Blue, White Large Painting By Artist Patrick Phillips, U.S.A., Contemporary

Contemporary American artist Patrick Phillips "Is an abstract expressionist painter influenced by the 'New York School' artists including Mark Rothko, Robert Motherwell and Helen F...

Extra large abstract painting by contemporary French artist Pierre Malbec. The artist paints on a wooden board using acrylic paint. Pier...

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. Colors are cream, blue and rust. All artwork can be commissioned for any size and color adjustments. Archivally mounted on museum board in an anodized black aluminum frame with acrylic. We have a large collection of paintings...

Contemporary American artist Sandra Constantine recreates the effect of an old architects blue print using the print type Cyanotype developed by an English scientist, John Frederick William Herschel...

Abstract original signed painting by American contemporary artist Arlene Carr. Signed at lower right. Displayed in a modern white frame. This is an extra large piece measuring 65 inc...

Abstract original signed painting by American contemporary artist Arlene Carr. Titled "Pink Lemonade" and done on canvas. Signed at lower right. Displayed...

Carol Frye - contemporary American abstract mixed media painting - gouache, water color and pencil on card (media listed on the back - see photo) - painting mounted to black backboar...

Dynamic layered blue & red abstract acrylic painting on canvas by the Late Midwestern Artist John Link, mounted in a wood frame. This work, entitled "Temporary Ephedrine", is one of several large Link pieces available exemplifying his technique of richly layering tones of acrylic paint using an alkyd spirit resin. Link detailed this process: “The medium is indeed "acrylic" but not what most people mean by acrylic - which is waterborne acrylic. Instead this is acrylic resin dissolved in turps, with a dash of alkyd resin thrown in to stabilize it so the next layers of paint do not re-dissolve it. Thus it does not muddle up like repeated layers of watercolor can. This stuff does not yellow either, like oil, and a glass of it looks like a glass of water, it is that clear, thus preserving the intensity of the pigment. Also, because it is clear when wet, there is no "pastel effect" like you get with waterborne acrylic, where you must let a glaze dry before you see what you have. It is WYSIWYG to the core." Link (1942 - 2021) was born in Oklahoma City, began his career in Illinois, headed the art dept at Virginia Tech...