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Early Abstract Oil Painting "Black Fish" by Harry Nadler
$8,500
£6,449.60
€7,374.55
CA$11,872.20
A$13,200.27
CHF 6,892.45
MX$160,679.38
NOK 87,944.67
SEK 82,399.95
DKK 55,037.59
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About the Item
This is a wonderful Oil Painting by the great painter Harry Nadler. This piece predates his first showing at the Santa Barbara Museum of Art (1960) and is quite possibly his easiest know work.
Harry Nadler 1930-1990, who lived and worked in New York and New Mexico, arrived in New York City in 1962, some ten years after the heyday of Abstract Expressionism. He absorbed the paintings of his predecessors, adapting their motivating ideas in a search for meaning in his own work. After immersing himself in the sensuousness of paint quality and the richness of color relationships—as exemplified by Paul Cezanne, Archile Gorky, Richard Diebenkorn, and others—he found a greater need for geometric structure in his paintings. Throughout his career, he combined this sensitivity of paint handling with geometry in order to create his unique vision of formal power and light. His work is represented in major museum collections and galleries throughout America and Europe
Notes for a talk by Harry Nadler, delivered at Sena Gallery East, Santa Fe, N.M. September 1, 1989
Exhibition venues included the following: Los Angeles County Museum of Art annuals; San Francisco Museum of Modern Art Annual; Denver Museum annual for Western artists; Butler Institute Art; Library of Congress; Northwest Printmakers annual; Santa Barbara (California) Museum Art, California, 1960; Nebli Gallery, Madrid, Spain, 1961; Drawing Shop Gallery, New York City, 1963; —Arte de America y Espana,˜ Spain, France, Germany, Italy, Switzerland, 1963; Wesleyan University, Middletown, Connecticut, 1965, 1971; Dorsky Gallery, New York City, 1966; Benson Gallery, Bridgehampton, New York, 1968, 1976; Tokyo, Japan, International Exhibition of Young Artists, 1967; Westmoreland County Museum Art, 1967; Heckscher Museum, New York City, 1969; Bertha Schaefer Gallery, New York City, 1969, 1972, 1974 (solos); Gallery Paul Facchetti, Paris, France, 1968 (Timeless Paintings from the U.S.A; Indianapolis Museum, 1969; Institute Franco-American, France, 1969; Benson Gallery, Bridgehampton, New York, 1971; American Library, Brussels, Belgium, 1971; Museume´e des Beaux Arts, Nancy, France, 1970; The New School, Boston Art Club, New York City, 1969-70; London Arts Gallery, Detroit, MI, 1973; Janus Gallery, Santa Fe, New Mexico, 1973; Gruenebaum Gallery, New York City, 1979, 1981; Cantor/Lemberg Gallery, Birmingham, MI, 1981; Pennsylvania State University, State College, Pennsylvania , 1982; University New Mexico, Fine Arts Museum, 1983, 1991 (retrospective); Eller Gallery, Albuquerque, New Mexico, 1987; Sena Gallery East, Santa Fe, New Mexico, 1989.
In 1987, he had an award grant from the Israeli Government, 1987.
Source:
Peter Hastings Falk, Editor, Who Was Who in American Art.
- Creator:Harry Nadler (Artist)
- Dimensions:Height: 34 in (86.36 cm)Width: 47 in (119.38 cm)Depth: 1 in (2.54 cm)
- Style:Other (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1959
- Condition:Wear consistent with age and use.
- Seller Location:Los Angeles, CA
- Reference Number:1stDibs: LU137428008943
Harry Nadler
Nadler was born in 1930 in Los Angeles. He graduated from UCLA with a Masters degree and joined the faculty of Wesleyan University in CT. In 1971, he moved to New Mexico to teach painting at the University of New Mexico, while keeping a home in Amagansett, NY. Nadler died in 1990 in Albuquerque, NM.
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