Attributed to James Northcote (1746-1831)

ATTRIBUTED TO TOMASSO RUES, VENICE, LATE 17TH CENTURY. A PAIR OF STATUARY MARBLE BUSTS OF ANTIQUE HEROINES. On late Rosso di Verona socles. PROVENANCE: Frédéric Spitzer Collection...

A MASSIVE PAIR OF IRISH GEORGE IV BRONZED AND PAINTED SIDE TABLES ATTRIBUTED TO JAMES DEL VECCHIO OF DUBLIN, CIRCA 1825. Each with a later Derbyshire...

A COMPANION OF ULYSSES, AFTER THE ANTIQUE BUST IN THE TOWNLEY COLLECTION, NOW IN THE BRITISH MUSEUM, LATE 18TH CENTURY. Statuary Marble. This bust is a late 18th century English co...

A rare bronze bust of Charles I attributed to John Cheere (1709-1787). Original patination and socle.

Royal House Antiques is delighted to offer for sale this stunning pair of 16th to 17th century, miniature oil paintings which are after the originals by James Northcote (1480-1517) t...

In good condition From a private collection Free international shipping Attributed to JACQUES-ANTOINE VALLIN (Paris 1760-1831) 18thC Old Master Portrait

In a giltwood frame. Gentleman standing with red jacket. Frost And Reed label on reverse giving Maubert attribution. Maubert was born and trained in Dublin.

This striking oil on canvas attributed to James Webb titled "Liege" depicts a river scene in the city of Liege, Belgium. This exquisite cityscape features various boats docked at port, alongside crowds of passers-by. The painting recedes into mountainous views before hazily meeting a blue sky, speckled with clouds. This atmospheric landscape invites the viewer to peruse the past and get lost in the intimate details of Liege, Belgium. The painting is nested in a gorgeous statement giltwood frame crafted from wood and gesso. The frame is an empire-style frame with bead trim on the sight edge and ribbon trim on the concave profile. James Webb (1825-1895) was a British painter specializing in marine views and landscapes, depicting both England and continental Europe. He was born in London to a family of fellow painters, and went on to study at the Royal Academy. He exhibited in London at the Royal Academy and the British Institute between 1850 and 1888, and many of his works still hang in London in the collections of the Victoria and Albert Museum and the Tate Gallery. His painting style was inspired by English...