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17th century portrait of Mrs Voss and Catherine Kneller oil canvas
About the Item
Circle of Sir Godfrey Kneller, Mrs Voss, and Catherine Kneller, oil on paper laid to wood panel
Overview
This exceptional Baroque portrait artwork, the circle of Sir Godfrey Kneller, is an oil on canvas painting from the early 18th century. The painting, laid onto a panel, represents a compelling historical piece linked to Mrs. Voss, who was active circa 1685-1690 and recognized as the mistress of Sir Godfrey Kneller and the mother of Catherine (Agnes) Huckle.
Key Details: Sir Godfrey Kneller, Mrs Voss and Catherine Kneller oil canvas
Medium: Oil on paper, laid onto panel
Period: Early 18th century
Condition: Unframed oil panel
Dimensions: Height - 28 inches, Width - 34 inches
Historical Connection: A larger version of this artwork is held in the Kingston Lacy Estate, Dorset
Artist Influence: Connected to the circle of Sir Godfrey Kneller, one of the most influential portrait artists of the Baroque period.
This Old Master portrait painting is a fine example of Kneller’s portrait style, making it a sought-after piece for collectors, historians, and art enthusiasts looking to buy antique paintings in Sussex or the UK.
About Sir Godfrey Kneller (1646-1723)
Sir Godfrey Kneller (born Gottfried Kniller) was a renowned Baroque portrait painter of Anglo-German descent, widely considered one of the greatest portraitists of the late 17th and early 18th centuries. His influence on English portraiture was significant, and his works remain highly collectable today.
1. Early Life and Training
Birth: August 8, 1646, Lübeck, Germany
Parents: Zacharias Kniller (merchant) and Lucia Kniller
Education:
Studied painting in Lübeck
Trained in Amsterdam under Ferdinand Bol (a student of Rembrandt)
Influenced by the Dutch Golden Age art movement
During his training, Kneller adopted techniques from Rembrandt and Bol, shaping his mastery of light, shadow, and lifelike portraiture.
2. Italian Influence and Artistic Growth Sir Godfrey Kneller Mrs Voss and Catherine Kneller oil canvas
Traveled to Italy in the early 1670s to study Titian, Veronese, and Caravaggio
His exposure to Italian Renaissance and Baroque art deepened his understanding of color theory, composition, and grand portraiture
After returning to Northern Europe, he briefly worked in Hamburg before moving to England in 1676
3. Kneller’s Rise in England and Royal Patronage
His talent quickly gained recognition among the English aristocracy and royalty
In 1680, he was appointed Principal Painter to King Charles II
Over his career, Kneller painted portraits of five English and British monarchs:
King Charles II
King James II
King William III & Queen Mary II
Queen Anne
King George I
His iconic portrait paintings continue to serve as historical records of British nobility, making his works highly valuable in the art market.
4. Notable Works and Contributions
Kit-Cat Club Portraits: A famous series of 48 portraits of prominent literary, political, and cultural figures of the time.
Developed the grand yet lifelike Baroque portrait style, balancing realism with nobility.
His influence on later English portrait painters, such as Thomas Gainsborough and Joshua Reynolds, was profound.
5. Kneller’s Honors and Legacy
Knighted by King William III in 1692
Created a Baronet by King George I in 1715
Naturalized British Citizen in 1711
Passed away on October 19, 1723, and was buried in Twickenham, England.
His works remain highly collectible, sought after by art collectors, historians, and museums worldwide.
Historical & Artistic Significance of the Painting
This early 18th-century oil portrait attributed to Kneller’s circle is an outstanding example of his influence on Baroque portraiture. The depiction of Mrs. Voss and her connection to Catherine (Agnes) Huckle adds historical depth and collector value.
1. Artistic Style and Features
Detailed brushwork characteristic of Kneller’s school
Rich color palette influenced by Titian and Rembrandt
Noble posturing typical of 17th-18th century aristocratic portraiture
Use of light and shadow to enhance depth and realism
2. Collector’s Appeal & Investment Potential
Highly sought-after Old Master artwork with documented provenance
Strong appeal to art collectors, historians, and museums
Valuable addition to Baroque art collections
Investment-worthy due to high demand for Kneller’s works in auctions and private sales
3. Comparison to the Kingston Lacy Version
A much larger version of this painting exists in the Kingston Lacy Estate, Dorset
This smaller panel version offers collectors a unique opportunity to own a historically significant work at a more accessible scale and price
Final Thoughts
The circle of Godfrey Kneller oil on canvas painting featuring Mrs. Voss and Catherine (Agnes) Huckle is an important historical artwork. Whether you are an art collector, investor, or historian, this painting represents a rare opportunity to acquire a piece of Baroque portraiture.
Why This Painting is a Must-Have for Collectors:
Authentic Old Master Portrait from the School of Kneller
Strong Historical and Artistic Value
Investment Potential in the Art Market
Connected to the Kingston Lacy Collection
Ideal for Collectors of English Baroque Portraits
For those looking to buy an original Sir Godfrey Kneller painting or a historical 18th-century portrait, this artwork offers exceptional provenance and value.
- Dimensions:Height: 11.03 in (28 cm)Width: 13.39 in (34 cm)Depth: 0.79 in (2 cm)
- Style:Baroque (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:1690-1699
- Date of Manufacture:1690
- Condition:Repaired: Has been cleaned old historical repair to wood panel crack. Unframed. Wear consistent with age and use. Minor losses.
- Seller Location:Seaford, GB
- Reference Number:1stDibs: LU10376244310402
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