Miniature Signed and Framed Watercolour Portrait of a Woman

19th Century portrait of a woman painted in oil on canvas with the frame dated in 1940 Measurements with frame: 69 x 69 x 3 cm.

19th Portrait of a Girl Painted in oil on Canvas, Framed

19th century signed Viennese glazed porcelain lady portrait with frame.

Oil painting on copper plate depicting a distinguished period lady, captured in great detail in her attire and serene expression. The subtle background and the position of her hands ...

Late 19th Century French Victorian oval miniature watercolor on vellum portrait of a woman with a light blue dress in an ebonized frame.  

Miniature framed portrait of a lady painted on porcelain An oak wooden frame with in oval placed porcelain plaque, painted with a scene of a lady w...

Miniature portrait of a distinguished lady, signed Stieler. Bronze frame behind oval round glass, 19th century Signed Stieler, Joseph Karl Stieler (1781- Mainz - 1858 Munich) was a German painter. The size is 10 cm x 7.5 cm x 1 cm 1820-1830 From 1820 until 1855 he worked as royal court painter of the Bavarian kings. He is known for his Neoclassical portraits, especially for the Gallery of Beauties at Nymphenburg Palace in Munich. Born in the city of Mainz to a long-established family of engravers, punchcutters and die makers, Stieler received some artistic training from his father, August Friedrich Stieler (1736–1789). After the early death of his father, Joseph Karl autodidactically completed his apprenticeship and began his career as a painter of miniatures, which were increasingly sought after by bourgeois circles After Mainz had been occupied by French revolutionary troops in 1792, Stieler followed the expelled court of Prince-Archbishop Friedrich Karl Joseph von Erthal to Aschaffenburg. Here he met with the later Archbishop Karl Theodor Anton Maria von Dalberg, who became his most important patron and sponsor. From 1802 to 1805 he attended the Academy of Fine Arts Vienna in the master class of Heinrich Füger. Stieler's portrait style was most especially shaped during his work in the Parisian atelier of François Gérard, a student of Jacques-Louis David. In 1808, he established himself as an independent portraitist in the city of Frankfurt and in 1810 travelled through Italy. From 1812 he worked at the court of King Maximilian I Joseph of Bavaria. In 1816, he again travelled to Vienna to paint the portrait of Emperor Francis I of Austria. Between February and April 1820, he worked on his portrait of Ludwig van Beethoven, which is probably the most well-known representation of the composer today. In 1847 he also painted the portrait of Lola Montez...

A French watercolor on paper portrait of a lady is signed by the artist. Surrounded by a mat board, protective glass, new complementary silver gilt frame and fixed with a wire, this ...