BOON Willem (1902-1982) Abstract Art Oilpainting

Fine abstract oilpainting by the Danish artist Johannes Obel. Oil on canvas and framed. Signed „Johs. Obel“ Born 1932 and friend of the famous danish cabinetmaker Frits Henningsen. ...

Fine danish expressive / abstract oilpainting 1930s-1950s. Oil on canvas. Signed back "P-Østergard".or " P-Ødtgård " Original frame. Incl frame: H. 80 cm / W. 70 cm / D. 4 cm pain...

Oil painting by an artist from the 1930s-1950s. Nude scene of a woman. Oil on wooden panel. Unsigned. The painting technique is strongly reminiscent of the famous German painters of ...

German artist 1960s, oil pastel on cardboard . Fine paintings abstract / expressionism landscapes. Monogrammed and framed behind glass. Original condition. High quality! See the the ...

Stunning abstract painting by the french artist Bernadette de Samois (1987). Unique and signed piece. France, 2021.

Scandinavian artist. Oil on board, abstract composition. 1955. In perfect condition. Signed illegible. Dimensions: W 39.5 cm x H 35.2 cm. Total: W 42.5 cm x H 38.5 cm.

American Modern abstract oil on canvas with colors of black, white grey and red in a silver frame (MARY GEHR)

Excellent example of a large oil on canvas abstraction by Fred Hocks from 1957. This painting was included in the 1976 retrospective at the Fine Arts Gallery in San Diego which later became the San Diego Museum of Art. No painter embodies San Diego’s early avant-garde more than Fred (Ferdinand) Hocks, a German-born painter who began visiting San Diego in the late 1920s after studies at the California School of Fine Art in San Francisco and the Art Students League in New York. Fellow painter Dan Dickey credited Hocks in 1947 with “opening up pathways for future, more enlightened generations (of artists),” and predicted that Fred Hocks would be “esteemed a master.” During the post-war years Hocks was assistant director of the San Diego School of Arts and Crafts, a private art school in La Jolla, and was instrumental in keeping affordable artist’s studios in Spanish Village. Along with modern architect Lloyd Ruocco, Fred Hocks co-founded the dynamic Allied Artists Council with Belle Baranceanu, Everett Gee Jackson, Dan Dickey and John Olsen. The well-travelled Hocks exhibited in San Francisco, Oakland, Los Angeles, Long Beach, Pasadena, Paris, Mallorca and Guadalajara, had several one-person shows at the Art Center La Jolla/La Jolla Museum of Art and at the Fine Arts Gallery (SDMA). The San Diego Museum of Art held a major retrospective of his painting in 1976, just a few years before his death. He brought a continental element to the local art scene and is described in Bruce Kamerling’s 100 Years of Art in San Diego as “one of the most adventurous local artists…an intelligent and articulate defender of modern tendencies in art.” Local arts and architecture writer James Britton called Fred Hocks “the dean of the San Diego moderns...