Framed Desert Landscape Painting by American Artist, John W. Hilton

Mixed media on paper by Karl James Lubbering (b. 1969). Karl comes from a family of prominent Texas artists spanning several decades, embracing many st...

Large painting for the Partners of Americas International Convention in 1980 by Texas artist Jacqui Von Honts. Jacqui Von Honts had outstanding creative tale...

Vintage KISS Alive II hand-painted promotional piece from Peaches Records and Tapes store, 1978. Artwork was commissioned by the Peaches Records and Tap...

Oil on canvas "Circuito Azul Grande" by Phil Kelly dated 1999. Ready to hang; unframed. 55" x 74.80" Phil Kelly (b. 1950-2010) was an Irish painter who e...

Marvelous vintage monumental oil on canvas landscape painting in an ornate gilded wood frame signed by John K. Beautiful condition, keeping in mind that this is vintage and not new s...

A brilliant painting of a lady gathering flowers in a garden, signed by the artist, R. Gerlach. Framed in a simple oak frame this painting is ready to be hung in your interior. Be su...

American landscape oil painting "Youngsville, New York" by Mystery Artist, circa 1925 A beautiful antique oil painting of a young woman with cattle n...

Dynamic layered blue & red abstract acrylic painting on canvas by the Late Midwestern Artist John Link, mounted in a wood frame. This work, entitled "Temporary Ephedrine", is one of several large Link pieces available exemplifying his technique of richly layering tones of acrylic paint using an alkyd spirit resin. Link detailed this process: “The medium is indeed "acrylic" but not what most people mean by acrylic - which is waterborne acrylic. Instead this is acrylic resin dissolved in turps, with a dash of alkyd resin thrown in to stabilize it so the next layers of paint do not re-dissolve it. Thus it does not muddle up like repeated layers of watercolor can. This stuff does not yellow either, like oil, and a glass of it looks like a glass of water, it is that clear, thus preserving the intensity of the pigment. Also, because it is clear when wet, there is no "pastel effect" like you get with waterborne acrylic, where you must let a glaze dry before you see what you have. It is WYSIWYG to the core." Link (1942 - 2021) was born in Oklahoma City, began his career in Illinois, headed the art dept at Virginia Tech...