American Oil Painting "Nature Morte: Fallen Doves" (1865) by Alfred Wall

PIETER GERARDUS VAN OS Dutch, 1776-1839 Shepherd with Flock in a Pastoral Landscape (1821) Oil on canvas Signed lower left "PG Van Os f 1821" Item # 204GPP23A An extensive and brilliantly detailed scene, this fine woodland pastoral landscape highlights the ability of Pieter Gerardus van Os to manipulate light for dramatic and somewhat ecclesiastical effect. There is a certain other-worldly insinuation in the golden light as it pierces the dense cover of the leaves to highlight the shepherd and his flock as the focal point for the painting. Here we find the young boy entirely at peace on the bank surrounded by long golden grasses with his hat and staff tossed aside while watching the action of the small waterfall on the otherwise tranquil stream. His small dog stands beside him while the sheep graze carelessly, each showing total disregard for the two men and their dog hunting in shadows of the woods behind them. Across the bank a pair of unattended billy goats graze on the trees of the deeply shaded forest floor. There is a harmony and perfect sense of balance in this intricately detailed scene, an effective infusion of the transcendental into a quiet landscape scene. The work is signed lower left in his typical scrawling script "PG [intertwined] Van Os f 1821" and the back of the frame retains an early Christie's label. It is presented in a very fine carved giltwood frame. PIETER GERARDUS VAN OS Born in The Hague on October 8th of 1776 into the renowned Van Os family of painters, Pieter would spend his early years studying under his father Jan together with his brother Georgius Johannes Jacobus (Dutch, 1782-1861) in their father's studio. The three men had remarkable careers and would become some of the most influential painters in the Netherlands throughout the first half of the 19th century. Unlike his brother and father, Pieter moved away from still-life paintings and focused his work on rural landscapes of the Dutch countryside. He was self-taught in this pursuit, first as a copyist of the renowned Dutch "Golden Age" painters Karel Dujardin (Dutch, 1626-1678) and Paulus Potter (Dutch, 1625-1654) while also being heavily influenced by the landscape work of Jacob van Ruisdael and the allegorical landscapes of Nicolaes Pieterszoon Berchem. From his studio in Amsterdam, Pieter taught such notable pupils as Wouterus Verschuur...

SAMUEL HENRY GORDON ALKEN British, 1810-1894 "At Covert" & "The End of the Run" Oil on canvas "The End of the Run" signed lower left "H. Alken" 16 7/8" H x 23" W x 1 7/8" D [fram...

CHARLES F. BLAUVELT (AMERICAN, 1824-1900) "The Relic Hunter" (1854) Oil on canvas Signed lower left "Blauvelt 1854" Item # 001PCX30W A rich scene executed in 1854 in oil on canvas by Charles Felix Blauvelt titled The Relic Hunter, the scene is large and bright and depicts an elderly man in the afternoon sun digging through the dirt with a small spade to find discarded objects in the soil. A similar work was painted by Blauvelt of the same title [offered at Northeast Auctions...

WILLIAM SHAYER, SR. British, 1788-1879 "The Start of the Day" Oil on canvas signed lower left "Wm Shayer Sr" Item # 012PGJ11S A bright and atmospheric painting by self-taught lu...

Antique Victorian pastel on paper of a fine quality still life with game by American Artist, William Henry Chandler (1854-1928). Chandler was a ...

Alfred Arthur Brunel de Neuville (1852-1943) Still Life with Game Birds wonderful depiction of game birds handing against a grey cement wall. Male pheasant in great detail along wit...

Attr. Jacobus or Iacomo Victors (Amsterdam c. 1640 - 1705) Still life with birds Oil on canvas, 112 x 133 cm The still life examined here is a rare example of the simultaneous presence of live and dead animals in a single composition. On two rocky levels different ornithological species are neatly arranged, reproduced with the utmost fidelity and adherence to life. Mallards, doves, sparrows and a partridge placed on their backs can be recognized. The soft mantles with different chromatic tones, with the characteristic streaks and spots of color, together with the precise investigation of the various ornithological typologies, denote an observation of the real datum typical of the seventeenth-century Flemish tradition. Another mallard, this time alive, seems to have just settled on the rock, as if to observe the rich composition moving its neck. Its characteristic colors, the bright green of the head and the upper part of the neck, the yellow of the beak and the orange of the legs characterize the painting and capture the viewer's attention. The flight of the dove in the foreground is splendid, seen from above, the virtuosic pose and the brightness of its feathers, in an elegant modulation of grays tending to white, denote the stylistic quality of this work. It was probably created by a Flemish artist working in Italy in the second half of the seventeenth century: close analogies can be found with the game of Jacobus Victor...

Antique oil painting featuring brids. Oil on canvas. Framed. No signature found.