Landlord Blues by Delores Alton

Donald Raymond David. American, 1906-2006. Abstract. Oil on canvas 30 by 24 in. Donald Raymond David was born in Springbrook, Oregon in 1906. He attended Fresno State College in 1927 and studied with Alexandra Bradshaw. By the 1930s Don David was in Los Angeles, where he studied with Barse Miller and attended the Chouinard Art Institute and the Art Center School. From the mid-1930s to the early 1940s he lived in Sacramento and exhibited at Sacramento’s Kingsley Art Club from 1934 to 1943. Throughout the 1940s David also exhibited at the San Francisco Museum of Art, the Oakland Art Gallery, the Glendale and Laguna Beach Art Associations, and the California Water Color Society. David had a solo exhibition at Los Angeles’ Francis Webb Galleries in 1946, and exhibited with Milford Zornes...

Emory Ladanyi, Hungarian, 1902-1986, Urban Tensions. Mixed-media on canvas. Signed lower right. Inscribed and titled on verso. Dimensions: 48 by 36 in. Born November 8, 1902 in Kecskemet, Hungary, the child of Mihaly and Maria Ladanyi, Emory Ladanyi moved with his family to Eger, a town famous for its good wine. He studied at the High School of Science and Art. At fifteen, he discovered anatomy in a textbook and began to consider a career in medicine, and was accepted into the Medical School of The University of Budapest to become a medical student. He received his doctoral degree in 1927 and did his residency in dermatology in the largest hospital in Berlin, then one of the most prominent dematology centers of Europe. In Berlin, he was especially impressed by the works of Edvard Munch, forerunner of German Expressionism, who exerted a lasting influence on his work. Following medical residency in Vienna, he was also impressed by the works of Gustav Klimt, Egon Schiele, and Kokoschka. In 1928 he returned to Budapest to continue postgraduate studies, also advancing his art education. His many friends were among the avant-garde poets and writers of that time. In March 1929, he arrived in New York. June of that year, he passed the medical boards, and in September received his license to practice medice in the State of New York. Outside of the medical profession which enabled him the livelihood to continue to paint, he moved exclusively in avant-garde circles of New York City. He was a close friend of the composer Edgar Varese. Others of his circle were poet Kenneth Patchen...

Virginia Webb American, B. 1920 “Narayama II” Large Pastel on Paper 49 by 37 in. W/frame 60 by 48 in. Art N9

Jay Rosenblum American, 1933-1989 "Gradus ad Parnassum," Oil on canvas 20 x 20 in., with frame 20¾ by 20¾ in. Signed and dated 1970 Jay Rosenbl...

Important painting by Leonard Maurer (1912-1976), titled "Bridge #2", 1949. A great example of American 1940's modernism with clear influences of Jackso...

Abstract Modernist oil painting by Zoute. Oil on canvas mounted on board. Painted in circa 1940's. Zoute (Born-Leon Salter, 1903-1976) was self-taught and well exhibited during his...

Modernist wall mounted print art work. Earth Tone pastels, by C. Dunlap for Harris Strong, circa 1970. Measures: 17.5" x 15.5" 1.25" deep Original mixed media art signed by the artis...

A great enamel by Kay Whitcomb, framed, signed and dated 1966. Titled" Where your Treasure is, there will your Heart be also" A note about the artist: " Whitcomb was born in 1921 in Arlington, Massachusetts, to a long line of New England metalsmiths, the Carr family. In a way, it was almost preordained that her life would be devoted to the crafts. While she hoped to attend the Massachusetts Institute of Technology, financial conditions prevented it. With financial assistance from relatives and friends, she began her art studies at Rhode Island School of Design (RISD) in 1939. Whitcomb recalls that in her third year, in 1941, she took an enameling class. Her instructor taught the cloisonné technique. Ruth Raemisch also used the same facilities, working on her enamels while regular courses were offered. Whitcomb recalls being intrigued by Raemisch’s techniques and wanting to emulate the distinguished German-born artist, whose style was based on the Limoges school of enamel painting. She completed her course work at RISD in 1942 while taking additional classes at the Cambridge School of Art. In 1944 she joined the United States Marine Corps Women’s Reserve at Camp Pendleton...