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Contemporary abstract painting in the taste of Jackson Pollock and Larry Poons

$10,423.85
£7,758.44
€8,700
CA$14,278.07
A$15,880.33
CHF 8,292.21
MX$193,246.70
NOK 105,904.22
SEK 99,319.48
DKK 66,230.06
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About the Item

Very beautiful contemporary painting, abstract in the style of Jackson Pollock and Larry Poons. . Unsigned, unidentified but very beautiful. . Superb colors and beautiful materials that are not necessarily seen in the images. . Painting on wood which gives a sublime appearance and superb reliefs of material. . Quite good state. . Frame edges not provided. . Slight lacks and misses. . Dimensions : 194 cm X 114 cm Thickness : 3.5 cm . We offer the shipping with insurance for cities in France. . To give you some art informations, Jackson Pollock, born January 28, 1912 in Cody, Wyoming and died August 11, 1956 in Springs, New York, was an American painter of abstract expressionism, known worldwide during his lifetime. Jackson Pollock made more than 700 works, completed paintings, painted or sculpted essays and drawings as well as some engravings. He had a decisive influence on the course of contemporary art. To give you some art informations on Larry Poons (b.1937 in Tokyo, Japan) is an American artist known for his pursuit of painting, which began in 1959 and continues apace today. From 1955 to 1957 Poons studied composition at the New England Conservatory of Music in Boston. In 1959, he saw Barnett Newman’s exhibition at French & Company in New York and subsequently relinquished music studies to enroll at the School of the Museum of Fine Arts, Boston. After graduation, he moved to New York where he had his first solo exhibition in 1963 at Richard Bellamy’s Green Gallery. In 1965, MoMA curator William Seitz included Poons in “The Responsive Eye” along with Josef Albers, Larry Bell, Ellsworth Kelly, and Ad Reinhardt. In 1969, Poons was the youngest artist to participate in "New York Painting and Sculpture, 1940–1970,” curated by Henry Geldzahler at the Metropolitan Museum of Art. Other artists included in the landmark survey were Hans Hoffman, Jackson Pollock, Willem de Kooning, and Jules Olitski. In the early 1960s Poons was the guitarist for The Druds, a short-lived avant-garde band, which featured Walter de Maria on drums, LaMonte Young on saxophone, and Patty Mucha as the lead singer, while Jasper Johns wrote the lyrics. At first associated with geometric imagery, in 1966 Poons reacted against Clement Greenberg’s pictorial theories to return to the essence of painting—tactile pigment itself. His paintings from the early 1960s consist of optical arrangements of dots and ellipses that float against monochromatic backgrounds. The formal elements of each of these paintings were determined by plotting points on a gridded matrix according to predetermined mathematical principles. By establishing rules that generated each painting, thus eliminating the artist from the process, Poons marked a development in the history of painting shared by his longtime friend and close collaborator Frank Stella. His paintings from the next five decades characterize the artists continued commitment to fomenting radical developments.
  • Similar to:
    (after) Jackson Pollock (Artist)
  • Dimensions:
    Height: 76.38 in (194 cm)Width: 44.89 in (114 cm)Depth: 1.58 in (4 cm)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1990
  • Condition:
    Minor losses. Minor structural damages. Minor fading.
  • Seller Location:
    Paris, FR
  • Reference Number:
    1stDibs: LU7733231816232

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