Early 18th Century Drawings
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Period: Early 18th Century
Three 18th Century Engravings of Fountains at Versailles Gardens by A. Aveline
Located in Vancouver, British Columbia
Three small 18th century engravings of fountains at the gardens of Versailles by renowned Parisian engraver Antoine Aveline. All three are pr...
Category
French Louis XV Antique Early 18th Century Drawings
Materials
Paper
Italian Baroque Period Drawing of the Head of John The Baptist
Located in Hudson, NY
This very fine drawing from the early Baroque period is in Sanguine on laid paper.
this Italian drawing in a rich brown-red is framed in a fine old gilded frame...
Category
Italian Baroque Antique Early 18th Century Drawings
Materials
Paper, Wood
18 Century Engraving of the Royal Menagerie at Versailles by Antoine Aveline
Located in Vancouver, British Columbia
A rare 18 century perspective view engraving of the Salon de la Menagerie at Versailles, attributed to Antoine Aveline retailed in Paris by Nicolas Langlois and executed with the per...
Category
French Louis XV Antique Early 18th Century Drawings
Materials
Paper
Italian Landscape Oil on Canvas Early 18th Century Gold Frame Venetian School
Located in Prato, IT
Veneto, Italy, early 18th century
Oil on canvas
20th century frame carved and gilded in pure gold
Dimensions: cm W 93 x H 78,5 x D 5.
Category
Italian Antique Early 18th Century Drawings
Materials
Canvas, Wood
18th Century Sketch titled - Old man and his 3 sons
Located in Malton, GB
This is a particularly nice 18th century sketch of a man with three boys titled - Old man and His 3 sons. This is on the reverse and is attributed to N Langer. This is framed very ni...
Category
Antique Early 18th Century Drawings
Materials
Paper
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Located in Madrid, ES
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John Lennon Drawing, "Kite, Free As A Bird", 1995
Located in Port Washington, NY
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20th Century Oil on Canvas Italian Signed Landscape Painting, 1970
Located in Vicoforte, Piedmont
Italian painting from 20th century. Oil painting on canvas, in the first canvas, depicting Impressionist style landscape of good pictorial quality. Frame in silvered metal and wood c...
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Oil Painting of a Horse Standing Proud in Woodland, signed by the Royal Artist
Located in Oxfordshire, United Kingdom
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An exceptional portrait of a horse standing proud in woodland, in front of a tree-lined vista incorporating cows residing by a stream.
Charles born in England, the son of a German decorative painter started his career helping his father painting clock faces and snuff boxes and became renowned in his own right for his animal paintings, later being appointed by George III and George IV. Exhibiting at the Royal Academy between 1809 and 1814. His works can be found at - Temple Newsam House, Lotherton Hall, York Museum trust, National Trust, Florence Court, Leeds City Museum and Galleries, The Ferens Art Gallery and Newstead Abbey...
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H 27.17 in W 29.53 in D 2.56 in
Four Rare Italian School 19th Century Old Master Sketches Drawings by F Mazzoli
Located in West Sussex, Pulborough
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H 29.14 in W 23.04 in D 1.19 in
18th Century, Venetian School Italian Landscape Oversize Painting
Located in Milano, MI
Early 18th century Italian Venetian inland painting, a large size oil on canvas Baroque mountain landscape with stream, bridge, waterfall, wayfarers and a village in the background. The woodland is animated by figures, a caravan with horsemen fishermen. This monumental Italian Baroque landscape painting has a strong impact and an excellent composition balance, as it depicts in the center the luminous perspective of a fortified village, whose side wings consist of two mountain rocks with dark wooded vegetation crowded by characters, horsemen, paths, streams.On the left side, with respect to the observer, there is a path that runs alongside a stream that flows into a waterfall in the center of the composition. from a caravan of travelers on foot and on horseback traveling along it in both directions: going up the slope on the mountainous coast you can see a church and a village near the top. The right part of the painting depicts a more sparse and dry vegetation, painted in the chromatic tones of ocher, inside of which there are dead plant, dry branches and a smaller number of figures on the rugged mountain. The iconographic inspiration of this wooded representation seems to be in the large trunk of the withered conifer in a central position, which represents a dead tree, as a? reminder of the transience of everything in life, whose phases are summarized in the two mountainous coasts. In the background a village painted in light and soft blue colors, in stark contrast to the previous scene, seems to reassure and project us into a future season.
With a suggestive theatrical effect, more than 250 cm wide, this Baroque Italian painting comes from a private collection of Milan, the canvas has been lined and shows minor painting retouches at a horizontal seam of the canvas. It is unframed, it has just a wooden profile covering the canvas edge.
It is an antique Italian landscape, the perfect opportunity to make a statement. Get the perfect size painting for a great living room, to create that eye-catching focal point. You can make an impact with a single large work by hanging this early 18th century Italian Baroque painting...
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20th Century Oil on Masonite Italian Signed Impressionist Landscape Painting
Located in Vicoforte, Piedmont
Italian painting from 20th century. Oil painting on Masonite depicting Impressionist style landscape of good pictorial quality. Beautifully decorated wooden frame with some small sig...
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H 13 in W 17.33 in D 0.79 in
The Devonshire Collection of Italian Drawings Roman & Neapolitan Schools 1st Ed
Located in valatie, NY
The Devonshire Collection of Italian Drawings: Roman and Neapolitan Schools by Michael Jaffe. Published by Phaidon Press, London, 1994. 1st Ed hardcover with dust jacket. The Collection of Old Master drawings at Chatsworth House, Derbyshire, home of the Dukes of Devonshire, ranks with the Royal Collection at Windsor Castle as the finest privately owned group of such drawings in Britain and as one of the great princely collections of Europe. It contains outstanding drawings by the great masters from every artistic school. The book is devoted to the Italian drawings have detailed entries for nearly 1,000 works from the fifteenth to the eighteenth centuries, among them numerous reattributions and discoveries. This volume includes the works of Pietro da Cortona, Giulio Romano...
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H 11.75 in W 10 in D 1.25 in
"Roping Sculpture", Drawing of Two Youths w/ Classical Stone Head, Burnt Sienna
Located in Philadelphia, PA
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H 35.25 in W 28.25 in D 0.5 in
Italian Bolognese 17th C. Red Chalk Drawing of a Kneeling Young Man, circa 1680
Located in CH
Italian Bolognese Late 17th Century Red Chalk (Sanguine) Drawing of a Kneeling Young Man. Circa 1680
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H 13 in W 9.84 in D 1 in
Previously Available Items
A fine chiaroscuro drawing of a pensive Bearded Venetian Man on blue paper
Located in Leesburg, VA
A fine chiaroscuro drawing of a Bearded Venetian Man gazing downward
Possibly by Giovanni Battista Piazzetta or his ambit
Early 18th century; Venice, Italy
Charcoal with white lead heightening on prepared blue paper
Approximate size: 29.5 x 22 cm
The present drawing, of superb execution and carefully articulated expressiveness, features the head of an elderly bearded man gazing downward. While his cap suggests a man of middle-class stature, his contemplative gaze embodies a sense of dignity and the wisdom that comes with age. The man is pensive, contemplative, beguiled by his own meditations.
The portrait emerges from the negative space of the sheet, with the protagonist’s beard dissipating into the void of prepared rich blue paper—the Venetian carta azzurra—and rendered in black charcoal with white heightening, offering a tonal depth that emphasizes the dimensional relationship between the sheet itself and its portrait.
The sketch is highly finished, made with great efficacy, and perhaps copies some detail of a finished work: perhaps a painting made by the artist himself, or one derived from another artist’s work.
The verso appears to feature a white chalk counterproof of the Penitent Magdalene and an inscription along its margin offers an old attribution to Giovanni Battista Tiepolo. While the suggestion of Tiepolo is likely incorrect, a more befitting suggestion could be Tiepolo’s contemporary, Giovanni Battista Piazzetta who frequently executed and sold drawings...
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Materials
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H 11.6 in W 8.6 in D 0.1 in
18th Century Oil on Canvas Italian Mythological Painting Bathsheba Bathing, 1730
Located in Vicoforte, Piedmont
Antique Italian painting from the 18th century. Artwork oil on canvas depicting a mythological subject, Bathsheba bathing, of good pictorial quality. Painting of large size and pleasant impact adorned with a 20th century frame, carved and gilded, with some small signs of the time. The composition chosen by the painter to represent Bathsheba from behind in the foreground, in the distance to the right, King David is pleasant (see photo). The sacred scriptures narrate that one day King David, walking on the terrace of her palace, sees Bathsheba and falls in love with her. She is the wife of Uriah, a soldier engaged in war, and David will...
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18th Century Oil on Canvas Flemish Antique Interior Scene Painting, 1720
Located in Vicoforte, Piedmont
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Framed Britannia Map Hand Tinted and Colored, Signed Matthaus Seutter, C. 1725
Located in Charleston, SC
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Located in Vicoforte, Piedmont
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H 39.38 in W 59.85 in D 2.76 in
18th Century Oil on Canvas Italian Painting Historical / Biblical Subject, 1720
Located in Vicoforte, Piedmont
Ancient Italian painting from the first half of the 18th century. Framework oil on canvas, on the first canvas, depicting a historical / biblical subject (under study) with kings, warriors, priests and city in the background. Painting of great measure and impact, for antique dealers, interior decorators and collectors of ancient art. Framework complete with small modern golden wooden frame (see picture). Painting for living room...
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Materials
Canvas
H 42.92 in W 59.85 in D 1.58 in
18th Century Oil on Canvas Antique Italian Religious Painting, 1720
Located in Vicoforte, Piedmont
Antique Italian painting from 18th century. Framework oil on canvas in first canvas and in fabulous patina depicting a subject of sacred art Virgin with angels...
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Italian Antique Early 18th Century Drawings
Materials
Canvas
18th Century Oil on Canvas Italian Religious Painting, 1720
Located in Vicoforte, Piedmont
Ancient Italian painting from the first half of the 18th century. Framework oil on canvas depicting biblical subject the departure of the prodigal son of good pictorial quality. Non-...
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Italian Antique Early 18th Century Drawings
Materials
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18th Century Oil on Canvas Italian Religious Painting Virgin with Child, 1720
Located in Vicoforte, Piedmont
Ancient Italian painting from the first half of the 18th century. Framework oil on canvas, on the first canvas, depicting a subject of sacred art Virgin with Child of excellent picto...
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Italian Antique Early 18th Century Drawings
Materials
Canvas
H 40.56 in W 32.29 in D 1.58 in
18th Century Oil on Panel Italian Religious Painting Virgin Mary, 1720
Located in Vicoforte, Piedmont
Ancient Italian painting from the first half of the 18th century. Framework oil on panel depicting Education of the Virgin Mary of good pictorial quality. Beautiful painting, for ant...
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Italian Antique Early 18th Century Drawings
Materials
Wood
H 27.96 in W 24.02 in D 2.76 in
18th Century Oil on Canvas Italian Antique Battle Painting, 1710
Located in Vicoforte, Piedmont
Antique Italian painting from the first half of the 18th century. Framework oil on canvas depicting Warriors in armor at rest with battle on the background of excellent pictorial qua...
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Italian Antique Early 18th Century Drawings
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