Spanish Colonial Paintings

ABOUT Virgin of Guadalupe, unsigned, oil on canvas, unframed. CREATOR Unsigned. DATE OF MANUFACTURE c.1910-1940. MATERIALS AND TECHNIQUES Oil on Canvas. CONDITION...

Landscape with Hut depicts a typical Mediterranean setting (" Barraca valenciana en la Albufera) , featuring a large hut and another one partially hidden among lush vegetation. ROcam...

18th Century Spanish Colonial Oil On Canvas Painting, La Santa Trinidad (The Holy Trinity). Painting depicts God the Father, God the Son (Jesus Christ) and God the Holy Spirit figura...

Presenting a Peruvian Cusco School Revival painting from the mid 20th century, depicting the beloved figure of San Isidoro, the patron saint of farmers and laborers. This exquisite ...

Remarkable Spanish colonial late 18th/early 19th-century painting of Lady of the Rosary, Madonna and Child, or Virgin Mary. Oil on canvas Cuzco school painting...

Peruvian Cuzo School Oil on Canvas of the Archangel Raphael, 19th Century. The Cuzco or Cusco school was a Roman Catholic artistic tradition that began in the 1500's in Peru, foll...

Beautiful 18th century Spanish colonial oil on canvas painting of Saint Anthony with the infant Jesus. There are a few old repairs as shown on photos...

Fantastic Spanish Colonial school screen. Probably from Peru. This screen, with a kind of European landscape, give us an idea of the influence ...

An important and truly exceptional 18th century Cuzco School (Spanish School, Peru) Oil on Canvas of Pope Gregory XIII. Attributed to Marcos Zapata or Marcos Sapaca Inca. (Cuzco, Pe...

18th century Spanish Colonial School, Cuzco: Angel, oil on tin. Framed, in good condition. Rich colors of red, blue and white. Inscribed in upp...

18th Century Mater Dolorosa Religious Oil Painting, Antique Spanish Colonial Religious Oil Painting, Our Lady of Sorrows Painting, Antique Religious Oil Painting...

1941 Rio Blanco, Chile by Ceferino Carnaci Painting. Newly framed in gold giltwood frame. Painting includes COA and artist information from the gallery it was purchased from in Buen...

Virgin of Guadalupe with flowers and appearances of the Virgin to Juan Diego, oil on copper, 18th century. This item does not belong to the mexican...

Rare 18th-Century Mexican Spanish Colonial Oil Painting "The Mystical Lactation of Saint Cajetan" This remarkable 18th-century Mexican Spanish Colonial oil on canvas presents a rar...

Antique Ernesto Fontana Original Oil Painting. It is beautifully mounted in a period gilded frame. Signed lower left. Additional information: Materials: Canvas, Giltwood Color: Gold...

A lovely antique oil on linen painting from Spanish Colonial period late 18th-early 19th century. In the style of Classic Cuzco School, the painting depic...

A monumental and captivating 18th-century Spanish Colonial oil on canvas depicting Saint Raphael the Archangel, rendered in grand scale with overall dimensions of 167 cm height by 11...

An exquisite Spanish Colonial oil painting from the 18th century, depicting Saint Mary Magdalene in a richly detailed composition. This piece showcases the characteristic Cuzco Schoo...

Rare 18th-Century Spanish Colonial Painting – Nun in Memento Mori Iconography An exceptional 18th-century Spanish Colonial oil painting on canvas, depicting a veiled nun in a strikin...

Presenting a rare and captivating Peruvian Cusco School painting from the mid 19th century, depicting the beloved figure of San Isidoro, the patron saint of farmers and laborers. Thi...

Impressive antique wall panels crafted in hardwoods and paint decorated in floral motifs retrieved as architectural remnants from an Addison Mizner Palm Beach Estate.

Manuel Espinosa y Carbia (Spanish, b. 1840) A Fine Watercolor on cardboard depicting a seated Maja Lady wearing traditional Spanish clothing, a shawl over her lap and holding a fan, ...

“La Merienda” written at the bottom of this cartoon, refers to a light meal served between lunch and dinner. At the top is written “Goya”, which pertains to the known Spanish artist, one of the greatest Old Masters. In 1775 he was employed by the Royal Tapestry...

1947 Una Mañana En Enero by Antonio Ballerini Painting. Newly framed in gold giltwood frame. Painting includes COA and artist information from the gallery it was purchased from in Bu...

18th century large Spanish Colonial oil on canvas painting of El Escriban, or The Scribe’, St. Augustine. Rich colors of red, gold, silver and b...

Our Lady of Valvanera, oil on copper. Spain, 17th century. Height: 20 cm - Width: 14.4 cm. Certificate of Govaert, 1986. Our Lady of Valvanera The Virgin of Valvanera is a Marian devotion from the Sierra de la Demanda, in La Rioja (Spain), a community of which she is the patron saint and one of the patron saints of the autonomous communities of Spain. The current image is a carving considered to be early Romanesque, from the end of the 11th century AD or beginning of the 12th century AD. The Catholic Church commemorates the feast of the devotion on September 8. The appearance of the image is recounted in the Historia Latina, written in 1419 by Rodrigo de...

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

This exquisite early 18th-century Spanish Colonial oil painting, originating from Bolivia, portrays “Mary, Queen of Heaven.” With meticulous craftsmanship, it illustrates the Coronat...

18th Century Spanish Colonial Painting of Christ on the Cross with a floral border. Painting inscribed at bottom BER DADERAFE DELSD LOS MILAGROS(translates to “True Faith of the Lord...

1950 oil on canvas, The lagoon, Valencia, Spain signed by Lopez with a beautiful frame Traditional landscape of Valencia Called "Albufera".

KAY YUM - Untitled (Portrait of a Mexican Girl) - Mid Century Latin American oil painting on canvas - contained in a vintage frame with linen line...

Gonzalez Alacreu is already a Classic, as is also a great impressionist, since Impressionism is the Classic art of the last two centuries of painting, and when we see children and wo...

An outstandig early 18th Century Spanish Colonial oil on canvas depicting Mary and The Holy Trinity, or "Mary Queen of Heaven". You can notice th...

Rare 18th century Spanish Colonial "Christ Ascending" on Canvas. There is a figure of Christ below a cross.

A. DE CORTÉS - Vintage Latin American school airbrush still life painting on panel - signed lower right - untitled - unframed - late 20th century. Excellent vintage condition - st...

Large oil painting of the holy family on hand woven canvas. Peruvian or Bolivian. Acquired from an estate in the San Francisco Bay Area f...

This exquisite 18th-century Peruvian oil on canvas is a masterful example of Spanish Colonial art, embodying the profound devotion and artistic sophistication of the period. The pain...

This magnificent 18th-century Spanish Colonial oil painting is a remarkable example of religious art, showcasing a stunning depiction of the Dormition of the Virgin. Measuring grandl...

This late 17th-century oil on canvas from Peru, depicting the Virgin Mary and baby Jesus, is a striking example of Spanish Colonial art. The work reflects the deep religiosity and de...

18th-Century Peruvian Spanish Colonial Oil on Canvas - Saint Christopher This 18th-century Spanish Colonial oil on canvas, depicting Saint Christopher carrying the Christ Child, is a striking example of Peruvian Cusco School religious art. With its bold composition, expressive figures, and rich color palette, this piece embodies the grandeur of colonial-era ecclesiastical painting...

This 17th-century oil on canvas from Spanish Colonial Peru features a striking depiction of Our Lady of Sorrows. The Virgin is shown with a somber expr...

Zocalo Oil Painting by Mexican Artist Jesus Ortiz Tajonar Offered for sale is an original oil painting of Mexico City by the Mexican artist Jesus...

16th Century Spanish Colonial Oil on canvas painting of the Virgin of the Immaculate Conception. In this representation of the Virgin Mary being f...

18th century painting of San Geronimo, oil on canvas laid on wood board. It was later placed in a restored 19th century wood and gesso frame. There is no signature.

Spanish Colonial Penitent Mary Magdalene Original oil on canvas painting XIX century Details Original period frame. Painting dimensi...

very colorful Fixé-sous-verre (paint under glass), representing a scene of horsemen hunting buffalo, in an oval, on a black background Indo-Portuguese or Philippine work, 18th centu...

A 19th century oil on tin folk retablo San Vicente Ferrer, a Dominican Friar who traveled 21 straight years spreading his faith as a missionary. Saint Vince...

Anonymous – Spanish American Colonial School, 18th Century "Missionary Encounter in a Tropical Landscape" Oil on Canvas A rare and evocative example of 18th-century Spanish American...

A Spanish Colonial painting of Jesus with child from the 19th century. This antique Spanish Colonial painting from Latin American is a beautiful depic...

This 19th century oil on tin folk retablo represents 'San Camilo de Lelis', often referred to as the 'Red Cross Saint' -- a reference to the Red Cross worn on his black habit. San C...

Jose de Alcibar, infant Saint John, signed and dated 1802, oil on copper. This item does not belong to the mexican heritage as it has been acquired and...

This 19th century Mexican oil on tin 'oracion' (prayer) is dedicated to Santa Eduviges. Saint Hedwig is the patroness saint of Bavaria, brides, jealousy and difficult marriages -- kn...

Oil on canvas painting of a floral arrangement with faintains, birds, pears, cherrys and peaches. Spanish colonial 18th Century