Hand-Carved Furniture

Hand carved stone rustic park garden bench seat antique indoor outdoor landscape. Imposing and Very long 18th century hand carved elements gar...

An impressive silver-gilt Italian console from the late 18th Century. The worn and patinated white marble top is smooth and makes for a durable su...

Il Pezzo 12 is a female figure suspended in the air, carrying in her womb the light. It’s nimble, refined, addictive. The solid clearest crystal, brilliantly illuminated by two LEDs,...

A Chinese Qing Dynasty period wooden armchair from the 19th century, with hand-carved motifs, serpentine open arms and straight legs with stretchers. Created in China during the Qing Dynasty, this chair features an open wooden back, adorned with a curving splat accented with a hand-carved floral motif, responding beautifully to the carved décor connecting the upper rail to the side supports. Two serpentine open arms with swan neck frontal supports rest on the rectangular seat presenting a central recessed panel. The chair is raised on four traditional legs, connected to one another through side stretchers or varying heights. With its clean lines, lovely light brown lacquer finish and delicate décor, this 19th century Qing Dynasty Chinese chair...

Jagae, unique coffee table, 2022 by Wknd Lab Color: Black Size: 70.0 x 55.0 x 84.0 cm Technique: Lacquer, Mother of pearls mosaic Material: Wood Heritage: Korea The Jagae table is a...

A round, antique early German Biedermeier center table made of hand crafted shellac polished Walnut, in good condition. The top of the detailed dining table is foldable, particularized by a star-shaped veneer pattern...

A petite Arts and Crafts mahogany display cabinet in the Anglo-Japanese style with chequer string inlays and carved fern details to the upper sides with stained and coloured leaded f...

A fine pair of Empire mahogany armchairs in the style of French cabinet maker Pierre Antoine Bellangé (Bellangé was an official supplier to Imp...

This Mahogany Two Door Bookcase from Niagara Furniture can be used to display your most valued collectables. This bookcase is a perfect size to fit i...

A late 18th Century, antique Swedish Gustavian Herrbyrå, Chiffonje mens writing agency, secretary table with a writing, folding flap made of hand crafted polished Beechwood, in good ...

Campaign Box Carved Gentleman's British Army WW2 Regimental Arms Beautifully stylized and masterfully carved wooden box of floral and fruit foliage bas-rel...

This high end Leather Swan Arm Chair from Niagara Furniture is impressive with solid mahogany hand carved details as well as the full grain genuine leather upholstery. A great designer look with a solid and comfortable frame. Inspired by an antique chair...

A French Louis XV Style Green-Lacquered and Parcel Giltwood Carved Chaise Lounge Armchair. The rounded backrest carved and caned frame in the shape of an extended armchair, with an e...

This Mahogany Secretary Desk from Niagara Furniture has all the outstanding qualities of an antique original. Made of select mahogany solids and maho...

A Swedish 19th century round tilt top table with a faux bois finish. This versatile little table is perfect for a small dining experience or used as a side table. Impressive burl fau...

The Niagara Furniture version of a Two Drawer Bookcase. One of our favorite bookcases this item features a simple yet elegant design that makes it useful anywhere in the home. Often ...

18th century French Louis XIV walnut sofa with gracefully curved back, the seat supported by turned front legs and turned center stretcher. Newly upholstered in rich brown color velv...

The Madras armchair is made with a hand-carved wooden base and hand-painted in high-gloss moss green lacquer. This flagship armchair from our collectio...

Beautifully rounded and amazing color pattern alabaster pendant. If you are looking for a unique and great quality antique light fixture to grace your living space then this beautifully designed and all-handcrafted alabaster chandelier could be perfect for you. We have seen and sold many alabaster light fixtures and thanks to their true beauty and timeless designs we are certain we will make many more clients happy with them. However, we don't think we will ever again find one with an alabaster shade with such a unique and aesthetically beautiful natural pattern. This really is a one of a kind find and the combination of the timeless alabaster shade, its unique color pattern, the matching shape canopy AND the complementing color rope is an absolute joy to look at. Have you also noticed the three unique and intricately knotted suspension points? They are like the icing on the cake of this work of art (deco) light fixture. Thanks to the metal hook inside the canopy, mounting this light onto your ceiling is child's play. This alabaster pendant has a very warm look and feel and it radiates the kind of light that makes you immediately feel at home. Mind you, this antique light is rewired to the highest standard for safe and immediate usage the world over. If you like this wonderful creation-of-mother-nature light...

The George III style produced exceptional quality pieces that many collectors have deemed the finest examples of furniture design. During this time Georgian furniture makers preferre...

A New England Hitchcock Style/Fancy chair. Hand painted/stenciled with a deep and rich patination from years of good wear. The seat is woven rush seats and is in very good condition....

Classic 1890s Black Forest desk accessory carved from wood in the shape of a wild boar. A lovely addition to your room or just to use on your desk. Made from hand carved wood. Found ...

Pair of solid wood bedside tables with grey Murano glass, brass edges and handles: an example of Italian craftsmanship and mid-century modern style. Each bedside table features a sm...

Elevate your decor with this luxurious mid-20th-century chinoiserie cabinet, a masterpiece of oriental artistry and functionality. Finished in a rich, vibrant red lacquer, this cabin...

Outdoor hand-forged iron light fixtures by Dana Creath Designs. Iron Wall Lantern With Antique Rust Finish Glass Enclosed 2-Arm Sconce 1 of 6 for Outdoors. This Antique European look half wall iron lantern will bring a classic look to your favorite sitting area. The flat back of this wrought iron lantern with glass allows it to be hung architecturally from any wall of the house indoor or outdoors. Vintage wrought iron exterior wall lanterns with frosted glass in textured French seedy look. These old rust bronze color iron wall mounted lanterns are suitable for wet outdoor area or could be used indoor as well. Dimensions: 13"w x 6"d x 18.5"h. Finish: Antique Iron Burnished Rust Brown Bronze color. Glass: Antique French Seedy look. Lamping: 2 candelabra E12. Wattage: 60 watt max per bulb. European Mediterranean, French Provincial Tuscany style wall lantern. There are 6 wall mounted outdoor lanterns in rust brown finish available, price is for one. All glass front and side are in good condition. In galvanized and powder-coated iron closed at the back and glass panels on front and sides, it will enhance your Spanish or traditional decor and add a warm glow to either an indoor or outdoor setting. Great to use in any Old Spanish, Mediterranean, Italian Tuscan, Traditional or French Victorian style architectural home. Provenance: From an old charm Mediterranean Spanish Colonial Home in Montecito Santa BarBara in California. Condition: Due to the old nature of this fixture, there may be some nicks or imperfections in the glass as well as variations from piece to piece. Handcrafted by Dana Creath Designs in California, they have been producing the finest hand forged iron lighting...

Can be produced in different colored lacquers and finishes as per image. An organic modern floor lamp, entirely handcrafted in Italy, a very realistic contemporary creation with an Art Deco glamour feel. The base in brass is elegantly refinished with a round thick rock glass plinth...

Amazing pair of imposing West African Baga Nimba fertility shoulder mask sculptures or statues carved from teak. The headdresses depict busts of women on fo...

Spanish Side Table in Natural Wood Spanish Brutalist Wabi Sabi Rustic Tripod Side Table, 1950s Eye-catching wooden rustic tripod four footed side table with organic design and natural finish. This sculptural end or side table has a primitive construction and Wabi Sabi inspiration. Its patina and construction show natural imperfection showing pass of time. Minor repairs on the base but still strong and sound with highly decorative organic forms. Entirely made by hand. It comes from the Northern Spain. In good vintage condition with small signs from age and use. Measures: 48 cm W x 37 cm D x 52 cm H // 18,89 in W x 14,56 in D x 20,47 in H Wabi Sabi Wood Table // Rustic Wooden Table // Primitive Folk Art Table // Spanish Rustic Coffee Table

The African wood female bust figurative sculpture of a Mandinka woman is a striking piece of art that encapsulates the cultural heritage and craftsmanship of West Africa. Hand-carved...

Beautiful study of Venus, direct carved into solid afromosia. It shows a stylized and simplified female torso, focusing on the flow and curves of the human form rather than on realis...

A dark-brown, vintage Mid-Century Modern Italian pair of nightstands made of hand crafted polished Walnut, in good condition. Each of the rectangular bed...

Vintage Marble Large Chess Set with hand carved Turquoise and White Onyx Pieces. 1950s. Vintage mid 20th century Mexican stone marble chess set comple...

25% Discount Sale Price through July 2024, Includes bar and three stools. Original Witco Hacienda bar (model X265) and THREE stools (model K-55B) by William Westenhaver. Hand and chainsaw carved. No two are identical. Indulge in some cultural appropriation and add this Mid-Century Modern Polynesian Tiki...

Mid 19th century original paint Swedish pine bakers table circa 1850. We are pleased to offer this beautiful Swedish bakers table which offers many possibilities for use around the ...

19th Century French Louis XV-style carved walnut console table with a marble top. The furniture of the Louis XV period is characterized by curved forms, asymmetry, and an overall lig...

An Italian dark brown alabaster marble jewelry box with a blue matte metal hinge. Box can hold jewelry or other small items. A great piece for a desk, vanity, nightstand, walk-in clo...

An elegant early 20th-century French Provincial dining table, sourced from Provence, France. Beautifully handcrafted from solid maple, it showcases a naturally aged honey-brown patin...

Excellent condition sconces with a marvellous 'cloud pattern' in the stunning alabaster shades. This French pair of alabaster sconces is beautiful in shape and practical in size. Ha...

Materials: Jasper onyx, pink onyx, blue sky marble, amber onyx. Cosmic Relics totems are limited edition of 8 + 2AP, unique variations; each sculpture has a different set of stones ...

Hand-carved in walnut wood during the 1700s, this lovely commode hails from Bordeaux, France. The top has a subtle arbalete curve with quarter-round molding, while the sides have a m...

Early 19th century Swedish painted wall cupboard circa 1822. Fine quality Dalarna region wall cupboard.  Hand painted in orange, reds and greens.  Shaped cornice below which the ini...

A King Size Mahogany Poster Bed. A Solid Mahogany Frame and the finest mahogany veneered headboard panel combine together to create a beautiful and ...

Hand carved during the reign of Louis XVI, this linden wood and oak plaque was originally a boiserie panel that would have adorned the wall of a French manor...

Mid-Century Modern Italian two patina Brass swing arm floor or reading lamp mounted on a beige genuine hand crafted marble base. Comes with a footswitch and the shade rotates. Wire...

Gateleg / Drop-leaf table hand-made in the Netherlands in the late 1700s using oak. The table has a round shape when opened and its size make it perfect for an entry table; neverthel...

Symbolic and meaningful work of religious art with original label on the back. Framed oil on wooden panel, Madonna and child, after Italian Nicolo Barabino (1833-1891). The original...

The 84 inch Round Perimeter Table is produced with a figured mahogany field and satinwood banding on the top which makes for an interesting contrast. S...

A circa 1940's Spanish gilt mirror with mirror insets. Measurements: Height: 46" Width:  34" Depth: 4"

This is a wooden Buddha statue made around the Edo period in Japan. Although it is a small Buddha statue, it has a strong presence and is beautiful. Originally, there was a wooden pe...

Breathtaking French Art Nouveau table lamp by Emile Gallé early 1900 model: ''Vosges Paysage'' simply exquisite. Multilayer glass lamp with engraved decoration in brilliant reserve of a blue and green Vosges landscape, on the foot, and on the hat of eagles in flight, on an opaque yellow background. Gilded bronze mount with three claws and two lights. Signed "Gallé" in reserve, on both elements. Looks amazing when lit, museum worthy Art Nouveau piece and a must have for any collector This original Emile Galle lamp...

19th Century French Empire period carved giltwood rectangular mirror. An exceptional matched hand carved and gilded French mirror. Highly carved with flowers, original glass and ori...

An antique 19th century Statuary white marble Louis XVI style fireplace mantel, with bow fronted frieze and shelf. The jambs with deep side returns and fluted front panels terminatin...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Arising from the collaboration of the automobile brands, this exclusive antique model car is a 1:24 scale model that took over 4,000 hours to develo...

18th Century French Louis XVI Carved Settee with original horse hair upholstery. Frame is in very good vintage condition with some paint loss but very sturdy. Featuring acanthus moti...

A highly functional and decorative piece this Four Drawer File cabinet is made with figured mahogany. The top of the cabinet is covered in a full grain brown leather panel which is a...

This 20th-century French bergère is an elegant representation of the Louis XV style, known for its graceful curves and refined ornamentation. The frame of the chair is crafted from c...

Luxurious and big Champagne bucket sculpted by hand from a solid block of amber onyx. The polished finishing underlines the transparency of the onyx making this a very precious objec...