Framed Victorian Oil on Canvas Painting of 'The Young Artist' by Joseph Clark

'Les Lavandieres' William Samuel Henry LLEWELLYN (1858-1941) Sir (Samuel Henry) William Llewellyn (1858-1941) was a noted and important English painter of the late 19th and early 20th centuries, and served as President of the Royal Academy from 1928 to 1938, and was awarded the Albert Medal (Royal Society of Arts) in 1933. Llewellyn has 67 paintings in British national collections, including a portrait of industrialist and philanthropist Sir Alexander Grant...

An Elegant Lady Admiring her Present By Auguste Toulmouche (1829-1890) An Oil on Canvas work depicting a well-heeled young lady, seated in her pink gown, admiring her new bracelet a...

A Dutch Genre Scene After the original by Jan Vermeer Entitled 'The Love Letter' Painted in oil on board, faithfully reproducing the famous painting...

Executed in oil on panel, housed within a carved swept giltwood frame. Signed bottom right 'E. L. Garrido,' and old stencilled stamps to the rear. Dimensions (framed): H 79 cm by 68...

Italian 19th century Oil Painting on Board, Girl and Cat, Original frame

This 19th-century oil on mahogany board titled 'The Cut Finger' by William Hemsley, R.B.A., depicts a familial pairing in a cottage home. The girl tends to the eponymous cut with a white cloth pressed on the boy's finger. A dim light is cast from the window to the left, illuminating a cut loaf of bread, a knife, and simple stoneware to set the scene. The girl sits in a wooden chair wearing a salmon-colored blouse, while the young boy is dressed in a golden overshirt. William Hemsley, R.B.A., (1819-1906) was a prolific draughtsman and painter of genre scenes depicting English provincial life. Hemsley’s scenes of everyday reality, which were usually painted on a small scale, follow the gentle tradition of Webster and F. D. Hardy. He was, like them, fond of painting children at play. Many of his works depicted rustic domestic scenes, leading to him being described as "pre-eminently the painter of cottage life". He was also a member of the Society of British Artists. He exhibited frequently in London, particularly at the Royal Academy and the Suffolk Street Gallery. This gentle painting faithfully represents a moment between two people caring for one another. Hemsley painted in a style reminiscent of earlier golden-age Dutch genre painting, using light and color in a vibrant but elegant manner—signature on the lower left-hand corner. In the 19th century, it was common to paint on wood due to its durability, smooth surface, and long-standing tradition. Wood panels were preferred for their sturdiness and versatility, suitable for detailed artworks and various shapes and sizes. While wood was popular, especially for smaller works, canvas started gaining popularity later in the century for its lighter weight and ease of use. This rustic genre scene resides in an ornate Louis XIV Régence style convex frame with foliate shell cartouche corners, strap work, and c-scrolls on a cross-hatched ground with white pigment dispersed throughout. In the early 18th century the Louis XIV styles blended into the Régence frame style (c.1715-1723) which placed greater emphasis on the corners and centers. The full Regency style was both opulent and delicate, with the order and linearity of this period giving way to the swirling delicacy of the Rococo. This painting would be a wonderful addition to a home office, entryway, or library...

This whimsical 19th-century oil on canvas, attributed to Thomas Webster R.A (1800-1886), depicts two young boys spying inside of a sealed letter, careful not to break the seal. The s...

Continental Dutch (19th Cent) oil painting of an interior scene with a mother and children by an open window (signed: WEILAND)