Veneer Furniture

Long dresser with a brutalist or woven style front. Six wide drawers in dark wood, surrounded by a dramatic ebony macassar finish frame. Please confirm location NY or NJ

Coffee table model « 1928 », designed by Jean-Michel Frank and Adolphe Chanaux. This table is an Ecart International edition circa 2000. Wood and natural sycamore veneer. Biography ...

Wall-mounted console table with under-top drawer, open compartment and shelves. Made of metal, brass, mahogany veneer wood. Very good conditions

A Pair of French Empire Design Figured Walnut Three Drawer Nightstand Chests With Mounted Gilt Provenance: From an Establishment on Belgrave Square London see images7 Known to be ...

Whether in the dining hall or conference room, this monumental table is sure to take command of any space. With an imposing 108"x44" footprint, this 2-leaf table features a luxuriou...

Very fine English Regency period bonheur du jour attributed to John McLean & Son, the rectangular top having pierced gallery with turned and ring collared brass column supports with ...

Table dimensions: H 78 cm x W 152.5 cm x D 83 cm Armchair: H 90 cm x W 58 cm x D 52 cm The K. u. K. Hoftischlerei J. W. Müller was one of the leading workshops. It regularly prese...

Curved bar cabinet with engraved design doors. Metal base.

A fine example of a Continental fruitwood fall front desk with foliate inlaid lid, crossbanded veneer borders, and shaped case, compartmentalized stepped interior with fitted drawers...

This small Biedermeier dresser dates back to around 1830. The four drawer commode has a very pretty walnut veneer on top, sides and front. I...

Fig Tree Console by Ginger & Jagger Dimensions: D 48 x W 160 x H 90 cm. Materials: Brass, wood veneer, and lacquer. Finish: Top lacquered in Stone in matt; drawer in purpleheart woo...

The iconic tribal Jaya drum table is handcrafted with traditional joinery, fabricated with multiple stacked discs in various sizes, toped with a book-matc...

Viennese flame birch veneered dressing table with flanking bronze eagle capitals mounted on ebony columns supporting an adjustable oval veneered framed mirror, centered drawer with b...

Biedermeier Demi-Lune console table, walnut veneer, maple, Austria circa 1830 Three-legged demi-lune console table in walnut. Half round top in walnut star...

This remarkable chest of drawers, boasting the elegant Louis XVI Style, dates back to the late 19th century. Comprising five drawers, this commode features exquisite marquetry work t...

This elegant 1940s Swedish chest of drawers showcases a timeless design of mid-century Scandinavian furniture by Axel Larsson. Featuring a rich flamed mahogany wood veneer with a sat...

Danish tall bookcase in beautiful rosewood veneer. Designed by Carlo Jensen and made by Hundevad & Co. This bookcase is in very good vintage cond...

This original Louis XVI Secretary Desk dates back to 1780 and comes form the southern part of Germany. It is a real beauty! The lower part has...

Contemporary Side Table in Brazilian wood. Natural of Brazil, Imbuia wood possesses deep, rich colors and interesting grain patterns that make every object unique. Designed with Mini...

Unique monumental Italian 19th Century Grand Tour Style Specimen marble inlaid obelisks. Marble is precisely cut and inlaid into a fine two-tone...

The iconic tribal Jaya drum table is handcrafted with traditional joinery, fabricated with multiple stacked discs in various sizes, toped with a book-matched sunburst, the Drum table...

This Italian midcentury teak table attributed to Paolo Buffa 1950, is an example of pure Italian design on the period. The round top is completely in rosewood with spectacular colour...

A Fine French 19th-20th century Louis XV style ormolu-mounted tulipwood vitrine with marble top, in the manner of François Linke (1855-1946). The slender single door cabinet fitted w...

Pair (2) museum-quality wooden pedestals from the Dresden State Art Collection 2 solid wood veneered platforms, rectangular shape, partially profiled. Classic shape, is ideal as a b...

Clad in cream lacquer reminiscent of parchment paper, the CUPOLA End Table features the classic NARRATIVE ARC elliptical silhouette, rotated vertically and spliced through the middle...

Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for...

Scandinavian Modern rectangular coffee table with a teak veneer top and a chrome base and legs. Vintage condition.

Mahogany wood, slender, multi-articulated columns, below are three volute-shaped legs. Gothic frame, with protruding profile plate. The tabletop can be folded forward. Good conditi...

Art Deco Genebra Armchair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Genebra armchair is designed to give your living room a sophisticated vintage look. Since 2014, Greenapple has been designing furniture, lighting and heritage objects with inspiration in the beginning of the 20th century. Saving from oblivion one of Design's Golden Eras by the desire to sparkle interest in the Collectors community in pieces that draw inspiration in known designers who have now become classics: Eileen Gray, Jean-Michel Frank and Adolphe Chanaux, Pierre Chareau, Michel Dufet, Mariano Fortuny, Gio Ponti and so many others who have lead the way…Designed drawing inspiration in one of the golden ages of design, the 1930's, this is one of Greenapple's most iconic armchairs. Upholstered in dark blue velvet...

Original Art Deco furniture from a time full of life and elegance. We get all of our furniture unrestored so that we can be sure that it is really original. We then offer these as original until we recondition the furniture in our workshop and then offer it as restored furniture...

An Italian walnut bedside chest from circa 1840 with burl wood panels, four drawers and carved bracket feet. Immerse yourself in the grandeur of 19th-century Italian craftsmanship wi...

A pair of pillar-shaped bar stools Macassar veneer, high gloss lacquer finish with black lacquer accents Chrome-plated metal appliqués Upholstered...

This neoclassical game table from France dates back to 1810-20. It has a chess board on the top which is framed by an elegant inlaid ribbon. The inside of the table is decorated with...

Large low bookcase in mahogany and mahogany veneer, opening with two full doors and two central glass doors in the form of a pointed arch, for displaying books or collectibles. Rich ...

Form TV stand is a high quality product by Mambo Unlimited Ideas, crafted in polished or matte wood veneer structure and feet, combining natural oak, natural walnut, dark walnut and ...

Set of three inlaid nesting end side tables. The largest is 18 1/2" by 14 1/2" by 22 1/2" tall, the smallest is 12 1/2" by 13 1/2" by 20 1/2" tall. Book matching veneer and inlay. Ni...

The Dreyfus Night Stand is made-to-order. Designed to store daily and occasionnals objects. The solid wood drawers features leather veneer fronts. The Antique Brass hardware is studi...

Beautiful antique Biedermeier Corner Cabinet in cherry veneer from South Germany around 1820.Cherry veneered on softwood. Partly ebo...

This piece is an elegant Italian mid-century sideboard distinguished by sophisticated design and refined artisanal details. It is composed of two main sections placed side by side an...

A very stylish Art Deco clock in beautifully figured walnut veneer, original chrome plated bezel and hands with matted silver finished dial. We have replaced the original mains elect...

Teak mid-century bedside table, circa 1960's. Beautifully veneered case rests on contrasting black splayed legs. Slim drawer with darling metal handle and a handy lower shelf! Plea...

Important hall cabinet from around 1770/1780 Walnut, walnut burl and other precious woods veneered on softwood, two-door body divided by three pilasters, doors with octagonal carto...

This long dining table was manufactured in the 1960s, but its authorship is still in research. The table is made of solid Rosewood with a veneered top. The design is so well construc...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A very fine French 19th century Louis XV style ormolu mounted plum pudding mahogany veneer, mahogany and Vernis Martin decorated vitrine à Deux Corps, probably by François Linke (1855-1946). The lower structure fitted with finely chased gilt-bronze mounts with female masks, musical instruments, floral drapes, bows and acanthus, centred with a frieze drawer and a cupboard door with three painted panels. The centre front painted panel with a Romantic courting park setting scene amongst sheep and a sculpture fountain of Putti; the side panels both with parks scenes of a resting lion sculpture and fountain flanked by grassing sheep. The lower cabinet interior with three drawers, the upper vitrine case with two glass shelves, a bowed beveled front door and sides, crowned with a fine gilt-bronze wreath mount with ribbons, all raised on four cabriolet legs with cast lion paw mounts. Unsigned, Paris, circa 1890-1900. The style of this cabinet is closely related to those produced in the Paris furniture making trade in the Faubourg Saint-Antoine in the 1880s and as such, without a signature or identifying mark, is unattributable. However, there are similarities with the firm Raoux et Brunet, some of whose mounts were designed by Léon Messagé and later used by François Linke. Indeed many of the mounts on this cabinet, whilst not exclusive to him, are very similar to the work produced in his early years in Paris in the 1880s. At this time Linke was making furniture to order...

Form sideboard is a high quality product by Mambo Unlimited Ideas, crafted in polished or matte wood venner structure and feet, combining natural oak, natural walnut, dark walnut and...

Round tripod coffee table in solid oak and oak veneer, saber legs, veneered top in three pieces. Open pore shellac varnish. France c. 1940.

18th century English Queen Anne mahogany lowboy / dressing table. Cabriole legs / pad feet / arched apron / dovetailed drawers / period brasses / old surface. Direct from local WNY ...

Stunning toilette commode, structured like a writing commode, made in the famous era of Biedermeier, a late piece made around 1850, in Austria. The structure of the chest of drawer...

Boca do Lobo’s exclusive Patch Table has intricate wood veneer top and sculptural base for adding sophistication to any kind of home setting. Patch table f...

Kanyon Oval Oak And Travertine Coffee Table by Studio Kali Dimensions: D 52 x W 140 x H 37 cm. Materials: Oak, veneer, and travertine. ...

Mid-Century Modern gambling table attributed to Osvaldo Borsani for Tecno, veneered mahogany decorated for game chess. Legs in painted steel with adjustab...

Small writing casket with thuja root veneer and surrounding steel-cut decoration. The casket is lockable and features an interior compartment for an inkwell, blotting sand, and a qui...

This Mid-century cabinet is made of veneer teak wood, a warm material that exudes natural charm. The cabinet has delicate metal black legs, which contrast nicely with the wood and gi...

Inspired by the Sacred Ceiba trees in Havana, Joao Faria created the stunning Roots Home Office Desk for contemporary home offices. It is handcrafted using carefully selected wood ve...

An English bleached elmwood veneered oval side table from circa 1900 with two tiers, turned baluster legs and rectangular block joints. This English side table, gracefully crafted fr...

Very pretty Art Deco love letter box in carved walnut wood, would also be great to keep jewellery in. Two detailed carved doves lying in an amorous em...

Elevate your living space with our exquisite Louis XVI Chest of Drawers, a masterpiece from 1780 originating in Germany. Crafted with precision and adorned with the finest walnut ven...

- made in Czechoslovakia - Carefully refurbished and finished in shellac - Beech skelet with oak veneer finished in shellac - Newly upholstered in brown fabric imitating the leather ...

"Scomodino" is a wooden C-shaped side table, designed by Dessie' Studio and manufactured by Dessie', provided with one drawer and adjustable feet and finished in natural oak, natural wenge, Santos rosewood or walnut. Indoor use only. DIMENSIONS: D. 15.7", W. 15.7", H. 19.7" DESSIE' company's mission is putting a contemporary spin on the old tradition of cabinet-making, in order to offer pieces of furniture ready to get people excited and to satisfy aesthetic and functional values of the contemporary way of living. Dessie' was started during 1990s and now proposes a collection of pieces of furniture inviting to discover a sophisticated and elegant design, an unique style where different influences merge, and to re-create a simple and refined design atmosphere for unconventional people who are freely looking for essential and high quality pieces. A collection, including tables, small tables, writing desks, console tables, bedside tables, chairs, bookcases, dressers, cabinets, cupboards, upholstered pieces of furniture and lamps, which was created having in mind an essential style and a careful attention to recent trends. Harmony of forms and care for high quality and rational design, attentively studying any detail, are some of key features of production by Dessie', which has been always reworking the legacy from the tradition by means of a strongly contemporary design language. The aim is to create a forward-looking style which anyway doesn't lose the value of the past as a main feature, in order to give any setting an original charme, indifferent to passing fads. Hence here's a formal language which uninterruptedly takes care of details and precious finishes, while experimenting expressive capabilities of the best materials: precious woods, steel, leather, natural fibers, etc. Flexibility and possibility of customizing any piece in order to offer a "tailor-made" production is one of key design criteria followed by Dessie'. Dessie' established a close cooperation with some famous international designers, like the Catalan Jaime Tresserra, who designed "Tecnica" collection. Besides its own production, Dessie' has been taking the assignment of selecting products by some Spanish companies (Andreu World, Carpyen, Dae, Indecasa, Mobles 114, Punt Mobles...