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French Barbizon Antique Landscape Oil Painting of Sunset by Léon Richet
About the Item
LÉON RICHET
French, 1847-1907
Sunset Gold: Barbizon
Oil on canvas signed Léon Richet lower right
Item # 407SPJ10A
A highly atmospheric example of Richet's work, it edges on Tonalism with a wonderful exploration of light diffusion and manipulation of shadows in this golden hour landscape. As dusk arrives, the sun is only barely discernible at the edge of the horizon, the brilliant yellows emminating through the clouds evoking a sense of the magical light as evening sets in. A solitary figure rests a rowboat along the shore of the still waters before trees full of autumns hues. The ground is scattered with earthy hues: reds, oranges, browns and ochre yellow.
The painting is housed in an early but not original composition polychromed frame, a pleasing and appropriate compliment to the tranquil scene with a nice overall patinated surface. The canvas is signed in the lower right corner in his typical script "Léon Richet".
LÉON RICHET (FRENCH, 1847-1907)
Born in Solesmes, France in 1847 (generally accepted as 15 April, some texts reference 1843 as his possible birth year), Richet studied under Ambroise Détrez at Valenciennes Academy before becoming a pupil of Narcisse-Virgile Diaz de la Peña (French, 1807-1876) and later studying under Gustave Boulanger and Jules Lefebvre in Paris; Richet collaborated with Lefebvre on several paintings, with the figures being contributed by Lefebvre and Richet handling the landscapes.
Diaz would be most influential on his career both as a tutor and mentor, as is evident in the close thematic and stylistic parallels found in their work. But it is Lefebvre's influence on Richet's ability to capture light, the reflections on water and a general openness in his landscapes that set his work apart from the often shadowy and atmospheric works of his contemporaries. He introduced Richet to the Barbizon School, a group of like-minded artists working in Barbizon, France and in the Forest of Fontainebleau with an avante-garde view of the landscape.
The traditionally acceptable way of capturing landscape was an over-idealized framework for historical storytelling, the landscape being a secondary element for the larger story of the painting that is often devoid of honesty and chaos; the Barbizon School sought to rebel against this notion, their efforts aimed at attempting to capture nature and life exactly as it exists without romance or idealization.
The school was active from 1830 through around 1870 and featured such luminaries as Jean-Baptiste Camille Corot, Jean-Francois Millet and Theodore Rousseau, an artist who inspired Richet considerably.
Richet featured at the Paris Salon and then at the Salon of the Société des Artistes Franćais starting in 1869 and he continued to exhibit regularly through 1906. He was awarded an honourable mention in 1885, a second class medal in 1888 and another second class medal in 1901.
Artist Listings & Bibliography:
E. Benezit Dictionary of Artists, vol. XI, Gründ, 2006, p. 1010-1011
The Barbizon School and 19th-Century French Landscape Painting, Bouret, 1973, p. 256
Measurements: 17 1/4” H x 25 3/4” W [canvas]
; 23” H x 31 3/8” W x 2 9/16” D [frame]
Condition Report:
Professionally cleaned and conserved, where the old varnish was removed, losses (primarily around extreme edges) were inpainted, sealed with traditional Dammar varnish. Original stretcher in excellent condition, all keys present, missing middle bar but not necessary. Linen has wax lining. Minor craquelure. Ready to place.
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- Creator:Leon Richet (Artist)
- Dimensions:Height: 23 in (58.42 cm)Width: 31.38 in (79.71 cm)Depth: 2.56 in (6.51 cm)
- Style:Barbizon School (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Unknown
- Condition:Replacements made: See condition notes. Repaired: See condition notes.
- Seller Location:Shippensburg, PA
- Reference Number:Seller: 407SPJ10A1stDibs: LU1059042379632
Leon Richet
Richet spent much of his adult life in Paris. It was there that he met and became a student of Jules Lefebvre. He also became a disciple of Diaz la Pena. Both of these teachers were well-known proponents of the Barbizon School. The Barbizon school of painters was part of a movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active from roughly 1830 until 1870, was inspired originally by the work on John Constable, and included, most notably, Theodore Rousseau and Jean-Francois Millet. It takes its name from the village of Barbizon, France, near the Forest of Fontainebleau, where many of the artists gathered. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form. These Realist artists would shape Richet’s style and in turn his successful career as a landscape painter. The artist sometimes collaborated with Lefebvre; there are several paintings that bare both of their signatures. Lefebvre’s teaching is evident in paintings such as this L’étang Les Hautes herbes, in the delicate way in which Richet accurately depicted the effects of light and reflection on the water. His compositions, such as this one, are known for their lightness and openness. These qualities set Richet apart from his mentors and counterparts, such as Diaz and Corot; whose work often comprises enclosed and shadowy views of nature. This meant Richet enjoyed a successful and prolific career, and his work was widely exhibited during his own lifetime. At the Salons of Paris, he obtained an honorable mention in 1885, medals in 1896 and 1900; and from then on was considered to be a leader in the Barbizon School, and later proposed for the cross of the Legion of Honor. Like many painters of the Barbizon School, Richet had a fondness for the Forest of Fontainebleau, and it provided the subjects for the majority of his paintings. A Road to the Forest of Fontainebleau was perhaps his most famous painting and drew public attention to his name at the time it was painted. Richet also loved the areas of Moret Sur Loing, Loiret, Normandy, and Burgundy as sources for his painterly inspiration, as well as views along the River Seine. He was a member of the Society of French Artists and exhibited with them from 1880 until his death in 1907.
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