Ingvar Engdahl, Swedish artist. Mixed media on board. Close-up view of an eye.

Gust Magnusson, Sweden. Oil on board. Abstract composition. Dated 1971. The board measures: 91 x 40 cm. The frame measures: 6 cm. Signed. In excellent condition.

Danish artist. Mixed media on canvas. Abstract composition. From the 2000s. In perfect condition. Canvas dimensions: 30.0 cm x 30.0 cm. Total dimensions: 33.5 cm x 33.5 cm x depth 3....

Lotte Kjøller (b. 1966), Danish artist. Mixed media on canvas. Abstract composition. Title: "The Painter and Her Muse." From the 2000s. In perfect condition. Canvas dimensions: 30 c...

Ivy Lysdal, b 1937. Danish ceramist and painter. Gouache on cardboard. Modernist painting. Colorful palette. Late 20th century. Measures: 100 x 70 cm. Provenance: The artist'...

"Eye of the Beholder" 2024, 48"x60" horizontal abstract painting by Argentine-born artist Karina Gentinetta (featured in Elle Decor, Architectural Digest, the New York Times, Traditional Home, House Beautiful, Veranda Magazine, Luxe Interiors, and 1stdibs' Introspective Magazine, among others). Raw and unfiltered, this work is a beautiful expression of acrylics, carbon pencils and oil pastels in hues of black, white, browns with a hint of blue on canvas against a warm raw umber background (Umber, a dark brown, is part of the prehistoric palette of earth pigments). This piece was inspired by a smaller drawing on paper made and on loan for the 2019 Kips Bay Showhouse...

Nerea Caos (1993) - the all-seeing eye - Oil on canvas Canvas size 54X65 cm. Frameless. Nerea Sánchez Castro, born in Ferrol, Galicia in 1993, an art stude...

Steven Colucci is a perfectionist. As a painter, he describes himself as “a dictator, a controlling ballet master with a stick,” dispassionately choreographing his composition to achieve the exact result he desires. The paintings of the “Sea Series,” largely completed in 2010, are actually the culmination of 4-5 years of practice for the artist, during which he consistently developed and refined the language and formal elements that visually distinguish the series, sometimes repeating the same image for months until he was satisfied. Colucci’s methods and philosophy reflect his experience with movement as a performing art. While he studied with and admires Vito Acconci, Colucci is no proponent of conceptualism, finding his voice in the intense discipline of traditional forms, explaining, “If you don’t practice art like a classical pianist, every day, you can’t execute your concepts.” After completing his studies at New York’s School of Visual Arts, he moved to Paris, where he studied and performed mime and ballet, working closely with Marcel Marceau, who also painted, and Etienne Decroux, a sculptor as well as the originator of the form “classical mime,” which has roots in the sculpture of Rodin. If the word “sea” in the title of a painting conjures for you images of little easels and landscape canvases featuring sandy beaches, waves, and vast horizons, think again – Colucci’s oceanic visions are experiential, viewing them you are often looking down at the sea, within it, or even dreaming of the ocean. Water, deep or shallow, still or fast-moving, rules how we see light and subjects, as the artist works to reflect what he calls “the spirit, the soul of the water.” In “Deep Blue,” he conjures this anima via a window through levels of roiling currents of rich dark waves and dancing highlights, inviting the viewer to experience the sea as a vibrant and enveloping sensual entity. Colors, too, differ from the subdued palette of the seaside afternoon painter. Often his choices originate in what Colucci describes as the rhythm of color present in Afro-Carribean art and design. In the paintings, these hues express the water’s likeness to the seamless flow of the Dominican culture’s music and dance, which he so enjoys during frequent visits to Upper Manhattan’s El Barrio district, a movement with the melodic line that he so simply and perfectly employs in the delightfully sexy “Swimming with the Fish.” As our bodies, like the sea, are largely water, Colucci’s water visions...

"The Eye of Chuck Close" by Ceravolo is acrylic oil stick and encaustic paint on two layers. The top lay is set about 1/2 inch in front of the bottom layer....