Koko Fukazawa, Japan, Oil on Canvas, Arrangement with Fruits

Scandinavian modernist, oil on board, still life with fruits and pitcher. Approximately from the 1970s. In excellent condition. Dimensions: W 39.5 cm x H 30.0 cm. Total: W 46.5 cm x...

Swedish artist. Watercolor on paper. Modernist floral still life. Colorful palette. Approximately from the 1970s. In perfect condition. Image dimensions: 38.0 cm x 45.0 cm. Total dim...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Karl Einar Andersson (1925–1975), a listed Swedi...

Georg Glud, still life, oil on panel. Listed Danish artist. In very good condition. Signed, dated 59. Measures: 96 x 81 cm.

A decorative oil painting on canvas by swedish artist Gideon Borje who travelled extensively in europe over his career and was known for both his modernist style and classic traditio...

Vintage original oil on board still life painting features a large open basket, filled with fruits, on a free-flowing draped white tablecloth. Mostly monochromatic, tone-on-tone bac...

INTERIOR WITH FRUIT Size: 63.5 x 49 cm (including frame) Oil on canvas A charming and vibrant mid-century interior still life that captures a sunlit domestic scene through bold yet ...

Fruit still life on board signed Timmons. Attributed to William Federick Timmons(1915-1985) . Rich colors of blue, red and pink make up this fruit still life composition. The composition consists of fruit in a pedestal bowl and the detailed drapes in the background. Custom framed. This item can parcel ship for $45. William Frederick Timmins was born May 23, 1915 in Chicago, Illinois. His father, Harry L. Timmins (1887-1963), was a celebrated magazine illustrator and co-owner with Frank H. Young (1888-1964) of a successful Chicago advertising agency called Young & Timmins Advertising Illustration Studios. In 1923 Timmins and Young co-founded the American Academy of Art in Chicago. His father's impressive career brought the family a prosperous and privileged lifestyle, which included pleasure trips to Paris and London. In 1934 he began to commute by Metro North train to New York City, where he studied at the Art Students League on West 57th Street. He also took classes at the National Academy of Design on Fifth Avenue near 89th Street. In 1935 he began to study at the Grand Central School of Art, located on the sky-lit top floor of Grand Central Station Terminal. This was the same station he used for his daily commute. In 1935 he began to sell pen and ink story illustrations as well as painted covers to NYC publishers of pulp magazines. During the second half of the 1930s his work appeared in Western Story, Dime Sports, Clues Detective Stories, Thrilling Western, and All Aces Magazine. He and his wife moved to a home on Spectacle Lane in Wilton, CT. This area of Connecticut had become a popular artist community. He socialized with several artist neighbors, such as Benjamin Kimberly Prins (1902-1980), Tom Lovell (1909-1997), Richard Lyon (1913-2002), Al Parker (1906-1985), Rolf Klep (1904-1981), R. G. Harris (1911-2007). During the 1940s his cover illustrations appeared on pulp magazines, such as The Shadow, Clues Detective Stories, Wild West Weekly, and Astounding Science Fiction. All these were published by Street & Smith. In 1944 the family moved to Darien, CT. At first the artist worked in a rented studio in nearby Norwalk, CT, but after a while he converted a vacant family room into an art studio and worked at home. After the war he drew story illustrations for Family Circle and Liberty Magazine. In 1948 his father, Harry L. Timmins, and his brother, Harry L. Timmins, Jr., moved to California to open a lithography business in Hollywood. During the 1950s he illustrated several books for children that were published by Rand McNally, such as Cowboys, Davy Crockett...