European Drawings

Signed and Numbered Yaacov Agam, Colors of Love, Serigraph

Josep Pla-Narbona, INCOMUNICACIÓN Y LIBIDO, 1971 Graphics Work signed by the artist (pencil) Sheet dimensions 40/29 Unframed work Josep Pla-Narbona was born...

Charming drawing of the XIXth century, representing a character of the famous tale of Charles Perrault: " Le petit Poucet ". It shows the young boy in country dress, wearing a hat to...

Wolfgang K. E. Lehman, German artist. Mixed media on paper. German Expressionism. Expressionist depiction of a woman. The artwork is behind glass in a frame with spacers. Signed and ...

Antique Male Nude Art Study Drawing From Paris, Framed in Italy Offered for sale is a late 19th-century male nude art study drawing in graphit...

19th Century Antique Religious Painting Antique, neoclassical paintin from the 19th century. It retakes Bernardo Strozzi work "Annunziazione fata dal...

Pencil with wash: a fine and grandly-scaled French architectural drawing of the "Credit Municipal" building; stamped "Atelier Garnier, Lyon

Absolutely unique. Handmade pictures from aluminium and enamel. One picture is a little tarnished at the back. See pictures. Absolute eye-catchers.

Beautiful Flemish drawing from the 17th century made with drypoint and red chalk representing a bull in profile. This naturalistic drawing takes up the favorite theme of the painter Paulus Potter...

This is an example of a hand-drawn scaled drawing of the ‘Top of New Dining Table (DRW.79)’, 17th December 1952. The drawings depicts the top view of what seems to be a ‘simplified’ version of Finn Juhl’s Silver Table, or more commonly known as the ‘Judas Table...

19th C French Drawing of a Handsome Monarchie de Juillet Cadet, Paris, 1833 Apparently Unsigned, Not examined out of the frame. A well drawn oval portrait of a handsome French c...

An original Maison Jansen pencil drawing depicting an architectural detail "Rosace de Plafond Louis XIV" page 136 Stamped: Jansen, 9 Rue Royale Paris 8e.

Signed and numbered Yaacov Agam, colors of love, Serigraph.

Modernist nude study of the female figure by an anonymous artist, circa early 20th century. Loose, expressive strokes with emphatic shading. Drawn in charcoal on paper. We have two r...

1930s colored drawing inscribed on the back "Promenade" This important drawing we can very likely attribute to the Italian master Carlo Carrà. The beauti...

Danish 19th Century Watercoloring Painting of a Windmill in a Period Gilt Wood Frame, Copenhagen circa 1850. Signed on the rear, E. L. for EdwardLehman. Also handwritten in Danish o...

Detailed 18th century style framed pastel bouquet drawing. Intricate burl wood and ebonized wood period frame. Very decorative.

Lithography intervened by Diane Guyot de Saint Michel, 2017. Limited edition of 50 copies. Each lithography’s are different from the others and are unique pieces. Hand signed b...

Beautiful pastel on paper by Ivan Ivanovitch Kowalski (1839-1937), signed and dated 1907. Depicting a woman walking in a snowy forest. Post-impressionist work of the Russian school. ...

Bold and full of energy, this pen and ink drawing depicts three nude male figures, their arms upraised, caught in mid pose as they dance across the room. Although it is not signed, ...

Rocky landscape animated by Roman soldiers in armor: pen and ink wash drawing, gouache or watercolor, in a gilded wooden frame from the Louis XVI period Drawing attributed to Jean A...

An early drawing by the famous French/American Pop/New Realist artist. Combining two of the artists motifs- paint tubes and multiplicity. A period 'Pop' work retains an Andrew Crispo...

An original Maison Jansen pencil drawing depicting an architectural detail "Rosace de Plafond Louis XIV" page 133 Stamped: Jansen, 39 Rue Royale Paris 8e

Etching by V Franz Xaver Lorenz Rektorzik-Brunn 1793-1851 Etching 7 x 10.

Regal set of twenty-four steel engravings of English Hunt Scenes by Richard Blome (1635-1705) framed in a pair of three panel mahogany Regency Screens, 17th century. The etchings are from "BLOME, Richard (1635-1705): The Gentlemans Recreation. ... An Encyclopedia of the Arts and Sciences ... [and] Horsemanship, Hawking, Hunting, Fowling, Fishing and Agriculture. With a Short Treatise of Cock-Fighting. London: S. Roycroft for R. Blome, 1686". Twenty-three of the twenty-four hunt engravings...

Drawing of a horse probably French

Red chalk drawing of a reclining Female nude Signed and dated by Frank Dobson This drawing, never before on the market, comes from an important European private collection and is beautified by an antique frame in gilded wood, in almost perfect condition. The painting is also protected by glass Dimensions whit frame cm 71 x 58.5 Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Frank Owen Dobson (London 1886 – 1963) was a British artist and sculptor. Dobson began as a painter, and his early work was influenced by cubism, vorticism, and futurism. After World War I, however, he turned increasingly toward sculpture in a more or less realist style. Throughout the 1920s and the early 1930s he built a reputation as an outstanding sculptor and was among the first in Britain to prefer direct carving of the material rather than modelling a maquette first. The simplified forms and flowing lines of much of his sculptures, particularly his female nudes, showed the influence of African art. From 1946 to 1953 Dobson was Professor of Sculpture at the Royal College of Art. He was elected to the Royal Academy in 1953. While Dobson was one of the most esteemed artists of his time, is now seen as one of the most important British sculptors of the 20th century. Dobson grew up in Clerkenwell where attended school in Forest Gate. After eighteen months in Reynolds-Stephen's studio, Dobson moved to Devon and then to Cornwall where he lived, for two years, by selling landscape paintings. In 1906 he obtained a scholarship to study at the art institute in Hospitalfield House in Arbroath and studied there for four years. From 1910 to 1912 Dobson attended the City and Guilds of London Art School in Kennington, after which he returned to Cornwall. In Newlyn, he met Augustus John who used his influence and contacts and in, or around, 1915 Dobson created his first sculpture, a small piece in wood. In 1915, during the First World War, Dobson enlisted in The Artists Rifles and served in France from October 1916. In April 1918 he married Cordelia Clara Tregurtha. Dobson was formally invalided out of the Army in November 1918 and by then had already submitted several drawings to the British War Memorials Committee. Dobson set up a studio in the Tregurtha family home in Newlyn but towards the end of the war he took a studio in Manresa Road in Chelsea and would live there until the start of the Second World War. Throughout the 1920s Dobson focused increasingly on sculpture, exhibited work in several influential exhibitions and played a leading role in a number of artistic groups. He was the only sculptor to take part in the 1920 Group X exhibition. Dobson was a founding member of the London Artists Association and spent three years as President of the London Group between 1923 and 1927. He made bronze portraits of several public figures. At the Group X exhibition he exhibited two sculptures and studies of Ben Nicholson and his bronze head of H. H. Asquith was shown at the Leicester Galleries in late 1921. Other subjects included Osbert Sitwell, Lydia Lopokova and Tallulah Bankhead. Dobson exhibited at the Venice Biennale in both 1924 and in 1926, was featured in the 1925 Tri-National Exhibition which visited London, Paris and New York and was also included in the 1926 European artists exhibition that toured America and Canada. In March 1927 he had his first major one-man exhibition when the Leicester Galleries exhibited twenty-three of his sculptures and several bronzes. In 1930 the Tate purchased a larger-than-life sculpture from Dobson and erected it outside the gallery on Millbank. During the early 1930s Dobson continued to receive portrait commissions, most notably for Sir Edward Marsh and the actress Margaret Rawlings. Dobson worked in other media including textiles and silver, as well. His silver gilt cup, Calix Majestatis, to mark the coronation of George VI and Queen Elizabeth is now in the Royal Collection. During 1933 Dobson fractured his left arm which greatly limited his ability for heavy carving and his last monumental stone carving was to be Pax, which was first shown at the London Group in 1935. At the start of World War Two, Dobson and his second wife [Caroline] Mary Bussell, whom he had married in 1931, moved to Bristol, where a large retrospective of his work was held in March 1940. Dobson lived in the city throughout the Bristol Blitz and like several other artists painted the ruins of churches destroyed in the bombing. Dobson contacted the War Artists' Advisory Committee and offered his services as both a painter and sculptor. WAAC were reluctant to offer sculpture commissions but eventually did offer Dobson a short-term contract for two portrait busts of Naval personal. Later WAAC commissioned some paintings, including one of workers arriving for work at a factory that had been relocated to a tunnel. Dobson was appointed head of sculpture at the Royal College of Art in 1946, a post he held until his retirement in 1953. For the Festival of Britain site on the South Bank of the Thames in 1951, Dobson created London Pride. The sculpture was originally exhibited as a plaster cast but was later, after Dobson died, cast as a bronze and placed in front of the Royal National Theatre in 1987. Among his last commissions were a bronze head of Sir Thomas Lipton and the zodiac clock...

A rare study of a table lamp, drawn with pencil on vellum, by Robert Gerlach from circa 1915. We can assume that the materials would be brass and glass. Whether the drawing was actu...

French (late 19th century) pencil illustrations of equestrian performers on horseback in two panels titled "Double Equestrian" in a carved giltwood frame with white canvas matting. (...

Lovely and atmospheric, this drawing of a series of male nude figures at the swimming pool -- one diving, one readying to dive, others at the mirr...

An original Maison Jansen pencil drawing depicting an architectural detail "Petit Panneau Empire" page 72 Stamped: Jansen, 9 Rue Royale Paris 8e

A pair of early 19 Century period framed and matted engravings of neoclassical urns from the copper plate catalogue of Giovanni Battista Piranesi (1720-1778) engraved posthumous...

Framed & Matted Pen & Ink Drawing, attributed to “Allaert Van Everdinger” (Dutch 1621-1675)

Two decorative studies in typography, painted in gouache on paper with influences from the Bauhaus. The studies were made in the master class for graphic design in Pressburg. Both ...

Pointillist composition by Dora Maar. Authenticity stamp of the auction that took place in 1998 in Paris. Second Drawing on the back. 20th century, undated. In good original ...

architectural etching ink drawing. Made in Italy. Signed Laurenzi. Black ink on paper. Framed. Secret message (a mirror is required for reverse handwri...

Self Portrait Laughing, where Quentin de La Tour represents himself bust-length and pointing to the leftdrawing (Autoportrait à la croisée).

One of a series of drawings Bernard Boutet de Monvel made circa 1922 while participating in the Croisière Citroën, an expedition comprising scientists and artists who traversed the S...

Very nice sketches of characters. Representing different emotions, clothes and personalities. We have a portrait of a strong woman with arrows. Below this woman, there is a representation of oriental characters, also called barbarians during Antiquity. Finally, on the left, another woman is represented with her head in her hands and sitting on a Klismos chair. This chair is typical of the ancient period. It is written at the bottom right "March 15", surely the date of creation of this sketch. The Empire style and period are inspired by Greco-Roman art, it is called the neoclassical. The woman on this drawing wears an empire style dress...

Contemporary abstract painting by Adrian. Untitled. Mixed-media on wood. Handsigned and dated on the back. Dimensions: 120 x 180 cm.

Italian painting dated 1948. Framework oil on panel depicting a view of the famous Sacra di San Michele (seen from Avigliana) of good pictorial quality. Small framework with frame in...

Vintage Original Pencil and Charcoal Study A drawing after the original artwork by Honoré Daumier, French (1808-1879). The original, which constitutes No. 22 of ‘Les Gens de Justic...

Noël Marcel Lambert (French, 1847-1928) Views of Versailles and the Two Trianons (eight works) engravings largest 13 1/2 x 19 1/4 inches. Framed: 22 x 30 1/4 inches. Priced per engra...

Portrait of a Young Woman, pastel drawing, presented in its original oval frame protected by glass, 18th century Delightful portrait of a young noblewoman in the fashion of the late...

One of a series of drawings Bernard Boutet de Monvel made circa 1922 while participating in the Croisière Citroën, an expedition comprising scientists and artists who traversed the S...

Italian painting dated 1945. Work oil on masonite depicting a particular view with characters Celebration of Spring of excellent pictorial quality. Nice size framework of pleasant de...

Santa Maria della Salute drawing by Hercules Brabazon Brabazon (1821-1906). Crayon and pencil on tinted paper in water-gilt frame. Signed wi...

Louis Sue & André Mare (1875-1968) - (1885-1932) Five sketches "Flowers circa 1930" Very rare watercolor on paper. Without frame: H 13" x W 17" With frame: H 18" x W 22" ...

Lithography intervened by Diane Guyot de Saint Michel, 2017. Limited edition of 50 copies. Each lithographies is different from the others and are unique pieces. Hand signed by...

René Leroy (b. 1931), French artist. Pastel on paper. "Red Countryside". Dated 1987. Light size: 17.5 x 12 cm. Total dimensions: 30 x 24 cm. In excellent condition. Signed and ...

Wood Framed 18th Century Drawing of a Horse, Italy

Unknown artist, pencil and watercolor on cardboard. Portrait of a young woman with a pencil. Signed Lam, Paris 1951. In excellent condition. Measures : 27.5 cm. x 35.5 cm. Total...

Pencil on paper sketch of a grave yard, possibly fictional. Mounted on period hand made marbled paper, framed in a maple veneered frame. “French epitaph on a man whose death was occ...

Emil Betzler German Expressionist painting 'Legend', 1962 ('Sage') Pen and brush ink drawing on velin paper.  Signed and dated by the artist. Shown in 'Emil Betzler' - monograph...

The pair of gouaches with views of a volcanic eruption during the day and the night

1980s Spanish oil on canvas birds paintings with bamboo frame. Frame measurements: 96 x 66 x 2.5cm.

Lithography intervened by Diane Guyot de Saint Michel, 2017. Collaboration with the serigraphy workshop of the dead artist José Pérez Ocaña. Limited edition of 50 copies. Each...

Italian painting from the mid-20th century. Oil painting on board depicting impressionist landscape signed at the bottom left Carlo Musso (1907-1968), without authentic. Framework fo...