Jugendstil Furniture

Jugendstil stool no.715 by Otto Wagner designed for Paris World Exhibition in 1900 for J.J.Kohn. Professionally stained and repolished.

Bentwood Thonet side table in very nice original condition.

Black secession wall lamp with hammered decor and glass globe lampshade. Professionally stained and repolished, new wires.

Jugendstil black beech grey suede leather small bench attributed to Josef Hoffmann circa 1905, Vienna. A gorgeous small bench with a black stained solid beechwood frame, while the co...

An early German modernist desk chair with seat and back rest composed of intersecting layers of leather straps. This chair is original but can be reproduced to meet your specifica...

A pair of large early 20th century German doors made of pine. Each door has the original bracket or rollers mounted on top with which they could originally be used as sliding doors....

Step into the elegance of this artist engraved glass. Exceptional quality work. The artist thus far remains unidentified, but is of great talent. Possibly used existing glass to engr...

Step into the elegance of the Art Nouveau era with this exquisite natural shape Despite its age, this vase remains in remarkable condition With its interesting size and captivating...

Pair of W.M.F. silver plate jardinière with glass, Jugendstil period, circa 1900.

Probably Austrian, this lovely Jugenstil desk-sized black-patinated bronze figurine on its original marble pedestal depicts a fawn youth, checking the size of his tail to see how muc...

Pair of W.M.F. Silver plate and gilt bronze jardinière, Jugendstil period. Germany, circa 1900.

Dimensions: 4.33 high x 2.25 wide x 2.75 deep This elegant desk-size statuette of a kneeled harlequin wearing a golden mask is a perfect example of the little masterpieces in cold...

Yellow copper bowl in a shape of a lotus. The bowl is signed by Frans Zwollo sr.(1872-1945), by the design of Lion Cachet (1864-1945) Both were members ...

Made of a beautifully crafted patinated bronze, it proudly stands on its original magnificent marble base. Unsigned, the authorship is unidentified. Full of tasteful provocative ero...

This pair of challises is a rare example of the famous WMF early Jugendstil objects, famous among collectors for their unique style and an unusual combination of materials - in this ...

Pair of Bruno Paul Articulating candelabras These are unmarked. Uncertain if they are German by Bruno Paul or if possibly by the Anderson Foundry executed in the early 20th century....

Set of two W.M.F. silver plate flower vases and jardinière. Jugendstil period, Germany, circa 1900. Jardinière dimensions: 16 cm height, 46 cm...

Pair of W.M.F. silver plate jardinière, Jugendstil period, circa 1900.

In this listing you sill find a sleek Jugendstil Gueridon Table, design attr. to Hans Günther Reinstein. It features an oval top and beautiful base, all painted white which was Reins...

W.M.F. Silver Plate jardinière with mirror plateau, Jugendstil period, circa 1900. With gondolier. Mirror plateau dimensions: 4 cm height, 60...

Set of two W.M.F. silver plate flower vases and jardinière with glass, Jugendstil period, Germany, circa 1900. W.M.F. silver plate flower vas...

Enameled ceramic centerpiece. Germany, early 20th century.

Set of two W.M.F. silver plate flower vases and jardinière, Jugendstil period, Germany, circa 1900. Dimensions of the jardinière: Height 19 c...

The clear lines and simplicity of this sleek design, together with the craftsmanship by which this clock has been manufactured make this piece stand out. The oval shaped tumbled foo...

The photos don't show the sophistication of these old WMF little plats, ( model 365 and 365) because there is the reflection of the light on the metal. Alloy of silver, lead and copper . Perfect to present sweets or for business cards and mail. Suitable also hanging under two wall lights , with fabric fans...

In this listing you will find a pair of antique armchairs done in ash wood and upholstered in shearling. The armchairs are done in Jugendstil, featuring clean lines, enhanced with th...

Jugendstil vintage coffee table or side table style Adolf Loos from solid oak, brass and copper in wonderful warm golden and copper color tones in a beautiful shape, Austria circa 19...

Pair of W.M.F. silver plate flower vases with glass, Jugendstil Period, circa 1900.

Pair of W.M.F. silver plate jardiniere with mirror plateau. Jugendstil style, Germany, circa 1900.

Pair of W.M.F. silver plate mirrors. Jugendnstil period, Germany, circa 1900.

Pair of W.M.F. silver plate jardinière with glass, Jugendstil period, circa 1900.

Pair of W.M.F. silver plate dishes, Jugendstil Period, circa 1900. With hunting dogs.

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

Als Jugendstilbüste einer jungen lesenden Frau gestaltetes Tintenfass, Glaseinsatz (fehlend) unter abnehmbarem Deckel (fehlend) als Buchseite, auf polygonal gestalteter Plinthe mit o...