"Soldiers Looting a Village" 17th Century Oil on Panel Dutch School

Title: Moses on the Stone Date/period: XVII century Dimension: measure without frame 60cm x 83cm, frame 13cm in noble wood Materials: oil on wood Additional information: Dutch School...

Burlesque genre scene attributed to the Dutch painter Andries Both (active circa 1610–1650), one of the representatives of the Caravaggio school of Utrecht. The work depicts two pop...

This fantastic Flemish 17th century Old Master oil painting is by Thomas Van Apshoven. It was painted circa 1650 and depicts a village with figures outside a tavern, eating, drinking and dancing. Beyond are more dwellings, villagers and animals, all under a blue summer's sky. The detail, brushwork and vibrant colouring are superb. This is an excellent example of Apshoven's work and a typical subject he loved to paint. Provenance. Leominster estate. Wax stamp verso. Condition. Oil on panel, 22 inches by 17 inches and in good condition. Frame. Housed In beautiful gilt frame, 30 inches by 25 inches and in good condition. Thomas van Apshoven (1622– 1664) was a Flemish painter known for his landscapes with peasant scenes and genre scenes in interiors. His genre scenes depict village festivals, the interiors of taverns, village scenes or landscapes with peasants engaged in various activities, singeries, guardroom scenes and laboratories of alchemists. Some still lifes have also been attributed to him. His themes and style are close to that of David Teniers the Younger. He was born on 30 November 1622 in Antwerp as the eldest son of Ferdinand van Apshoven the Elder and Leonora Wijns. His father was a painter who had studied with Adam van Noort and had become a master of the Antwerp Guild of Saint Luke in 1596. No paintings by his father are known. His younger brother Ferdinand van Apshoven the Younger became also a successful painter. Thomas studied under his father. Some sources state that he became a pupil of the prominent genre painter David Teniers the Younger. It is more likely, however, that he was an imitator of Teniers. He was registered as a 'wijnmeester' [son of a master] in the Guild of St. Luke of Antwerp in the guild year 1645–1646. He married Barbara Janssens on 22 March 1645. The couple had four children. The godfathers of the children included the painters Victor Wolfvoet...

After the original 17th-century by the famed Flemish painter, David Teniers II (usually referred to as “David Teniers the Younger”, as his father David Teniers the Elder was also an accomplished painter), this fabulous painting depicts a vibrant scene, both in color and theme. Our version, which was painted in the 1700s, is by an unknown, but very talented artist. The painting is surrounded by a giltwood frame with two layers of beading. Both Teniers were known for developing the “peasant genre” or “tavern scene”, where members of the working class were shown actively celebrating life. The earthy tones of the interior of the inn (brown and beige) are offset by citizens in brightly colored attire consisting of green, red, black, and gray. The scene is divided into two rooms, with seven patrons (mostly men) gathered around a barrel table in front of a very large fireplace. Two of the men are playing cards and there are two tankards visible. The calmness of this group is a drastic difference from the 11 people gathered in the foreground. A man in blue stands on top of a wine barrel table...