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Sergio Sarri Abstract Man & Horse Painting
About the Item
Fabulous early painting by listed Italian artist Sergio Sarri, Man and Horse, circa 1961 found in its original gilt silver and gold burnish wood frame. Striking piece by Sari in earth tones whose later work was more stylized and surreal. Comes with the original label from Galleria Tornabuoni, Florence, Italy.
Colors may vary due to room lighting and photography.
Some selected solo and group exhibitions:
1968:
Alternative Attuali 3, Roma.
1971:
Oggettività e impegno, Roma - Berlino.
1972:
Biennale Internazionale di Venezia.
1973:
Kunst Messe, Berlin.
1975:
Personale Hagener Kunstkabinet, Hagen.
1976:
Personale Palazzo dei Diamanti, Ferrara.
1977:
Arte in Italia 1960/70, Galleria d'Arte Moderna, Torino.
1981:
Personale Galerie G. Fall Parigi.
1986:
XI Ouadriennale, Roma.
1991:
Kunstmesse, Frankfurt.
1992:
Personale Galleria CA'D'ORO, Roma.
1996:
Personale Montserrat Gallery, NewYork, USA.
1998:
Personale Galleria Vinciana, Milano.
1999:
Personale Galerie Stücker, Brunsbüttel (Germania).
2000:
Immagine d'Impegno, Roma.
2001:
Personale Galleria San Michele, Brescia.
2001:
Personale Galleria Il Salotto, Como.
- Creator:Sergio Sarri (Artist)
- Dimensions:Height: 20 in (50.8 cm)Width: 28 in (71.12 cm)Depth: 1.5 in (3.81 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1961
- Condition:Wear consistent with age and use. Some slight gilt loss to frame, minor paint loss in one small area, presents beautifully! Painting is slightly lighter to the eye in color than photograph due to professional lighting.
- Seller Location:New York, NY
- Reference Number:1stDibs: LU91541208080
Sergio Sarri
Sergio Sarri is an Italian artist, born in 1938 in Turin. His theme is the relationship between the man and the machine. He paints using distinctive brushstrokes and leaves hard unpolished edges. There is a typical retro color palette present in his works and he uses it to emphasize the sharp and crisp nature of mechanical creations. All of his paintings reference the machines in metaphorical and slightly dark manner.
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