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Vintage Sheraton Revival Painted Satinwood Coffee Table 20th Century
About the Item
This is a large superb satinwood Sheraton Revival coffee table, mid-20th century in date.
The square table top features painted decoration in the manner of Angelica Kauffman, featuring trophies and musical instruments with a foliage and foliate border. It is raised on four panelled pedestal tapings legs.
There is no mistaking the unique quality and elaborate design, which is certain to make it a talking point in your home and a fine embellishment to your reception room.
Condition:
In excellent condition. As a vintage antique item, the piece show signs of use commensurate with age, these minor condition issues are mentioned for accuracy and, as seen in the accompanying photographs, the table displays beautifully.
Dimensions in cm:
Height 44 x Width 122 x Depth 122
Dimensions in inches:
Height 17.3 x Width 48.0 x Depth 48.0
Satinwood
is a hard and durable wood with a satin like sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: A1345a
- Dimensions:Height: 17.33 in (44 cm)Width: 48.04 in (122 cm)Depth: 48.04 in (122 cm)
- Style:Sheraton (In the Style Of)
- Materials and Techniques:
- Period:
- Date of Manufacture:Mid-20th Century
- Condition:
- Seller Location:London, GB
- Reference Number:Seller: A1345a1stDibs: LU950642395712
About the Seller
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Associations
LAPADA - The Association of Arts & Antiques Dealers
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
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THE BOTANICAL NAME FOR THE MAHOGANY THESE CHAIRS ARE MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION.
Condition:
In excellent condition having been cleaned, polished, and waxed in our workshops. Please see photos for confirmation.
Dimensions in cm:
Height 96 x Width 47 x Depth 49 - Chairs
Dimensions in inches:
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Thomas Sheraton
(1751 - 1806) was an English cabinetmaker and one of the leading exponents of Neoclassicism. Sheraton gave his name to a style of furniture characterised by a feminine refinement of late Georgian styles and became the most powerful source of inspiration behind the furniture of the late 18th century. His four-part Cabinet-Maker and Upholsterers’ Drawing Book greatly influenced English and American design.
Sheraton was apprenticed to a cabinetmaker, but he became better known as an inventor, artist, mystic, and religious controversialist. Initially he wrote on theological subjects, describing himself as a “mechanic, one who never had the advantage of collegiate or academical education.” He settled in London c. 1790, and his trade card gave his address as Wardour Street, Soho.
Supporting himself mainly as an author, Sheraton wrote Drawing Book (1791), the first part of which is devoted to somewhat naive, verbose dissertations on perspective, architecture, and geometry and the second part, on which his reputation is certainly based, is filled with plates that are admirable in draftsmanship, form, and proportion.
In 1803 Sheraton, who had been ordained a Baptist minister in 1800, published his Cabinet Dictionary (with plates), containing An Explanation of All Terms Used in the Cabinet, Chair and Upholstery Branches with Dictionary for Varnishing, Polishing and Gilding.
Some of the designs in this work, venturing well into the Regency style, are markedly unconventional. That he was a fashionable cabinetmaker is remarkable, for he was poor, his home of necessity half shop. It cannot be presumed that he was the maker of those examples even closely resembling his plates.
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