a store that offered “natural bamboo furniture and cane seats” and all kinds of textile fittings for furniture. This furniture used for winter gardens and terraces of mansions knew then a resounding success. They developed their business around 1884 with their Japanese style furniture, very close to that executed by Gabriel Viardot (1830-1906). In 1886, the company appearing in the category of “Chinoiserie and Japoneries” offered, in addition to furniture and seating creation, works of art and inlaid furniture directly imported from the Far East ; an activity that expanded rapidly. Their exotic fantasy furniture presented at the Universal Exhibition of Paris in 1889 and 1900, rewarded them two silver medals. In 1894, the company was listed under the name “Perret et Vibert”, headed by the son of Alfred Perret and Ernest Vibert. The same year, they redesigned their store on rue du Quatre-Septembre, creating ten new show-rooms, showing complete furniture sets of Japanese and Chinese style inspiration. It was not until 1895, that the company was finally named “La Maison des Bambous” and organized then in their shops an “exhibition of country furniture and seats for castles and villas”, which was visited by Empress Eugenie to furnish her villa Cyrnos at Cap Martin. She actually was a regular customer of the “Maison des Bambous” as she bought repeatedly furniture. In October of the same year, the king of Greece...

Fine Victorian Bamboo & Laquered panel Corner Cupboard top with Bamboo frame with pair inset mirrors, Brass turn catch to open Centre Door with painted Floral Decoration, Laquered ...