Miniature Painting "The Mystic Marriage of St. Catherine" After da Correggio

2nd Half of the 18th century Scroll Painting on Silk by Maruyama Okyo now Framed, Japanese. Pine in Snow. Signed along lower left & with artist's seal in red. Acquired in 1967 in Nik...

Circa 1870s painting "S. Georgio Maggiore & the Dogano" by Jane Vivian in gilt frame. Title inscribed on canvas en verso. Signed J. Vivian lower right, British, flourished 1869-1890....

Romantic still life of flowers and fruit from the late Victorian Grand Tour Period. Although unsigned, this oil on original canvas has two intriguing "R" insignias, on the gold chate...

Pair of oil on panel ships scene paintings, English. Signed enverso Arthur Smith, M.P. 1847 - the owner. Panels from "Dimes & Elam, Manufactures, 91. Gt. Russel St. Bloomsbury, Londo...

Author : Biagio D'Antonio Mystic Marriage of Saint Catherine of Alexandria with Saint Jerome Period : 15th century Work by Biagio d'Anto...

17th century Mystical marriage of Saint Catherine Measures: Oil on canvas, 98 x 81 cm - with frame 119 x 102 cm The scene represents the mystical marriage between Catherine of A...

Very large Royal Vienna painted porcelain plaque after Correggio Austrian, 19th century Measures: Frame: height 77cm, width 74cm, depth 7.5cm Plaque: height 58cm, width 48.5cm, depth 0.5cm. This beautiful and very large painted porcelain plaque was made by the Royal Vienna Porcelain Manufactory, in the 19th century, and shows the Sacred Family...

17th century, Roman School Mystical marriage of Saint Catherine of Alexandria Oil on canvas, 32 x 23 cm Frame cm 45 x 36 The saint is depicted in front of the Virgin holding the Child portrayed with the wedding ring in his hand, enriched with a precious stone. According to the Golden Legend, Catherine of Alexandria was a very beautiful young woman, the only daughter of the king of Costa, who had refused to marry the emperor Maxentius because she was a Christian and devoted to Christ. Maxentius, unable to convince her to sacrifice to idols, had sent to call the wisest men and fifty philosophers and orators who presented themselves and tried to divert her from faith in Christ. Catherine, however, played so well that she was able to convert them, arousing the anger of the emperor who condemned them to the stake. Catherine, however, who had criticized Maxentius for the new persecutions against the Christians, was sentenced to prison without food. Abandoned for twelve days, she was fed by a dove sent by God. Maxentius then decided to execute her with the torture of the toothed wheel become her attribute iconographic; but by divine intervention this broke and the young was saved. Finally, she was beheaded and milk flowed from her neck. Catherine’s princely status is witnessed here by her sumptuous dress. The iconography of the mystical marriage was born in the fifteenth century, probably because the traditional iconographic attribute, the wheel, was sometimes so small as to look like a ring, and refers to a vision that will always remain present in the mind and heart of the saint. In Heaven she appeared to her, among the Angels and Saints, Christ the Child, in the arms of the Virgin. He took a precious ring that the Virgin Mary handed to her and put it in her finger, saying "I, your Creator and Saviour, take you in marriage; confident that you will keep you pure until you celebrate your eternal wedding with me, in Paradise" When Catherine was laughing, she found in her finger the same ring that she had seen and had in Heaven, and she considered herself forever the bride of Christ. In this extraordinary episode we can see the heart of Catherine’s religious sense, and of all her spirituality. For her, Christ is like the bridegroom, with whom there is a relationship of intimacy, communion and fidelity; he is the beloved, whom she loves above all...