Charlotte Culot PEPITE # 22

Gouaches and collages on paper (16 x 12 cm), framed with a double mat acid-free, museum glass.

Gouaches and collages on paper (16 x 12 cm), framed with a double mat acid-free, museum glass.

Gouaches and collages on paper (16 x 12 cm), framed with a double mat acid-free, museum glass.

Gouaches and collages on paper (16 x 12 cm), framed with a double mat acid-free, museum glass.

Composition abstracted from Charlotte Henschel (1905-1985), France, 1950, signed low right. Frame of origin, under glass. 99.5cm/72.5cm (off frame) Raise of the school of Paris, ...

Henri Scheffer (1798–1862), The Arrest of Charlotte Corday - Original Oil on canvas, Signed, Circa 1830 This signed original oil painting by and documented by Henri Scheffer offers ...

While visually maintaining a balance of chaos and control, Aurel K. Basedow’s paintings become a conversation between the rigid technical handling of resin, his chosen media, and the gestural possibilities of chromatic layering. Basedow most closely shares a kinship with 20th century painters like Mark Rothko, Sigmar Polke, Gerhard Richter, and Hermann Nitsch, whose paintings convey emotion and energy through physical and conceptual expression rather than realistic depiction or predetermined outcomes. Employing various mediums, the artist creates a vigorous composition of geometric lines and expressive brush strokes, with each gesture building on the previous one, separated by layers of clear resin. The use of multiple pigments and pouring techniques can create a fluid, dynamic appearance, with the colors mixing and blending together in unpredictable ways. Basedow leaves the edges of his paintings unrefined, revealing a visual history of each layered application. The use of resin also allows Basedow to incorporate unusual objects...

In good condition From a private collection Free international shipping The Arrest of Charlotte Corday 19th Century Oil Painting