Lazzotti Grata Cocktail Table Carrara Venato Marble Official Re-Edition of 1978

Two collector's goblet. The finesse and details of his pieces are excellent. See the photos. Finish is different. One has a sort of feather patter and has aquamarine light transparency. The other is darker and from outside the cup might look black but against the light shows it's beauty Young Igor Balbi is a world wide known glass artist. He developed his finish and teaches at Corning Museum. Belongs to the new generation of Lume artist, starting from Cesare Toffolo, Lucio Bubacco and Vittorio...

Intense and passionate glass sculpture from Ermanno Nason, using his favorite glass, the acciaio gray. This warm transparent gray color is often used by glass massiccio Sculptors, w...

Exceptional historical piece. It has the rainbow patter. A sequence of canes that Livio loved to place in sculptures where the play with the lens effect of the other clear massiccio ...

Massiccio fish with the rainbow cane sequence of Livio Seguso. This sequence was used in several pieces, bowls to be highlighted with lens effect of the piece. The fish body acts like a magnifying lens and the colors are moving when looking at the piece. See the video. Part of Livio Seguso production made under Bisazza ownership for a small period of the early 1990s. Livio continued his artist career with the freedom and the free state of mind that came from not owning a company. Similar path of Luciano Vistosi. Bisazza, the famous luxury mosaic company, continued Seguso models for the first part of the 1990s. Then closed the furnace and continued to focus with his mosaic collection. His masters, Elio Raffaelli...

Low Marble table designed by Arch. Giulio Lazzotti Available in two Size: cm. 90 x 90 x 36 H / 130 x 68 x 36 H. Materials: White Carrara and black M...

c. 1970s for Casigliani, composed of white marble and featuring unique fluting. This table is in excellent vintage condition but the glass and marble still have wear consistent with ...

Nice pair of coffee tables by Gulio Lazzotti and manufactured by Megeia, italy 1979. The base consists of four marble columns with beautiful cut lining. Three black and one white. Two black columns are shaped like half a cylinder. The other two are two cylinders with a diameter which perfectly fits in the half parts, a nice visual detail. The bases can be put in a playful position to your wishes. The large square tops are from thick glass. The tables are in excellent condition. Priced and sold in a set of 2. This Postmodern design resembles the relationship between ancient masonry skills and applying these traditions in modern forms. Like some other Italian designers, Lazzotti in particular has an innovative approach towards experimenting with form, especially in stone and marble, and applying these mainly into tables. Giulio Lazzotti is an Italian designer and architect who has always given an important place to objects’s sculptural dimension. A great lover of marble, his work is modern, reconciliating a sense of craftsmanship with industrial production. Often hired as a consultant for his experience, Giulio shares his attention to detail throughout the world and collaborates with major furniture brands. The name of the town where Giulio Lazzotti lives and works, Pietrasanta, can be alternately translated as Saint Peter or “holy stone,” the latter being wholly appropriate for a designer and architect whose work in marble, metal and wood takes on a serene, sculptural presence. Lazzotti was educated at the prestigious University of Florence, where he later returned to teach architecture. Since 1975, Lazzotti has maintained a diverse practice encompassing architecture, interior design and furniture design, winning such awards as first prize for Design at the Moving Fair of Paris, the Torre Guinigi prize in Lucca for Urban Design for the historical center of Pietrasanta, a top ten in the International Chair...

Gregge Coffee Table by Giulio Lazzotti for Bernini, 1990s Giulio Lazzotti is an Italian designer and architect who has always given an important place to the sculptural dimension of...