Limited Edition Posrche 911 RS 1973 Pop Art Print in the Manner of Andy Warhol

A Large Abstract oil on canvas painting by Robert K McKeller (1945-2009). A bold artwork full of emotion, a fabulous statement piece for those looking for an immersive piece of art for a large wall. An unique artwork by a well respected 20th Century artist. Measures 5ft wide by 4ft high. Robert K McKellar is an artist known for his distinctive style, often characterized by vibrant colours and dynamic forms. His work spans various mediums, including painting and sculpture, and frequently explores themes of nature, emotion, and abstraction. McKellar’s pieces might incorporate elements from his surroundings, reflecting a deep connection to the landscapes and experiences that inspire him. Robert McKellar’s abstract work often emphasizes colour, movement, and texture, creating immersive experiences for viewers. His approach uses bold and contrasting colours to evoke emotion and energy, drawing the viewer’s eye and stimulating the senses. His abstract pieces frequently feature fluid shapes and patterns that suggest movement, inviting interpretation and personal connection. Mixed Media Techniques: He often employs a variety of materials and techniques, layering paints and textures to add depth and complexity to his compositions. Nature-Inspired Elements: Many of his works reflect natural forms and landscapes, reinterpreted through an abstract lens, blending realism with abstraction. Emotional Resonance: McKellar’s art aims to convey feelings and moods rather than depict specific subjects, encouraging viewers to engage with the work on a personal level. His abstract art is celebrated for its ability to blend aesthetic appeal with deeper emotional and conceptual undertones, making each piece a unique exploration of the human experience. His works often resonate with audiences due to their emotional depth and visual impact. About Robert K McKeller Painter and teacher, born in Gravesend, Kent, where he attended the Technical School for Boys, 1957–62. Emigrated to New Zealand, 1964, returning to England on the death of his father in 1966. Did a foundation course at Medway College of Design, 1969–70, then a degree course at Camberwell School of Arts and Crafts, 1971–3. Gerald Norden...

A superb 19th century Gothic Revival centre table in the manner of A.W.N Pugin (unattributed). Would make a wonderful serving table or large console table. Narrow form make this piec...

A large scale Mid Century Concrete Planter, freshly salvaged. The piece is in the style of Willy Guhl - not at all attributed to the designer but certainly of its period, with rounde...

A pair of stylish Bauhaus influenced Library desk chairs, in the manner of Tobia Scarpa. This unique pair have a wonderful style and colour. Beaut...

Print: Full color digital archival print on Epson Hot Press Natural 330g/m2 Size: 610 x 508 mm (24 x 20 in) Edition of 100 This work will come with a signed and numbered archival label adhered to the back of the print. (2019) Produced with the support of Kering, a global luxury group committed to the empowerment of women, this charitable limited-edition print is part of a portfolio celebrating Phaidon's Great Women Artists, the most extensive illustrated book on women artists ever published. The book tells the stories of over 400 artists spanning 500 years and reveals a parallel yet equally engaging history of art for an age that champions a great diversity of voices. The Great Women Artists print portfolio offers collectors the opportunity to acquire affordable works by some of the most celebrated and sought-after women artists of our time, while contributing to a worthy cause. A pioneer of the British Black Arts Movement of the 1980s and '90s, Lubaina Himid...

Photograph Color photograph made with archival pigments on fine art rag paper with matte finish Size varies based on edition This work comes with a "Certificate of Authenticity". Luke Butler...

PHOTOGRAPH Print made with archival pigments on fine art rag paper with glossy finish 12.00 x 17.00 in 30.5 x 43.2 cm Edition of 250This work comes with a Certificate of Authenticity and an artist signed label on verso. "I shot the video in 2000, in my home in SoHo. I knew prior to shooting what I wanted to do and I envisioned the piece exactly as it turned out. First, I experimented with a metal cookie tin placed on a hot stove. It didn't work because the ice cube melted too quickly. I tried a hairdryer but as the cube melted, the hair-blower blew the remaining cube away. Thus, I let the cube melt on it's own accord in real time. It took about three hours to fully dissolve into a puddle of water. I used a glass plate on Glassene paper: all that transparency made the black lines of the plate look line a charcoal line drawing. The title is important because it precisely explains the work: The Long Dissolve is exactly of an ice cube dissolving." —Burt Barr Claiming that "black and white are the only two colors I'll ever need," Burt Barr is a believer in the single take and the static shot. Meant to be projected directly onto a wall and looped for continual viewing, his films equate more to hanging drawings or black and white photographs than they are moving pictures...

Archival pigment print on Moab Entrada 290gsm Measures: 23.75 x 18.75 in 60.3 x 47.6 cm Edition of 100 This work is signed and numbered by the artist, (2016) Images in Debris depicts time lapse photographs of the sky, taken by the artist, at sunrise and sunset. The images, captured digitally, are then printed via a 4-color screen printing process. Each color separation is screen printed and then smeared while the ink is still wet, foregrounding a handmade process that involves tactility, registration, wetness, and specificity of touch. The images of the sun at dusk and dawn are at once universal and highly specific, recording a period of time on a particular day and in a particular place. By objectively recording the images and then breaking them apart and putting them back together, Sze explores the fragility of time passing and our desire for intimacy and touch in the face of both overwhelming natural forces and the ubiquitous images that surround us daily. Sarah Sze...