Floral & Parrot Wall Panels / Paintings 1920's

A figurative oil painting of four female figures at a table. Artist signed but undecipherable. Measures 44 inches wide, 32.5 inches high.

Abstract pastel painting on canvas, late 20th century. Pencil signed on verso, signature undecipherable. Mounted in oak frame. Measures: 38.88" H, 4...

Original California Post-Impressionist oil painting titled by Fred Korburg. Titled "Boat Yard" China Beach, Monterey, California. Nautical theme with docs, boat, beach, figures and building. Signed lower left corner and titled on verso. Painted on reverse masonite. Original frame. Painting without frame measures 20" H x 24" W. Born in Grenaa, Denmark on Nov. 22, 1896. Frederic Korburg studied at the Graphic Art Center in Copenhagen and at the Academy of Fine Arts in Hamburg, Germany under Max Lieberman. After coming to California in 1920, he further studied with Armin Hansen...

I enjoy looking at this unfinished painting by California artist William Norris Dakin. Interesting contrast between finished colorful portions and pencil sketched figures. Unique. Ve...

This is a tall antique scroll painting. A Japanese, silk cotton rolling wall panel, dating to the early 20th century, circa 1920. Delightful, Japanese wall hanging...

Brilliantly painted by a commercial artist, this large, rare sign panel may have been the most ambitious marketing piece ever created by the Poll-Parrot Shoe Company, one of America’s leading purveyors of children’s shoes...

Tanaka Tessen (b.1890) Dahlias and Roosters Taisho period, circa 1920 Framed painting. Mineral pigments and ink on silk. Dimensions (framed): H. 159 cm x W. 97 cm x D. 2.5 cm (62.5” x 38” x 1”) An ornate and complex composition in which the artist explores almost the entire painting surface. The coloration is bold and evocative and the tinted silk ground recreates the warm golden glow of sunset. Soft, luminous brushwork details the black feathers of the roosters, which seem to cloud and blur in counterpoint to the sharper points of the eyes and beaks. Their brilliant red combs balance the composition, echoing the rich burgundy hues of the dahlias; the flowers exquisite and lifelike. Dahlias were an exotic subject favored by painters of the Taisho era. The painting belongs to the school of Kyoto Nihonga, exemplifying the principles of decorative elegance and consumate brush technique with which it was intimately associated. Painters of the time relied on the Shijo school method, basing the forms of the composition from life sketches. Sometimes they were then integrated with elements derived from Chinese bird and flower...

Handcrafted mother-of-pearl painting with Chrysanthemum design.