American White Pine Armoire

American Walnut hinged Armoire with a carved molded cornice, arched paneled doors, flanking acanthus carved bulbous columns, interior removable shelving, and resting on the original ...

American Queen Anne cherry flat top highboy with a molded edge cornice, two flanking upper case drawers with a centered fan carved drawer and four low...

Austrian Biedermeier Burl Walnut & Mahogany cask with carved molded edge cornice, flanking book matched hinged doors, tulip wood inlays, satinwood inlays, original steel engraved loc...

French Walnut inlaid star blind door cask with carved molded edge cornice, centered floral shell medallion, flanking intertwined ribbon, floral, fruit, and tassel motifs, original ir...

A handsome French faux bamboo armoire (or bookcase and display cabinet) of long leaf pine and cherry, featuring a serpentine canopy top with turned decorative finials, over a framed beveled mirrored glass door...

This exceptional one-of-a-kind armoire from the area of Bremen has the original pink gesso appliqués, circa 1790.  Fabricated from a beautiful knot-less dense pine, the carved ribbed...

Biedermeier Armoire/Cabinet made of walnut and root wood with 2 large doors, ebonized colums and gilt fittings.

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...