19th Century Dutch Oil on Panel of Jan Vermeer's 'The Love Letter'

The Barber of Seville By Luis Alvarez Catalá Executed in oil on canvas, housed in a giltwood frame, the painting depicting an 18th century domesti...

A Pair of "Pompeian" Interior Scenes By Egisto Sarri of Florence Executed in oil on canvas, and housed in matching hand-carved giltwood frames, depicting intimate domestic life of t...

Executed in oil on panel, housed within a carved swept giltwood frame. Signed bottom right 'E. L. Garrido,' and old stencilled stamps to the rear. Dimensions (framed): H 79 cm by 68...

A Fine Pair of Framed Circular Porcelain Plaques After David Teniers Attributed to Jean-Pierre Feuillet Attributed to Jean-Pierre Feuillet (1777-1840) The hand-painted, glazed & fi...

Old oil painting after J. Vermeer manner, old master, circa 1900 Oil on canvas. Hand painted in the manner of J. Vermeer. High quality painter depi...

A gallant scene portraying a man courting a seated young woman holding a glass in her hand. A young dog in the foreground is watching two characters in the background, one of whom i...

Decorate an office or a study with this elegant antique painting on canvas. Created in Holland circa 1860 and set in the original carved gil...

Flemish painter of the 18th century - Follower of Jan van der Meer, called Vermeer d'Utrecht (Schoonhoven, verses 1630 - 1692) Courtship scene at the entrance of an inn oil on canvas, 70 x 62 cm. (with frame 80 x 72 cm.) This pleasant genre scene, depicting a young innkeeper conversing amiably with a gentleman as she prepares to serve him wine in a glass goblet that she still holds in her hand, is inspired by the painting made in 1653 by the Dutch painter Jan van der Meer, known as Vermeer d'Utrecht, and today kept in Paris at the Louvre Museum. Set outside an inn or a post station, the scene illustrates the theme of seduction, with the young waitress being courted by the client, a charming traveler with a changing red cloak, who tries to charm her. Yes, it is a work that harmoniously combines the painter's Dutch origins, with the stylistic characters learned during his training in his homeland, with the Italian-like characters learned during his trip to Italy around 1655. In Rome, in particular, he met and collaborated with various authors of the Bamboccianti school, first of all Jan Miel...