Renaissance Style Italian Religious Painting

A very important painting by the great artist of the Florentine school, Onorio Marinari. Dr. Silvia Benassai has confirmed Marinari’s authorship of the Saint Margaret of Antioch; available on demand, a historical-artistic fact sheet prepared by Dr. Silvia Benassai Onorio Marinari (1627 – 5 January 1715) was a very important Italian painter and printmaker of the Baroque period, active mainly in Florence. His father, Sigismondo di Pietro Marinari, was also a painter, and he trained with his cousin, Carlo Dolci, later being also influenced by Simone Pignoni and Francesco Furini. His fresco in the Palazzo Capponi, Florence, is dated 1707. He worked mainly in Florence for Florentine and Tuscan clients, but he did not devote himself only to painting. In fact, in 1674, he published an essay on astronomy entitled Fabbrica ed uso dell' Annulo Astronomico. Bartolomeo Bimbi was one of his pupils. St. Margaret of Antioch July 20, Martyr Margaret, known as Margaret of Antioch in the West, and as Saint Marina...

Very rare painting oil on canvas by the artist William Langley Title “View of Menton Cap Martin” It depicts a beautiful view of the French Riviera, in particular Cap Martin-Menton O...

This tender painting is by Arthur Augustus Dixon, a great English artist who lived between the late 19th century and early 20th century. This painting is extremely rare for its subj...

Beautiful oil on panel painting representing Venetian landscape. The luminosity of this evocative view combined with the impressionistic style of br...

Stunning example of a view of St. Paul's Cathedral in London complete with its original good gilt frame. Circa 1940s. Cast in very fine relief, in our opinion this panel is made of...

Antique Renaissance style porcelain portrait with enamel by Lamy French, circa 1880 Measures: Frame height 52cm, width 49cm, depth 3cm Plaque height 33cm, width 30m, depth 0.5cm This unusually contemporary style porcelain plaque is a beautiful example of French eclectic...

Pair of Renaissance style enamel plaques in giltwood frames French, 19th Century Dimensions: Frames: Height 24cm, width 18cm, depth 3cm Plaques: Height 13cm, width 10cm Held in ornately carved neoclassical giltwood frames, these Limoges enamel plaques depict two men rendered in the historicised Renaissance style. The frames feature oval openings, with laurel wreath carvings and bows to the top. Both plaques depict bust-length portraits of men, shown in three-quarter profile with laurel wreaths adorning their heads. They are both painted in a style that evokes the portraiture of the 16th century, with great care taken to render the details of each sitter’s face, and expressive brushstrokes for the background and clothing. The younger of the men wears a deep orange shirt...

19th century framed oil on copper painting "The Ascension of Mary" continental school. Unsigned.