Oil on canvas "Country house" by Carlo Dalla Zorza - 1945, Italy

A painting that refers to Our Lady Eleusa, also known as the "Mother of God of Tenderness," which shows an undeniable feeling of affection and tenderness between mother and child. Th...

The painting for sale is an oil on canvas by Licinio Campagnari, born in Mestre in 1920 and died in Andora in 1981. His favorite subjects are the mountains of the Aosta Valley, ofte...

Dipinto realizzato nel 1974 dall'artista e incisore italiano Luigi Senesi (Pergine Valsugana 1938 - Bologna 1978) ad acrilico su tela di cm 80x80. He trained at the Art Institute of ...

Oil on panel by Teodoro Wolf ferrari executed in 1934 measuring 23.5x16 cm. The most investigated theme is landscape. The motionless, rarefied atmospheres, accompanied by the play of...

Italian 19th century oil on canvas titled "The Music Professor" depicting a mid-19th century music-room scene of an elder man, the music professor, holding his violin, hat and umbrel...

Lennart Lilja, 1945 Oil on the board Work dated and signed by the artist Dimensions 46/38 Unframed work Lennart Lilja (1924-2008). He was a Swedish artist. Student of Isaac Gründewald and Otte Sköld. In the 1950s he wrote plays and tried his hand as an actor. This resulted in a role in The Seventh...

Oil on canvas of a Pueblo painted by Luciano. Paint is applied with a palette knife in heavy form creating an abstract image of a Spanish Pueblo in Madr...

The Vajolet Towers - Italy Artist: A. Thöny Period: Early 1900s Origin: Italy Technique and support: Oil on canvas mounted on cardboard Dimensions: Height – 33 cm Width – 27 cm Description: The artwork depicts a landscape view of the Vajolet Towers, a prominent rock formation in the Catinaccio Dolomite massif. The artist employs a vertical composition, ideal for emphasizing the upward thrust of the towers, which rise monumentally against the sky. Thöny’s pictorial language is marked by a dense and vigorous brushstroke, particularly evident in the rocky details, where the use of oil paint enhances the typical limestone hues of the Dolomite rock. Dominant tones include ochre, warm greys, and earthy greens, with accents of white and light blue suggesting reflected light or lingering snow. The atmosphere is conveyed through a balanced interplay of solid and airy elements: the towers emerge from low-lying clouds, creating a contrast between the mountain’s solidity and the sky’s dynamic quality. The latter is rendered in cool tones—shades of blue and light grey—achieved through light glazing, contrasting with the more textured and impasto treatment of the rock. The vantage point is elevated yet slightly off-center, offering a framing that enhances the landscape’s perspective and depth, with hints of blurred mountain ridges on the horizon, painted in cobalt blue and greys to evoke a sense of atmospheric distance. Signed lower right, “A. Thöny”. A. Thöny was active in Merano, in the alpine region of South Tyrol, and belonged to the romantic-naturalist school of the late 19th century, connected to the Central European tradition of alpine landscape painting...