Poster: Basketball European Championship, 1955

Lady with flowers. Gouache on cardboard in pastel tones. Ready to hang, framed with a passepartout in an ash wood picture frame behind anti-reflectiv...

Ivo SALIGER “Friend of Hafez”. Original color etching from the 1920s. Ready to hang, framed with a passepartout in an ash wood picture frame behind anti-reflective acrylic glass. Siz...

Louis BASTIN Study of a boy. This Etching shows the Portrait Study of a little boy. Handsigned and dated on 1948. Ready to hang. Framed with a passepartout in a handcrafted ash wood ...

“Blaue Stunde” from Helga Müller around 1990. Double motif. Acrylic on handmade paper. Framed ready to hang in two beech wood frames. Size without frame: W 82.5 cm x H 73.5 cm.

Immerse yourself in the raw, vibrant energy of Pervis Young's unique artistic vision with this captivating painting. This piece captures a dynamic basketball scene, a recurring m...

Byzantine period was a example for the icon artist in the XVI and XVII century .Artist was usually the priest - Monah, so this was a case at this time. Balkan icon artist was inspir...

Signed dated ad titled “The Irresistible Landscape”. This painting was personal to the artist as Brook was born on July 14, 1898 ad at the age of twelve was bed-ridden with Polio. This painting is a self-portrait showing the artist looking out the windows of the room he rarely was able to leave. This painting was exhibited at the Pennsylvania Academy of Fie Arts ad the Ogunquit Museum Of America Art, exhibition tags from both institutions are attached to the stretcher en verso. Born in Brooklyn, New York, Alexander Brook was a realist painter, whose works consisted mostly of still-life subjects, landscapes, and figures, often of women. He was very successful in his day, winning second prize to Picasso's first prize at the Carnegie Institute International Exhibition of Modern Painting in 1930. In New York, he studied at the Art Students League between the years of 1914-1918. It was at the Art Students League that Brook developed significant relationships with Niles Spencer, Reginald Marsh, Kenneth Hays Miller, Yasuo Kuniyoshi and, perhaps most significantly, Peggy Bacon, whom he married in 1920. Along with Kenneth Hayes Miller, Brook studied with John C. Johansen, Frank V. DuMond, George Bridgeman and Dimitri Romanofski. Within this group lay the foundations of American Realism. Brook was a member of the Society of Independent Artists, who rebelled against the strictures of the National Academy of Design. In 1938 Brook traveled to Savannah, Georgia, there he did some of his most provocative work. After two years in the South, Bacon and Brook were divorced. Brook later married the painter Gina Knee. During the years 1928 through 1939, Alexander Brook had works in over one-hundred exhibitions, fifteen of which were one man shows. By 1942, Brook had resumed teaching at the Art Students League. Demand for the artist's work kept him in significant collections, galleries, and museums, including the Downtown Gallery (New York), the National Academy of Design, the Rehn Gallery, the Larcada and the Knoedler galleries. Some feel Brook may have retreated from the art world with the rise of Abstract Expressionism, although a sketchbook that he kept from 1949 to 1951 reveals an active engagement in painting and served multi purposes--a repository for his ideas, an address book, notebook, and travel diary. Of special interest are his notes on watercolor technique. It also includes tips for using new painting tools...

Expressive and richly colorful Abstract Expressionist oil/canvas by Lester Elliot a second generation painter of the 'New York School'. Purchased from The Artist's Gallery, NYC in 1...