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Rosewood Sideboard on Chromed Feet, Bodil Kjaer, E. Pedersen & Sons 'Denmark'

$17,388.09List Price

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Credenza resting on 4 high legs by Paolo Buffa, A Riva Mobili d’Arte Milano. The piece of furniture has two “compartments”, each closed by double hinged doors. The left part is fitte...
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By Ottaviani
Located in Uccle, BE
Rosewood box decorated with a sterling silver and enamel plaque by the Italian silversmith Ottaviani, circa 1960s. Signed with the maker’s signature and “925”. Notes: Ottaviani (1945-contemporary) is a jewelry and silver firm located in the small seaside...
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Swan by Gabriele De Vecchi – Silver sculpture mounted on a shell
By Gabriele De Vecchi
Located in Uccle, BE
“Swan”, silver sculpture mounted on a shell, by Gabriele De Vecchi. Sculpture representing a silver swan mounted on a shell forming the body and wings.
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“Luna” Blown glass vase resting on a marble base by Ettore Sottsass
By Venini, Ettore Sottsass
Located in Uccle, BE
Luna by Ettore Sottsass “Luna” Blown glass vase resting on a marble base by Ettore Sottsass. Very pale green glass vase resting on a gray veined white marble base. From a limited edition of 29 copies. Our example designed and manufactured in 1997 and bearing the number 1/29. Lit. : Marino Barovier, Sottsass: Glass works, 1998, p.108. Our example designed and manufactured in 1997 and bearing number 1/29. Signed with diamond point “venini 97 Ettore Sottsass 1/29”. Original transparent plastic label holder...
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Mid-20th Century Italian Mid-Century Modern Vases

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Artona by Afra & Tobia Scarpa, Showcase Bookcase, Maxalto
By Afra & Tobia Scarpa, Maxalto
Located in Uccle, BE
Bookcase, showcase in walnut veneered laminate. Stiles and shelves made of layers of walnut and hardwood in contrasting colors. The cabinet includes open storage spaces. Two space...
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Chest of Drawers with Two Drawers by Jacques Adnet, France
By Jacques Adnet, Compagnie Des Arts Français
Located in Uccle, BE
About this Chest of drawers with two drawers by Jacques Adnet Chest of drawers with two drawers, the wooden structure entirely covered in black imitation leather. The brass feet in...
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Bodil Kjaer, Executive Writing Desk for E. Pedersen & Son, Denmark 1963
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Located in WIJCKEL, NL
Early and rare edition of Bodil Kjaer freestanding executive desk, model 901 with chrome-plated metal frame, cassette top with four recessed drawers. Metal frame in very good condition. Four keys included. Produced by E. Pedersen & Søn, Denmark. An identical desk featured in the 1960s in the New York Times and The Sunday Times. It became even more famous when it was in some of the first James Bond films: ‘From Russia with love’ & ‘You only live twice’. The desk also appeared prominently in BBC election broadcasts. Literature: Mobilia, June 1961. This freestanding desk can be used with multiple purposes, as a writing table, desk or just 'work table', as Bodil Kjaer herself called it. According to Bodil Kjaer the idea of the table is, "that it should be suitable with modern art and architecture." The table is part of a larger series of elements of architecture in 1959, with the intention to build flexible working environments. This piece shows an interesting rhythm of horizontal and vertical lines, as do most of Kjaer's designs. The front is divided into four drawers. (Can be locked with its original Keys) The back has the same in inward gap yet without the drawers, yet this aesthetic choice unites the back and front and turns it into a monumental, architectural piece. The handles are all executed with a whole in the middle for functionality. The table's rise to fame was helped by its appearance in James Bond - From Russia with Love. Bodil Kjaer (1932-) is trained as an architect and is known mostly known for her designs in noble woods combined with a modern and sleek chrome base. The most important part of her furniture design career was from 1959-1964. She is mainly recognized for her flexible office furniture, designed in the 1960s. Her design language is greatly inspired by the Modernist masters such as Ludwig Mies van der Rohe. Her furniture has been greatly used in public buildings such as Harvard University and Massachusetts Institute of Technology. Young executives that Bodil Kjær encountered in her work in architecture and design in the late 1950es were open, creative and flexible in their way of working. So, she reasoned that it would be counter-productive for them to be offered traditional office...
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