Portrait of a Blonde Girl in a Red Dress Wearing a White Beanie, Oil on Canvas

Portrait oil painting of a woman signed by the artist Cervantes. An expressive portrait using primarily warm colors, and thick brush strokes. Information on the artist Cervantes ...

"Black on White on Black on White" is the name given by Segel for this composition. The subject is open to interpretation though some viewers could thin...

Oil painting on canvas proudly signed C. G. Moody untraceable painter! It sits in a very nice and matching frame chosen by the artist. In this impressionist painting from the 196...

Captured on canvas with delicate impressionist strokes, this oil painting transports us to the bustling streets of San Francisco. On the left, a vintage blue-green tram glides toward...

A small portrait painting on card by artist Clair Seglem. Painted on card, the subject of this painting is painted in profile, and appears to ...

19th Portrait of a Girl Painted in oil on Canvas, Framed

Neoclassicism saturates this droll portrait of a French girl c. 1800: the high-waisted dress, the antique hairstyle "a la Titus” complemented with m...

Fanny Sugars (British, 1856-1933) A Charming Victorian Era Oil on Canvas Depicting a Portrait of Standing Young Girl Wearing a Bonnet, within a later giltwood frame. Signed and Dated: 'Fanny Sugars / 1881' (lower right). Museums: Lancaster City Museums Miss Dalton, possibly Alzira Eloise Dalton (1889–1983) c. 1904 by Fanny Sugars (1856–1933) Lancaster Maritime Museum Miss Dalton, possibly Alzira Eloise Dalton (1889–1983) by Fanny Sugars (1856–1933) Manchester Art Gallery My Mother by Fanny Sugars (1856–1933) Fanny Sugars (1856–1933) Is recorded in Union List of Artist Names - Getty Research Fanny Sugers (1856–1933) is recorded as having exhibited at The Royal Academy Of Art in London, 1903. Exhibition No. 1160 - Portrait of a Lady. Article from Woman, Art and Money in Late Victorian and Edwardian England - The Hustle and the Scramable: Fanny Sugars was a ‘well-known Manchester artist’ who had been the only artist out of forty-one nominees to be elected to the Manchester Academy membership in 1897. ‘Women’s Doings’, Hearth and Home, 11 March 1897, 722. 64 ‘Women’s Doings’, Hearth and Home, 29 March 1900, 883. 65 Cherry, Painting Women, 70. 66 Arthur Fish, Henrietta Rae...