Daniel Hauben Painting NYC Skyline Empire State Bldg. Trade Center

Vintage oil splatter painting on masonite, circa 1970's. In the manner of Jackson Pollack. Three color, green, red, yellow drip/splatter on brown masonite ground. Attractive and appr...

Old or antique colored engraving of Munster's 1572 map of Paris, circa 19th or 20th century (Frame was not opened to look for a publication ...

Vintage still life oil painting on board depicting a pitcher and a bowl of lemons on a checkered towel. Nicely done in confident technique with balanced composition, good color, and ...

Large vintage Brutalist steel sculpture of fishes fashioned from old pliers and a sheet metal snip. In the manner of Marcello Fantoni. The steel has been drizzled with solder to give...

The oil on canvas is signed, L. Jesberger, lower right, has an amazing noir feel to it. The moored tugboat and Silhouette figure in the foreground are juxtaposed with the highly illu...

Signed artwork of the Twin Towers rising over the city skyline, with the Manhattan bridge over the water. Beautifully subdued coloring throughout. (Ple...

Daniel Morper American, b. 1944 Lower Manhattan, St. Pauls, Woolworth Building & City Hall, NY Oil on canvas, signed on recto at lower right 36 in. by 50 in. W/frame 38 in. by 52 in. Landscape painter Daniel Morper is known for his naturalistic, light-saturated images of such diverse scenes as views upward into the skies above Manhattan, scenic panoramas of the badlands and canyons of the American West, and nostalgic paintings of rural landscapes and townscapes. In 2008 LewAllen Contemporary presented the first retrospective exhibition covering the full scope of Morper's career, from his Manhattan cityscapes of the 1970s, up to and including his portraits of the old Santa Fe Railyard. "Morper rewards looking." So says well-known art critic and historian Peter Frank in the catalogue for LewAllen Contemporary's retrospective exhibition. Frank adds: "Morper has a knack for finding the spectacular in the mundane…emphasizing - but not exaggerating - the skew of a vantage, the force and weight of a horizon, the surprise and poignancy of an object silhouetted against a sky." By combining a pre-modernist regard for the meaning of nature with a modernist's search for elemental vision and post-modern exactitude, Morper has, in Peter Frank's view, "helped to bring about a veritable renaissance in American landscape painting." Another critic has noted, "Morper's style borders the edge of photo-realism but is filled with metaphor: stunning Southwest light...

Extraordinary Mid-Century Modern cityscape painting with brown and green skyline. The large scale (5 foot) cityscape painting is reminiscent...