Follower of Sir Edwin Landseer RA (1802-1873) oil on Canvas Painting

Crimean War Soldiers Oil Painting on Canvas 19th Century Dimensions: 41 x 33cm, Good condition overall, with professional restorations to back of canvas From a private collection. ...

Victor Hume Moody (1896-1990) Nude Portrait Oil Painting on Canvas About VICTOR HUME MOODY (1896-1990) Born in London, he studied at Battersea Polytechnic and at Royal College of Ar...

Henry John Yeend King (1855-1924) Signed Oil on Canvas Painting, depicting a lady feeding birds at a snowy doorstep Measuring framed 73.5 x 58cm (29" x 22.8"). Oil on canvas, framed...

17th Century Scourged Christ Religious Old Master Oil Painting on Canvas Dimensions: 70 x 51cm, depicting scourged Christ Good condition, with some professional restorations to verso...

Fine 19th century English oil on canvas: Portrait of a dog, after Edwin Landseer. The verso photo documented, original canvas, Initialed W M May 1882. Based on a drawing of Landseer's Scottish deerhound...

This lovely reproduction of Eos is after the original painting by Sir Edward Landseer, and is unsigned. The painting is very well executed and the arti...

This antique original oil painting on canvas was done by James Edwin Meadows, a known British artist, in approximately 1860 in the period Victorian style. The painting depicts an Eng...

Follower of Giambattista Valentino Piazzetta (Venice, 1682 - there, 1754) Head of St. Peter Oil on canvas applied on cardboard, 36.5 x 34.5 cm With frame 42.5 x 41 cm The claves Regni Coelorum, an essential Petrine attribute, shyly peek out in this painting, with the sole purpose of allowing the character to be recognized. The wholeness of attention is indeed conveyed to the Saint, from aching humanity and divine inspiration. Pietro is rendered with a liquid epidermis, illuminated by a pearly light that slips and drips to define the overbearing nose, cheekbones and browbone; while the vitreous humor of the eye turns bright to the sky, to investigate the highest wills of the divine mystery. The portrait, rendered here in intense monochrome, denounces the direct dependence of the present artist on the suggestions of Giambattista (Valentino) Piazzetta, one of the greatest among the eighteenth-century Venetian masters. Following an immature apprenticeship in the field of wood carving with his father Jacopo, a sculptor from Pederobba, in the Treviso area, Piazzetta retired to the workshop of Antonio Molinari...