Items Similar to Early 19th C. Roman Specimen Marble, Antique Glass and Micro Mosaic Gueridon

Austrian Neoclassical Gueridon with Micro Mosaic and Specimen Marble Top

Italian 19th Century Renaissance St. Specimen Marble And Micro-Mosaic Side Table

Italian Micro Mosaic and Specimen Marble-Top Centre Table

Empire Style Fruitwood Gueridon w/ Early Italian Pietra Dura Inlaid Specimen Top

Italian Micromosaic and Specimen Marble Occasional Table

Italian Neo-Classic 19th Century Grand Tour Round Marble Mosaic Table

Want more images or videos?

Request additional images or videos from the seller

1 of 9

Early 19th C. Roman Specimen Marble, Antique Glass and Micro Mosaic Gueridon

$88,632.74

£65,681.74

€74,000

CA$121,000.54

A$134,608.14

CHF 70,563.28

MX$1,644,878.65

NOK 898,535.28

SEK 845,846.66

DKK 563,429.50

Shipping

Retrieving quote...

The 1stDibs Promise:

Authenticity Guarantee,

Money-Back Guarantee,

24-Hour Cancellation

About the Item

Richly carved fruitwood gueridon supporting an important white marble top inset with various marbles, hard stones, with Roman polychrome antique glass and Roman micro-mosaic Rome, Italy, first third of the 19th century Probably by Francesco Sibilio Total height: 77cm. Top diameter 94.5 cm. Important gueridon composed of: - circular top in white Carrara marble inlaid with a band of “sea green” marble and 84 samples of hard stones, separated by shelves in black marble. In the center a Roman micro-mosaic representing a deer pursued by a dog, surrounded by tesserae in blue and yellow glass paste and two circles in Roman polychrome antique glass: reticelli, murrina, millefiori” dating from the Hellenistic period 1st century BC. J. C – 1st ap. JC - carved wood base with gadrooned belt and corolla shaft supported by an octagonal molded base. Among the samples: Porphyry, agate, lapis lazuli, malachite, jasper, portor marble, grand antique, brocatelle, granite, alabaster… Some samples come from quarries that have been exhausted since antiquity, such as cipolin, red porphyry from Egypt or green porphyry from Greece and are therefore from excavations. Historical context Our gueridon by its materials and its technique of realization is part of a series of furniture and objects produced in the first half of the 19th century in Rome under the effect of a craze for Antiquity and excavated objects. Trays of marquetry or marble samples became a specialty of Roman workshops, on the one hand thanks to the continuous arrival of ancient marbles from excavations and on the other hand thanks to wealthy and learned travelers visiting Rome in the part of the Grand Tour. Several Roman craftsmen specialize in the manufacture of marble objects and more particularly table tops / pedestal tables inlaid with samples or marble marquetry, hard stones or micro-mosaics. Among its artisans Francesco Sibilio specializes in the marquetry of antique glasses, the technique present on our set. He is also the first craftsman to combine antique glass tesserae with marble samples on his tops. Francesco SIBILIO Francesco Sibilio was not only interested in marbles but also in antiques in the broadest sense. It will be the first to combine micro-mosaics, marbles, semi-precious stones and antique glass tesserae as is the case for our spectacular tray. He collected pieces of antique glass and repolished them in order to exploit the richness of their colors. His talent allowed him to give glass an appearance or depth akin to that of agate. Most of these fragments can be dated from the 1st century B.C. to the 1st century A.D. Some come from glass plates or inlays, originally intended to imitate marble or semi-precious stones, such as porphyry or agates. Other fragments come from vases or glass dishes. These parts, which are generally convex, were heated and flattened under press before being reused. A thorough examination reveals that the pieces of glass are held together with metal which has the particularity of reflecting light and giving an iridescent effect to the glass. Sibilio was able, better than anyone else, to take this technique to its peak. In addition, the thick white marble top is hollowed out to accommodate the different materials, which accentuates its depth. Related works: Only six tops are attributed with certainty to Francesco Sibilio, most of them are signed trays, we cannot mention four of them: • top signed et dated 1824, d. 67,5 cm Casa d'Aste Babuino, Rome, Italy 9 April 2019 • top signed et dated 1824, d. 82 cm. Auction Christie's Paris 28 nov. 2017, lot 722. • top signed et dated 1823, d. 64 cm. Auction Christie's London, 15 Dec. 1994, lot 244 & auction Christie's London, 30 sept. 1999, lot 128. Illustrated in Alvar-Gonzalez-Palacios «Lavori di Sibilio», «L'armadio delle meraviglie», Milan 1991, ill. 51. • Top circa 1825, attributed to Francesco Sibilio, The collection of Mr Edric Van Vredenburgh, Auction Sotheby's London 6 June 2006, lot 98, d. 67,5 cm The centre of our set is very close to the work of Francesco Sibilio, unfortunately in the absence of a signature given the few studies carried out on this subject and the lack of information prevents us from issuing an attribution with certainty. However, it is very likely that the talented and creative author of our set is Francesco Sibilio. This is evidenced by the mastery of the technique and the harmony achieved with marble samples and an ancient micro-mosaic in order to create a spectacular piece that perfectly reflects the know-how of Roman craftsmen through the centuries. Comparative bibliography: - González-Palacios, A., “Marmi, Pietre e Vetri: Lavori di Sibilio”, in Casa Vogue Antiques, March 1991, nr. 12, pp. 84-89. - Newby, Martine S., “Francesco Sibilio and the reuse of Ancient Roman Glass in the Nineteenth Century”, in Annali 16 Congresso AIHV, London, 2003, p.401.

Attributed to:
Francesco Sibilio (Workshop/Studio)
Dimensions:
Height: 30.31 in (76.99 cm)Diameter: 37.2 in (94.49 cm)
Style:
Grand Tour (Of the Period)
Materials and Techniques:
Glass,Marble,Wood,Marquetry,Mosaic
Place of Origin:
Italy
Period:
Early 19th Century
Date of Manufacture:
circa 1830
Condition:
Very good original condition, a few minor losses to the antique glass insets.
Seller Location:
PARIS, FR
Reference Number:
1stDibs: LU8168234434562

$30,542 Sale Price

25% Off

French 18th Century Regence Ormolu-Mounted Commode by Etienne Doirat

By Etienne Doirat

Located in PARIS, FR

A Regence ormolu-mounted commode by Etienne Doirat (Paris, 1675-1732) Rare and elegant commode curved on the front and on the sides, in amaranth veneer arranged in sheets in the frames. It opens with four drawers in three rows: two large and two short and asymmetrical . Rich ornamentation of chiseled and gilt bronzes: the Rococo frontal cartouche, mounts with oak leaf windings, foliated handles and clogs, rosettes on the sides. Flanders red marble top. Size: h. 35.04 inch, w. 56.69 inch, d. 33.46 inch By Etienne Doirat (1675-25 June 1732), Regency period, 18th century Although not stamped, our commode belongs by its shape and its bronze ornamentations to an identified corpus of the production of Etienne Doirat, one of the most talented cabinetmakers under the Regency. This group of chests of drawers listed in public and private collections, some of which stamped E. Doirat are characterized by the almost identical front cartouche. On our chest of drawers, this cartouche is formed by two scalloped lambrequins joined by a clip they are extended by branches with acanthus foliage and flowers with beaded friezes. Inside are two keyholes, the first with a lion's mouth, the second formed by two stylized dolphins facing each other with lion's paws under a valance. Chests of drawers by Etienne Doirat with the frontal cartouche: Commode in identical "tombeau" shape: - Commode stamped Doirat, Christie's London, July 10, 2008 lot n 43 - Unstamped chest of drawers, doc. Me Tajan, published in "French 18th century Furniture" by Kjelleberg Commode of different shape, identical front cartouche: - Chest of drawers with three drawers, stamped Doirat, Christie's London, November 27, 2018 lot n 509 - Sarcophagus chest of drawers, stamped Doirat, J. Paul Getty museum, Los Angeles - Chest of drawers with two drawers, stamped Doirat, private collection, illustrated in J. - D. Augarde - Chest of drawers with three drawers, stamped by Migeon, but attributed to Doirat from the former Eugène Kraemer collection, sale at Galerie Georges Petit (Paris), May 5-6, 1913, lot 141; former Ogden Mills collection, Paris, rue de Varenne...

Category

Antique Early 18th Century French Régence Commodes and Chests of Drawers

Materials

Marble, Bronze

French 18th Century Regence Ormolu-Mounted Commode by Etienne Doirat

$36,680 Sale Price

30% Off

Italian 19th century pair of very tall decorative marble obelisks

Located in PARIS, FR

Monumental pair of obelisks veneered with following marbles: pink marble of the Pyrenees, blue Turquin and yellow of Siena. A very decorative pair of tall obelisks that would look g...

Category

Antique Late 19th Century Italian Neoclassical Pedestals and Columns

Materials

Marble, Siena Marble

Italian Neo-classic (Late 19th Century) round specimen marble and micro-mosaic centered top on a Renaissance Revival triangular shaped parcel gilt & patinated bronze base with figure...

Category